Labor’s Untold Story- A Personal View Of The Class Wars In The Kentucky Hills And Hollows-"Hard Times In Babylon"

Hard Times In Babylon- Growing Up Absurd in the 1950's

Markin comment:

For regular readers of this space the following first few paragraphs will constitute something of a broken record. For those who are not familiar this commentary constitutes an introduction to the politics of class struggle as it gets practiced down as the base of society-away from the headlines of the day. As I have mentioned elsewhere, and also in the purpose section of this space, I am trying to impart some lessons about how to push the struggle for working class solidarity forward so that, to put it briefly, those who labor rule.

My political grounding as I have evolved as a communist over the years speaks for itself in my commentaries. The prospective that had been lacking, and which has probably plagued my efforts over the years, since I long ago first started out on my political journey is a somewhat too strong attachment to the theoretical side of the need for socialist solutions. Oddly, perhaps, although I now proclaim proudly that I am a son of the working-class I came to an understanding of the need for the working-class to take power without taking my being part of the class into consideration. One of the tasks that I have tried to undertake in this space over the past year, as a corrective, is to make some commentary about various events in my life that reflect my evolving understanding of class society and the class struggle. I am actually well qualified to undertake that chore.

The impetus for undertaking this task, as may also now be well known to readers, was an unplanned trip back to the old working-class neighborhood of my teenage years. That led to a series of stories about the trials and tribulations of a neighborhood family and can be found in this space under the title History and Class Consciousness- A Working Class Saga (Yes, I know, that is a rather bulky title for a prosaic story but, dear reader, that is the price for my being a ‘political junkie’. If I were a literary type I would probably have entitled it Sense and Sensibility or something like that, oops, that one is taken- but you get the point.).

I have also started another series here, one that indirectly came to life through that trip back to the old neighborhood, entitled Tales From The ‘Hood" going back to my early childhood days as a product of a housing project. However, in that effort I consider myself merely the medium, as the narrator is really a woman named Sherry whom I consider the "the projects" historian. This present series will center on my personal experiences both about the things that formed and malformed me and that contributed to my development as a conscious political activist. The closest I have ever come to articulating that idea through examination of my personal experiences was a commentary written in this space several years ago entitled Hard Times in Babylon (and hence the genesis for the current series title). Even at that, this was more an effort to understand the problems of my parents’ generation, the generation that came of age in the Great Depression and World War II. That, my friends, nevertheless, is probably a good place to take off from here.

The gist of the commentary in Hard Times in Babylon centered on the intersection of two events. One was the above-mentioned trip back to the old neighborhood and the other was a then recent re-reading of famed journalist David Halberstam’s book The Fifties, which covered that same period. His take on the trends of the period, in contrast to the reality of my own childhood experiences as a child of the working poor that missed most of the benefits of that ‘golden age’, rekindled some memories. It is no exaggeration to say that those were hard times in Babylon for the Markin family. My parents reacted to those events one way, one of their sons, this writer another. The whys of that are what I am attempting to bring before the radical public. I think the last lines from Babylon state the proposition as clearly as I can put it. “And the task for me today? To insure that future young workers, unlike my parents in the 1950’s, will have their day of justice.”

There are many myths about the 1950’s, to be sure. One was that the rising tide of the pre-eminent capitalist economy in the world here in America would cause all boats to rise with it. Despite the public myth not everyone benefited from the ‘rising tide’. The experience of my parents is proof of that. I will not go through all the details of my parents’ childhoods, courtship, and marriage for such biographic details of the Depression and World War II are plentiful and theirs fits the pattern. One detail is, however, important and that is that my father grew up in the hills of eastern Kentucky, Hazard, near famed "bloody" Harlan County to be exact, coal mining country made famous in song and by Michael Harrington in his 1960’s book The Other America. This was, and is, hardscrabble country by any definition. Among whites these "hillbillies" were the poorest of the poor. There can be little wonder that when World War II began my father left to join the Marines, did his fair share of fighting in the Pacific, settled in the Boston area and never looked back.

I have related in Tales From The ‘Hood’ some details that my "the projects" historian, Sherry, told me about her relationships with some of the girls from the wealthier part of town with whom we went to elementary school. She spend her whole time there being snubbed, insulted and, apparently, on more than one occasion physically threatened by the prissy girls from the other peninsula for her poor clothing, her poor manners, and for being from the "projects". I will spare you the details here. Moreover, she faced this barrage all the way through to high school graduation. It was painful for her to retell her story, and not without a few tears.

Moreover, it was hard for me to hear because, although I did not face that barrage then, I faced it later when my family moved to the other side of town and kids knew I was from the "projects." I faced that same kind of humiliation on a near daily basis from the boys, mainly. I will, again, spare the details. I can, however, distinctly remember being turned down for a date by an upscale girl in class because, as she made clear to all within shouting distance, although she thought I was personally okay (such nobility) my clothes were "raggedy" and, besides, I did not have a car. That is the face of the class struggle, junior varsity division.

The early years of the Kennedy Administration were filled with hopes and expectations, none more so than by me. As I have noted elsewhere in this space I came of political age with the presidential elections of 1960. This, moreover, was a time where serious social issues such as how to eradicate poverty in America were seriously being discussed by mainstream politicians. I mentioned above the widespread popularity of Michael Harrington’s The Other America and its mention of quintessential other America, including Hazard, Kentucky. But, here is the personal side. One of the most mortifying experiences of my life was when the headmaster of my high school, North Adamsville High, came over the loudspeaker to announce that our high school was going to begin a fundraising drive in earnest to help those less fortunate in Other America. And that other America in this case had a specific name-Hazard, Kentucky. I froze in my seat. Then came the taunts from a couple of guys who knew my father was from there. That is the face of the class struggle, varsity edition

As I finished up my remarks in A Tale of Two Peninsulas trying to sum up the meaning of the events that Sherry had related about her brushes with the class struggle in her youth I asked a couple of rhetorical question. After what I have described here I ask those same questions. Were the snubs and other acts of class hatred due to our personalities? Maybe. Are these mere examples of childhood’s gratuitous cruelty? Perhaps. But the next time someone tells you that there are no classes in this society remember Sherry’s story. And mine. Then remember Sherry’s tears and my red-faced shame. Damn.

Labor’s Untold Story- A Personal View Of The Class Wars In The Kentucky Hills And Hollows-"Our Mother, The Mountain- The Music Of Jean Ritchie"

Our Mother, The Mountain- The Traditional Mountain Music Of Jean Ritchie

CD REVIEW

Mountain Hearth And Home, Jean Ritchie, Rhino Handmade, 2004

The last time that the name of traditional mountain folk singer Jean Ritchie was mentioned in this space was as part of the lineup in Rosalie Sorrel’s last concert at Harvard University that spawned a CD, The Last Go-Round. At that concert she, as usual, she performed, accompanied by her sweet dulcimer, the mountain music particularly the music that she learned in the mountains of Eastern Kentucky and that she has been associated with going back at least to the early 1960’s. Here, in the CD under review, Mountain Hearth and Home, we get a wide range of those traditional mountain songs from those parts that provide something for every palate.

The songs, simple songs of the mountains that befit a simple folk with simple lyrics, chords and instrumentation representing what was at hand, many of which have their genesis back in the hills of Scotland and Ireland, never fail to evoke a primordial response in this listener. The songs speak of the longings created by those isolated spaces; and, occasionally of those almost eternal thoughts of love, love thwarted, love gone wrong or love disappearing without a trace. Or songs of the hard life of the mountains whether it is the hard scrabble to make a life from the rocky farmland that will not give forth without great struggle or of the mines, the coal mines that in an earlier time (and that are making a comeback now out west) represented a key energy source for a growing industrial society. Many a tale here centers on the trails and tribulations of the weary, worked-out mines and miners. Add in some country lullabies, some religiously-oriented songs representing the fundamental Protestant ethic that drove these people and some Saturday dancing and drinking songs and you have a pretty good feel for the range of experience out there in the hills, hollows and ravines of Eastern Kentucky.

Several time over the past year or so I have mentioned, as part of my remembrances of my youth and of my political and familial background, that my father was a coal miner and the son of a coal miner in the hills of Hazard, Kentucky (a town mentioned in a couple of the songs here) in the heart of Appalachia. I have also mentioned that he was a child of the Great Depression and of World War II. He often joked that in a choice between digging the coal and taking his chances in war he much preferred the latter. Thus, it was no accident that when war came he volunteered for the Marines and, as fate would have it, despite a hard, hard life after the war, he never looked back to the mines or the hills. Still this music flowed in his veins, and, I guess, flows in mine.

My Boy Willie

Traditional

Notes: This song has the exact same tunes as the song "The Butcher Boy" and is of a similar theme.

It was early, early in the spring
my boy Willie went to serve the king
And all that vexed him and grieved his mind
was the leaving of his dear girl behind.

Oh father dear build me a boat
that on the ocean I might float
And hail the ships as they pass by
for to inquire of my sailor boy.

She had not sailed long in the deep
when a fine ship's crew she chanced to meet
And of the captain she inquired to
"Does my boy Willie sail on board with you?"

"What sort of a lad is your Willie fair?
What sort of clothes does your Willie wear?"
"He wears a coat of royal blue,
and you'll surely know him for his heart is true".

"If that's your Willie he is not here.
Your Willie's drowned as you did fear.
'Twas at yonder green island as we passed by,
it was there we lost a fine sailor boy".

Go dig my grave long wide and deep,
put a marble stone at my head and feet.
And in the middle, a turtle dove.
So the whole world knows that I died of love.

"The L & N Don't Stop Here Anymore"

When I was a curly headed baby
My daddy sat me down on his knee
He said, "son, go to school and get your letters,
Don't you be a dusty coal miner, boy, like me."

[Chorus:]
I was born and raised at the mouth of hazard hollow
The coal cars rolled and rumbled past my door
But now they stand in a rusty row all empty
Because the l & n don't stop here anymore

I used to think my daddy was a black man
With script enough to buy the company store
But now he goes to town with empty pockets
And his face is white as a February snow

[Chorus]

I never thought I'd learn to love the coal dust
I never thought I'd pray to hear that whistle roar
Oh, god, I wish the grass would turn to money
And those green backs would fill my pockets once more

[Chorus]

Last night I dreamed I went down to the office
To get my pay like a had done before
But them ol' kudzu vines were coverin' the door
And there were leaves and grass growin' right up through the floor

[Chorus]


Come All Ye Fair And Tender Ladies

Come all ye fair and tender ladies
Take warning how you court your men
They're like a star on a summer morning
They first appear and then they're gone

They'll tell to you some loving story
And they'll make you think that they love you well
And away they'll go and court some other
And leave you there in grief to dwell

I wish I was on some tall mountain
Where the ivy rocks were black as ink
I'd write a letter to my false true lover
Whose cheeks are like the morning pink

I wish I was a little sparrow
And I had wings to fly so high
I'd fly to the arms of my false true lover
And when he'd ask, I would deny

Oh love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew

"BLACK IS THE COLOUR"

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

I love my love and well she knows
I love the ground whereon she goes
But some times I whish the day will come
That she and I will be as one

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

I walk to the Clyde for to mourn and weep
But satisfied I never can sleep
I'll write her a letter, just a few short lines
And suffer death ten thousand times

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

Blue Diamond Mines

I remember the ways in the bygone days
when we was all in our prime
When us and John L. we give the old man hell
down in the Blue Diamond Mine

Well the whistle would blow 'for the rooster crow
full two hours before daylight
When a man done his best and earned his good rest
at seven dollars a night

In the mines in the mines
in the Blue Diamond Mines
I worked my life away
In the mines in the mines
In the Blue Diamond Mines
I fall on my knees and pray.

You old black gold you've taken my lung
your dust has darkened my home
And now I am old and you've turned your back
where else can an old miner go


Well it's Algomer Block and Big Leather Woods
now its Blue Diamond too
The bits are all closed get another job
what else can an old miner do?


Now the union is dead and they shake their heads
well mining has had it's day
But they're stripping off my mountain top
and they pay me eight dollars a day


Now you might get a little poke of welfare meal
get a little poke of welfare flour
But I tell you right now your won't qualify
'till you work for a quarter an hour.