Out In The Be-Bop 1960s Night- When The Music’s Over-On The 41st Anniversary Of Janis Joplin’s Death

Click on the headline to link to a YouTube film clip of Janis Joplin and Big Brother and the Holding Company performing the bluesy classic, Piece Of My Heart.

Classic Rock : 1968: Shakin’ All Over, various artists, Time-Life Music, 1989

Scene: Brought to mind by a the cover art on this CD of a Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night.

Josh Breslin (a. k. a. the Prince of Love, although some yellow bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or some place like that) was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, even hanging around with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish some paper on the zodiac signs and their meaning for the new age rising. Ya, okay Gypsy, do what you have to do. Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, autumns of drugs, winters of discontent, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of King’s had taken a lot out of him, including his weight, weight loss that his already slim runner’s frame could not afford.

Moreover, now the chickens were coming home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed that he would enter State U in the fall (University of Maine, for those who did not know). After a summer of love with Butterfly Swirl though (his temperature rose every time he thought about her and her cute little tricks to get him going sexually even now) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” he decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.

What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Peter Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.

Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Ruby although she seemed slow, very slow, to get his message). Josh, throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. He got surprised one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.

What got him really going though were the women singers, Sippie Wallace, mad Bessie Smith, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog that made Elvis' seem kind of punk, and best of all Piece Of My Heart.

Then one night Ruby took him to club over in Monterrey, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting work at the Monterrey Pop Festival each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl, ya just a wisp of a girl, from Podunk, Texas, or maybe Oklahoma who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster. Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. What a night, what a blues singer.

Just now though Ruby Red Lips came over to him, kind of perky and kind of with that look in her that he was getting to catch on to when a girl was interested in him and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either) figured he could go back to old life Olde Saco by late August and still be okay but he had better grab Ruby now while he could.

The Heart Of The San Francisco Fillmore Night, Circa 1967

Click on the headline to link to a YouTube film clip of The Jefferson Airplane performing their classic wa-wa song Someone To Love to give a flavor of the times to this piece

Scene: Brought to mind by one of the songs in this compilation, The Jefferson Airplane’s Fillmore West-driven classic wa-wa song, Someone To Love.

It wasn’t my idea, not the way I was feeling then although I had “married” them under the stars one night, one late June night, in this year of our summer of love 1967. Married Prince Love (a.k.a. Joshua Breslin, late of Olde Saco High School Class of 1967, that’s up in Maine) and Butterfly Swirl (a.k.a. Kathleen Clarke, Carlsbad High School Class of 1968, that’s down south here in California), my “family” as such things went on the merry prankster yellow brick road bus that brought us north to ‘Frisco. I had only “adopted” the Prince here on Russian Hill one day when he was looking for dope. Before that I had traveled all through the great western blue-pink night, as my North Adamsville corner boy friend, Peter Paul Markin, would say from Ames, Iowa where I got “on the bus,” the Captain Crunch merry prankster bus).

I brought Butterfly and Lupe Matin (her Ames “road” name then although now she is going under the name Lance Peters. No, don’t get the idea she has gone male, no way, no way in freaking hell and I have the scars on my back to prove it. It’s just her, well, thing, the name-changing thing, and her real name anyway is Sandra Sharp from Vassar, that’s a high–end New York college for women, okay) up here for a serious investigation of the summer of love we kept hearing about down in Carlsbad where we camped out (actually we looked out for the estate of a friend, or maybe better an associate, of our “leader,” Captain Crunch, as care-takers). Yes, the “old man,” me, Far-Out Phil (a. k. a. Phil Markin, North Adamsville Class of 1964, that’s in Massachusetts, okay) married them but I was not happy about it because I was still not done with Butterfly myself. Only the residual hard-knocks North Adamsville corner boy in me accepted, wise to the ways of the world, that Butterfly had flown from me.

It was all Captain Crunch’s idea, although Mustang Sally (a. k. a. Susan Stein), if she was talking to the Captain (a. k. a Samuel Jackman) just then, which was always a sometime thing lately since she had taken up with a drummer from one of the myriad up-and-coming “acid rock” bands that had sprouted out of the Golden Gate night, The Magic Mushrooms, and the Captain was not pleased, not pleased at all, probably was the real force behind the idea. The idea? Simple enough, Now that they, the they being the thousands of young people who had fled, fled a millions ways, west, were about creating a merry prankster yellow bus world on the hills of San Francisco the notion that Prince Love and Butterfly Swirl were “married” under the sign of “Far-Out Phil and would have now have a proper bourgeois “wedding reception” was impossible. Celebrate yes, no question. Celebrate high and hard, no question. But the times demanded, demanded high and hard, some other form of celebration. And that is where the Captain (or, as seemed more and more likely once more facts came out, Mustang Sally) hit his stride.

Here is the “skinny.” The Captain knew somebody, hell the Captain always knew somebody for whatever project he had in mind, connected to the Jefferson Airplane, a hot band that was going to be playing at the Fillmore that next Saturday night. And that somebody could get the Captain twenty prime tickets to the concert. [Everybody suspected that the deal was more nuanced than that, probably the tickets for a batch of Captain-produced acid, or in a two-fisted barter, a big pile of dope, mary jane most likely, from somebody else for something else and then a trade over for the tickets. That high finance stuff was never very clear but while nobody worried much about money, except a few hungry times out in some god-forsaken desert town or something, there usually was plenty of Captain dough around for family needs.] So the Captain’s idea was that this concert would be an electric kool-aid acid test trip that was now almost inevitably part of any 1967 event, in lieu of that bourgeois (the Captain’s word, okay) wedding reception. And, see, the Prince and Butterfly, were not to know because this was going to be their first time taking some of that stuff, the acid (LSD, for the squares, okay). And once the acid hit the Captain said, and the rest of us agreed, there would be no sorrow, no sorrow at all, that they had not had some bogus old bourgeois wedding reception.

Saturday night came, and everybody was dressed to the nines. (Ya, that’s an old Frankie Riley, North Adamsville corner boy leader, thing that I held onto, still do, to say hot, edgy, be-hop.) Let’s just concentrate on the “bride” and “groom” attire and that will give an idea of what nines looked like that night. Butterfly, a genuine West Coast young blonde beauty anyway, formerly hung-up on the surfer scene (or a perfect-wave surfer guy anyway), all tanned, and young sultry, dressed in a thin, almost see-through, peasant blouse. According to Benny Buzz, a kind of connoisseur on the subject, it wasn’t really see-through but he lied, or close to it, because every guy in the party or later, at the concert, craned his neck to look at the outline of her beautiful breasts that were clearly visible for all to see. And while she may have been “seek a new world” Butterfly Swirl she was also an old-fashioned “tease,” and made no apologies for being so. She also wore a short mini-skirt that was de rigueur just then that highlighted her long well-turned legs (long flowing skirts were to come in a little later) and had her hair done up in an utterly complicated braid that seemed impossible to have accomplished piled high on her head, garlands of flowers flowing out everywhere, and silvery, sparkling, starry mascara eyes and ruby-red, really ruby red lips giving a total effect that even had the Captain going, and the Captain usually only had his eyes, all six of them, fixed on Mustang Sally.

And the “groom”? Going back to Olde Saco roots he wore along with his now longer flowing hair and less wispy beard an old time sea captain’s hat, long flared boatswain's whites, a sailor’s shirt from out of old English Navy times and a magical mystery tour cape in lieu of the usual rough crewman's jacket. A strange sight that had more than one girl turning around and maybe scratching her head to figure out his “statement.” That didn’t however stop them from looking and maybe making a mental note to “try him out” sometime. (By the way, I told the Captain later that the Prince had no idea of making a statement and, being more than a little stoned on some leftover hash that he found around he just grabbed what was at hand).

Now back to the action. In order to “fortify” everyone for the adventure the Captain proposed a “toast” to the happy couple before we left the merry prankster yellow bus to make the one mile trip to the Fillmore. So everybody, including the bride and groom toasted with Dixie cups of kool-aid. The Prince and Butterfly were bemused that, with all the liquor available around the bus, the Captain proposed to use kool-aid for the toast. Well, we shall see. And they shall see.

And they “saw,” or rather saw once the acid (LSD) kicked in about an hour later, more or less. Now what you “see” on an acid trip is a very individual thing, moreover other than that powerful rush existential moment that you find yourself living in it defies description, literary niceness description, especially from a couple of kids on their “wedding night.” So what is left? Well, some observations by “father” Far-Out Phil, now a veteran acid-eater, as I hovered over my new-found “family” to insured that they made a safe landing.

The first thing I noticed was that Butterfly Swirl was gyrating like crazy when the female singer in front of Jefferson Airplane, Grace Slick, started up on their acid rock anthem, White Rabbit. Some of Butterfly’s moves had half the guys in the place kind of male hippie “leering” at her (mainly giving her a sly nod of approval, and making a mental note to check her out later when the dope hit her at the high point in another couple of hours or so). (Remember she had on that diaphanous peasant blouse, and also remember that sexual thoughts, leering sexual thoughts or not, did not fade away when under the influence of LSD. In many cases the sexual arousal effect was heightened, particularly when a little high- grade herb was thrown into the mix.) I thought nothing in particular of her actions just then, many guys and girls were gyrating, were being checked-out and were making mental notes of one kind or another. It is only when Butterfly started to “believe” that she was Alice, the Alice of the song and of wonderland, and repeated “I am Alice, I am alive,” about thirteen times that I moved over to her quickly and gave her a battle-scarred veteran’s calming down, a couple of hits off the Columbia Red that I had just coped from some freak.

And where was Prince Love during the trial by fire honeymoon night? Gyrating with none other than Lance Peters, who you may know as Luscious Lois or seven other names, by who was my main honey now that Butterfly has flown my coop. But don’t call her Lance Peters this night because after a tab of acid (beyond her congratulations kool-aid cup earlier) she is now Laura Opal in her constant name-game change run through the alphabet. Prince Love had finally “seen” the virtues of being with older woman like I had learned back in Ames Iowa time, an older voluptuous woman and although she was wearing no Butterfly diaphanous blouse Prince felt electricity running through his veins as they encircled each other on the dance floor. Encircled each other and then, slyly, very slyly, I thought when I heard the story the next day, backed out of the Fillmore to wander the streets of Haight-Ashbury until the dawn. Then to find shelter in some magic bus they thought was the Captain’s but when they were awoken by some tom-toms drumming out to eternity around noontime found out that they were in the “Majestic Moon” tribe’s bus. No hassle, no problem, guest always welcome. Ya, that is the way it was then. When I cornered, although corned may be too strong a word, the Prince later all that he would commit to was that he had been devoured by Mother Earth and had come out on the other side. That, and that he had seen god, god close up. Laura Quirk, if she is still running under that name now, merely stated that she was god. Oh ya, and had seen the now de rigueur stairway to heaven paved with brilliant lights. She certainly knew how to get around her Phil when the deal went down, no question.

And how did the evening end with Butterfly and me, after I “consoled” her with my ready-teddy herbal remedy? After a search for Prince and Lance, a pissed off search for me, we went over into a corner and started staring at one of the strobe lights off the walls putting ourselves into something of a trance-like mood. A short time later, I, formerly nothing but a hard-luck, hard-nosed, world-wide North Adamsville corner boy in good standing started involuntarily yelling, “I am Alice, I am alive,” about ten times. Butterfly though that was the funniest thing she had ever heard and came over to me and handed me a joint, a joint filled with some of that same Columbia Red that settled her down earlier. And I, like Butterfly before me, did calm down. Calmed down enough to see our way “home” to Captain Crunch’s Crash-Pad where we, just for old time’s sake, spend the hours until dawn making love. (I send my apologies to those two thousand guys at the Fillmore who had made notes to check on Butterfly later. Hey, I was not a king hell corner boy back in the North Adamsville be-bop night for nothing. You have to move fast sometimes in this wicked old world, even when the point was to slow the circles down.) Asked later what her “trip” had felt like all Butterfly could utter was her delight in my antics. That, the usual color dream descriptions, and that she had climbed some huge himalaya mountain and once on top climbed a spiraling pole forever and ever. I just chuckled my old corner boy chuckle.

And what of Butterfly and Prince’s comments on their maiden voyage as newlyweds? They pronounced themselves very satisfied with their Fillmore honeymoon night. They then went off for what was suppose to be a few days down to Big Sur where Captain Crunch had some friends, Captain had friends everywhere, everywhere that mattered, who lent them their cabin along the ocean rocks and they had a “real” honeymoon. A few weeks later Prince Love, now a solo prince, came back to the bus. It seems that Butterfly had had her fill of being “on the bus,” although she told the Prince to say thanks to everybody for the dope, sex, and everything but that at heart her heart belonged to her golden-haired surfer boy and his search for the perfect wave.

Well, we all knew not everybody was build for the rigors of being “on the bus” so farewell Kathleen Clarke, farewell. And just then, after hearing this story, I thought that Prince had better keep his Olde Saco eyes off Lannie Rose (yes she has changed her name again) or I might just remember, seriously remember, some of those less savory North Adamsville be-bop corner boy nights. Be forewarned, sweet prince.

Out In The Be-Bop, Be-Bop 1960s Night- The Great San Francisco Summer Of Love Explosion- In The Heart Of The Fillmore Night

Click on the headline to link to a YouTube film clip of The Jefferson Airplane performing their classic wa-wa songSomeone To Love to give a flavor of the times to this piece

CD Review

Classic Rock: 1967, various artists, Time-Life Music, 1988

Scene: Brought to mind by one of the songs in this compilation, The Jefferson Airplane’s Fillmore West-driven classic wa-wa song, Someone To Love.

It wasn’t my idea, not the way I was feeling then although I had “married” them under the stars one night, one late June night, in this year of our summer of love 1967. Married Prince Love (a.k.a. Joshua Breslin, late of Olde Saco High School Class of 1967, that’s up in Maine) and Butterfly Swirl (a.k.a. Kathleen Clarke, Carlsbad High School Class of 1968, that’s down south here in California), my “family” as such things went on the merry prankster yellow brick road bus that brought us north to ‘Frisco. I had only “adopted” the Prince here on Russian Hill one day when he was looking for dope. Before that I had traveled all through the great western blue-pink night, as my North Adamsville corner boy friend, Peter Paul Markin, would say from Ames, Iowa where I got “on the bus,” the Captain Crunch merry prankster bus).

I brought Butterfly and Lupe Matin (her Ames “road” name then although now she is going under the name Lance Peters. No, don’t get the idea she has gone male, no way, no way in freaking hell and I have the scars on my back to prove it. It’s just her, well, thing, the name-changing thing, and her real name anyway is Sandra Sharp from Vassar, that’s a high–end New York college for women, okay) up here for a serious investigation of the summer of love we kept hearing about down in Carlsbad where we camped out (actually we looked out for the estate of a friend, or maybe better an associate, of our “leader,” Captain Crunch, as care-takers). Yes, the “old man,” me, Far-Out Phil (a. k. a. Phil Markin, North Adamsville Class of 1964, that’s in Massachusetts, okay) married them but I was not happy about it because I was still not done with Butterfly myself. Only the residual hard-knocks North Adamsville corner boy in me accepted, wise to the ways of the world, that Butterfly had flown from me.

It was all Captain Crunch’s idea, although Mustang Sally (a. k. a. Susan Stein), if she was talking to the Captain (a. k. a Samuel Jackman) just then, which was always a sometime thing lately since she had taken up with a drummer from one of the myriad up-and-coming “acid rock” bands that had sprouted out of the Golden Gate night, The Magic Mushrooms, and the Captain was not pleased, not pleased at all, probably was the real force behind the idea. The idea? Simple enough, Now that they, the they being the thousands of young people who had fled, fled a millions ways, west, were about creating a merry prankster yellow bus world on the hills of San Francisco the notion that Prince Love and Butterfly Swirl were “married” under the sign of “Far-Out Phil and would have now have a proper bourgeois “wedding reception” was impossible. Celebrate yes, no question. Celebrate high and hard, no question. But the times demanded, demanded high and hard, some other form of celebration. And that is where the Captain (or, as seemed more and more likely once more facts came out, Mustang Sally) hit his stride.

Here is the “skinny.” The Captain knew somebody, hell the Captain always knew somebody for whatever project he had in mind, connected to the Jefferson Airplane, a hot band that was going to be playing at the Fillmore that next Saturday night. And that somebody could get the Captain twenty prime tickets to the concert. [Everybody suspected that the deal was more nuanced than that, probably the tickets for a batch of Captain-produced acid, or in a two-fisted barter, a big pile of dope, mary jane most likely, from somebody else for something else and then a trade over for the tickets. That high finance stuff was never very clear but while nobody worried much about money, except a few hungry times out in some god-forsaken desert town or something, there usually was plenty of Captain dough around for family needs.] So the Captain’s idea was that this concert would be an electric kool-aid acid test trip that was now almost inevitably part of any 1967 event, in lieu of that bourgeois (the Captain’s word, okay) wedding reception. And, see, the Prince and Butterfly, were not to know because this was going to be their first time taking some of that stuff, the acid (LSD, for the squares, okay). And once the acid hit the Captain said, and the rest of us agreed, there would be no sorrow, no sorrow at all, that they had not had some bogus old bourgeois wedding reception.

Saturday night came, and everybody was dressed to the nines. (Ya, that’s an old Frankie Riley, North Adamsville corner boy leader, thing that I held onto, still do, to say hot, edgy, be-hop.) Let’s just concentrate on the “bride” and “groom” attire and that will give an idea of what nines looked like that night. Butterfly, a genuine West Coast young blonde beauty anyway, formerly hung-up on the surfer scene (or a perfect-wave surfer guy anyway), all tanned, and young sultry, dressed in a thin, almost see-through, peasant blouse. According to Benny Buzz, a kind of connoisseur on the subject, it wasn’t really see-through but he lied, or close to it, because every guy in the party or later, at the concert, craned his neck to look at the outline of her beautiful breasts that were clearly visible for all to see. And while she may have been “seek a new world” Butterfly Swirl she was also an old-fashioned “tease,” and made no apologies for being so. She also wore a short mini-skirt that was de rigueur just then that highlighted her long well-turned legs (long flowing skirts were to come in a little later) and had her hair done up in an utterly complicated braid that seemed impossible to have accomplished piled high on her head, garlands of flowers flowing out everywhere, and silvery, sparkling, starry mascara eyes and ruby-red, really ruby red lips giving a total effect that even had the Captain going, and the Captain usually only had his eyes, all six of them, fixed on Mustang Sally.

And the “groom”? Going back to Olde Saco roots he wore along with his now longer flowing hair and less wispy beard an old time sea captain’s hat, long flared boatswain's whites, a sailor’s shirt from out of old English Navy times and a magical mystery tour cape in lieu of the usual rough crewman's jacket. A strange sight that had more than one girl turning around and maybe scratching her head to figure out his “statement.” That didn’t however stop them from looking and maybe making a mental note to “try him out” sometime. (By the way, I told the Captain later that the Prince had no idea of making a statement and, being more than a little stoned on some leftover hash that he found around he just grabbed what was at hand).

Now back to the action. In order to “fortify” everyone for the adventure the Captain proposed a “toast” to the happy couple before we left the merry prankster yellow bus to make the one mile trip to the Fillmore. So everybody, including the bride and groom toasted with Dixie cups of kool-aid. The Prince and Butterfly were bemused that, with all the liquor available around the bus, the Captain proposed to use kool-aid for the toast. Well, we shall see. And they shall see.

When Prince Love Loved In The 1967 San Francisco Summer Of Love

“Jesus, I never thought I would get here and here I am in San Francisco all in one piece standing at the foot of Russian Hill where all the “hippies” were hanging out before they went over to Golden Gate Park and “blew” their minds,” Joshua Breslin (a.k.a. Prince Love or Prince, and hereafter so identified), late of Olde (very old to hear him tell it) Saco (Maine) High School Class of 1967, but just now of youth nation, youth nation descending on friendly, friend-sized, go West young man (and woman), go West, heaven said to his boon companion of three days, Benny Buzz (real name Lawrence Stein, Brooklyn High School of Science, Class of 1967), also currently of youth nation. It was Benny Buzz who, having the vast experience of having been in ‘Frisco for a week now, and having “been up the hill,” who guided Prince Love to the foot of Russian Hill in preparation for, well, for his first summer of love experience. No, not the eternal teen summer of love at some beach, camp or vacationland amusement park where boys ogle girls (and they back, maybe) but the long expected jail break-out from the squares, from the cradle to grave plan-every-step world, and from the hassles, man, just the hassles.

Yes, Prince Love, could write the book on hassles, hassles followed by man, or not. Just a few week before he, having just graduated from Olde Saco High, had a “job offer,” a job working as a janitor in Shepard’s Textile Mill, ya, the ones who make those “boss” sweaters the girls are all crazy for these days. Crazy for in winter anyway because right now warm suns, California, Denver, hell even Maine suns, require nothing more than some skimpy top, shoulders showing, and a pair of shorts, short shorts depending on the legs or vanity. His father, Prescott, a long time employee of the mills, the lifeblood of Olde Saco just then, “pulled a few wires” to get him the job for the summer before he went off to State U in the fall. Last year, last year when he was nothing but a raw hang-out in front of the Colonial Doughnut Shoppe on Main Street (officially U.S. Route 1) with his boys (and occasionally girls, but only for a few moments while they picked up their orders) he would have jumped with both feet, maybe with both hands and feet, at the job to get some money for college.

But that was then and this is now, as they say. Now, or rather the now just a few weeks or so before he got to the foot of Russian Hill, he had received word through that mysterious youth nation grapevine that parents, squares, cops, and authority guys were frantic to figure out, but who, in the end, were clueless about, of a “great awakening” that was going on in ‘Frisco and that news fed, fed deep, into the wells of the discontent he was feeling, about his own desire to break-out from the squares, from the cradle to grave plan-every-step world, and from the hassles, man, just the hassles mentioned before. The grapevine, by the way, was not all that mysterious. Some young, long-haired, wild-looking guy dressed in a blotted multi-colored shirt (later he found out such things were called tie-dyed) from the West Coast had come east to see his grandparents who lived on Olde Saco Beach a few miles down the road and had run into Prince Love at the doughnut shop when he was looking for some joe and cakes to tide him over before a walk on the beach and told him about what was happening on the West Coast. Simple as that, okay.

That information, those pressing on the brain existential jail-break things, and well, he had just broken up with his girl, his long-time high school honey, Julie Cobb, were what drove him to seek the road west. Simple as that. Well not so simple, really, because, if the truth be known, Julie left him for another guy, an older guy who was already working in the mills (not Shepard’s but Cullen’s, the high society linen-makers), had some dough, had a boss 1964 Mustang and, most importantly, wanted to get married, and pretty soon too. That was the sticking point between the Prince and Julia, the marriage game thing that had been going on in the town since, since, well Prince didn’t know but it was pretty common. Graduate Olde Saco, work in the mills, get a couple of bucks, get married, get a tiny house on Atlantic Avenue, maybe, have two point six children, throw in a dog or two cats, and then finish up whitewashing that picket fence in front of the house with the grandchildren. No sale, not for Prince Love. He was going to college, leave the dust of that old town behind, and make a name for himself at something before he settled down in not-Olde Saco, maybe, maybe on the settle down. And from what he heard on his way west, and since he had arrived in San Fran a lot of people were feeling, wondering, groping for some answers just like him. And, ya, looking to try some dope, listen to some far-out music, grab some cool chick to shack up with, and really leave that hometown dust behind before going back east for the fall semester of school.

Now you are filled in, a little, on the what and the why of Prince (and Benny Buzz who however is right then leaving Prince to go see a man, well, go see a man about something, let’s just leave it at that) being on Russian Hill, that classic San Francisco hill mentioned a while back. A hill not previously known to first time ‘Frisco Prince Love, although maybe to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working it way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away.

I just remembered, you know everything, everything except how Prince Love got here which is not a big deal since he took some dough he had originally saved up for college and used it for the Greyhound bus fare to get him here. Not for him the hitchhike road through every back road. Not for him merry prankster buses driven by mad-monk zen masters in the heated western night.

Why? Well, come on now, not everybody got every piece of news, especially in Podunk Maine, about the ways west, VW bus west, stick-out-the-thumb west and that there were people, your kind of people, ready to pick you up and take you down the road a piece. Even backing up on super-highway interstates to pick up a fellow youth nation straggler left on some desolate stretch fair game for hungry police eyes. Besides, after about a two-day bout with his parents about not taking that summer job, using the dough for college for such foolishness (to quote his everywoman mother), and other assorted arguments, family arguments started back in childhood, he had promised them to take the bus west. Let’s just say hassles, man, hassles and be done with it. And now we are done with past.

Right then though, after saying a few things in parting to Benny Buzz about catching up with each other later, as he started walking up the hill toward the entrance to the mini-“people’s park” that was about half way up Russian Hill Prince spied a tall young man, maybe a few years older than him although such things were always hard to tell with older looking beards, drug haggards, and glazed looks. He was, at second glance, tall but not as tall as Prince, lanky, maybe not as lanky as him either and from the look of him his drug stews diet had taken some additional pounds off, and some desire for pounds as well, not really normally lanky. Dressed, always worthy of description in 1967 “Frisco, male or female, in full “hippie” regalia (faded olive drab World War II army jacket, half-faded blue jeans, bright red bandanna headband to keep his head from exploding, striped checkerboard flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, with roman sandals on his feet). And to draw the eye more fully to the scene he is sitting with two foxy-looking young women. One, the younger one, maybe a high school student, blonde, blue-eyed, slender, short shorts belying West Coast origin, and de rigueur practical road-worthy peasant blouse. A poster child for San Francisco summer of love if he ever saw one, and of his own feverish Maine night teenage desire summer or winter of love now that Julia was past. The other women, whom he found out later called herself Lupe Matin just then although the Prince found out that she had run through several monikers previously, a college student for sure , dark-haired, dark-eyed, slightly voluptuous, seemingly a little out of place, out of figuring place, with her current male companion completed the entourage. (Her real name, Susan Sharp, Vassar College, Class of 1966, and “trying to find herself.”)

Prince cast several glances at that regal company, nodded slightly, a knowing nod, eyes fixed, as was the fashion just then, and then turned around and asked to no one in particular but kind of zeroing in on the blonde (ya, he had a thing for blondes, see Julia was just that same kind of waspy blonde, minus the tan and year-round sunshine, that he fell for, fell for hard and fast), “Got some dope, for a hungry brother?” The male, who Prince would later come to know as Far-Out Phil (Phillip Larkin, North Adamsville, Massachusetts, Class of 1964), looked at him in a bemused manner (nice touch, right). Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have, thought Far-Out to himself, been Phil’s brother, biological brother.

That line, that single Prince Love line, could have been echoed a thousand, maybe ten thousand times that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like-minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Red for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Joshua Breslin. And, maybe, including the women too.

And, of course, as well was that sense that Far-Out had that he and Prince Love were kindred was based on the way that the Prince posed that first question. His accent spoke, spoke hard of New England, not Boston but farther north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Prince spilled out his story. Yes, he was from Olde Saco, Maine, born and bred, a working-class kid whose family had worked the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Joshua, after he graduated from high school a few weeks before decided, on a whim (not really a whim though), to head west and check out prospects here on the coast for later use after college. Josh, now fully into his Prince Love self finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies.”

The Prince was just being a little off-handedly flirtatious as was his style when around women, young or old (old being thirty, tops), aiming his ammunition in general but definitely honing in on the blonde, the blonde now identified for all eternity as Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School, California, Class of 1968). (Phil, by the way, never ever said what his reaction to that last part of the Prince’s spiel, the flirtatious part, which seemed, the way it was spoken, spoken by Phil in the re-telling, filled with menace. Girl-taking menace. Well, old North Adamsville corner boy Phil would have felt that way but maybe in that hazed-out summer of love it just passed by like so much air.) Naturally Phil, a lordly road warrior now, "on the bus" now, whatever his possible misgivings, invited the Prince to stay with them, seeing as they were practically neighbors back home. Prince Love was “family” now, and Butterfly seemed gladder than the others of that fact.

And of course, family, meant home, and home for Far-Out, Butterfly Swirl, and Lupe Matin meant the now locally famous (West Coast local, okay) yellow brick road bus now known as Captain Crunch’s Crash Pad (after the owner of the bus, and “leader,” whatever that meant, of the expedition). Prince Love, from the first night, not only felt that he had found a home, a home that he never felt he had in Olde Saco but that whatever happened out here he would survive. And as more dope-filled pipes were passed that night, and as the music played louder into the sea-mist bay night, and lights gleamed from all directions the Prince grew stronger in that conviction. Especially when Far Out Phil, acting out of some old testament patriarchal script, came sauntering over to the Prince around midnight and whispered in his ear, “Butterfly Swirl wants to be with you, okay?” And that night the Prince and Butterfly Swirl were “married.”

Out In The Be-Bop, Be-Bop 1960s Night- The Great San Francisco Summer Of 1967 Love Explosion

Click on the headline to link to a YouTube film clip of Jim Morrison and The Doors performing their signature “acid” rock classic, The End.

Phil Larkin, just then road-weary “Far-Out” Phil Larkin, for those who want to trace his evolution from North Adamsville early 1960s be-bop night “Foul-Mouth” Phil, the vocal terror of every mother’s daughter from six to sixty to full-fledged merry prankster, sat on a June such-and-such a 1967 be-bop night a nameless San Francisco. [Markin: And, occasionally, secret delight of some girls, secret delight of one Minnie Callahan, damns him, for just one example of such girl classmates with his foul mouth back in that North Adamsville night.] Along side him sat new conquest, not conquered with his old time wicked corner boy devil-inspired charm but with mere patter (and dope), new flame Butterfly Swirl met on a La Jolla beach a month or so back, not entirely by accident. And next to her his old flame, old in that quickly met moment, this merry prankster bus flame met in Ames, Iowa last year, accidentally except to those cosmically inclined, and Phil was not one of them not one bit, Luscious Lois. Lois, however, now transformed into Lilly Rose, transformed at the flip of a switch, as was her way when some whim, or some word in the air, hit her dead center. Along the road west, again by whimsy she had been variously, Lupe Matin, Loretta Nova, Lance (figure that one) Opal, and so on. (Phil just got to calling her honey, or sweet pea, and left it at that)

[Markin: Sometime, but not now, remind me to give you my take on this name-changing epidemic. Not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. Hell, I got caught up in it myself, and was, for a time, Blackie Saint James. Yes, remind me.]

Yes, it had been one long roller coaster year for Foul-Mouth. [Markin: Alright, let’s split the difference since I knew him way back when in that weird early 1960s corner boy night when he didn’t know from nothing about which way the winds were blowin’, could have cared less which way they were blowin’, or if they were, and made fun of me, as did Frankie Riley, and a couple of others, although not Sammy Russo, when I said some big changes were coming that would throw off our school, work, green lawn little white house with picket fence, two point four children, mongrel dog futures, and call him Phil from here on in. Foul-mouthed or far out he was some hell-bound character then.) From the bowels of despair rank and file no serious future retail clerk hustling mens’ apparel up at Raymond’s Department Store in slowing dying (dying from suburban mall-itis, then all the rage) Adamsville Center, harassed beyond endurance at home for lacking some unfathomable ambition from dear mother, with an occasional assist from dad (that ambition entailing pursuing some low-rent, GS-10, government job with security unto the grave, egad), and a late sniffing of that wind that this fellow corner boy had predicted was coming although he, this corner boy, was vague on the contours of that change Phil broke out one night.

Literally late one night, one May 1966 night. Around two in the morning, with his earthy belongings on his back in a old time World War II army knapsack picked up at Bill’s Army &Navy Store Phil lit out like Walt Whitman way back when, 19th century when, to places unknown and Jack Kerouac and his gang just a few years, late 1940s when, before for the coast, although if you had mentioned those names to him then he would have stared blankly back at you. Maybe now too. But here, let’s let Phil tell the story for a while about how he got to ‘Frisco and then we’ll see what is up with him and his “family” (okay, okay, Butterfly Swirl and Lilly Rose, if that is her name by the time we back) on that nameless 1967 San Francisco hill:

“Hey, I am no slave to convention, whatever the conventions are, but in those days I looked like a lot of young guys. Longish hair, a beard, a light beard at the time, blue jeans, an army jacket, sunglasses, a knapsack over my shoulder, and work boots on my feet. Sandals would not come until later when I got off the road and was settled in a “pad” [Markin: house, rented or maybe abandoned, apartment, hovel, back of a “free” church, back of a store, whatever, a place to rest those weary bones, or “crash”] in La Jolla and were, in any case, not the kind of footwear that would carry you through on those back road places you might find yourself in, places like Deadwood, Nevada at three in the morning with a ten mile walk to the nearest town in front of you. I mention all this because that “look” gave me the cache to make it on the road when I headed out of the house that Spring 1966 be-bop night after one final argument with dear mother about where I was going, what was I going to do when I got there, and what was I going to do for money. Standard mother fare then, and now I suppose.

So short on dough, and long on nerve and fearlessness then, I started to hitchhike with the idea of heading west to California like about eight million people, for about that same number of reasons, have been heading there since the Spanish, or one of those old time traveling by boat nations, heard about the place. Of course, nowadays I would not think to do such a thing in such a dangerous world, unless I was armed to the teeth and that would take a little edge off that “seeking the newer world” Markin has been blabbing about since about 1960. But then, no problem, let’s get going. Especially no problem when just a few miles into my journey a Volkswagen mini-bus (or van, neither in the same league as the yellow brick road school bus, no way, that I will tell you about later but okay for a long ride, and definitely okay when you are in some nowhere, nowhere Nebraska maybe, back road, hostile territory dominate by squares, squares with guns and other evil implements and they, the VW-ites, stoned, stoned to the heavens stop to ask you directions because they are “lost” and invite you on board) stopped on Route 128, backed up, and a guy who looked a lot like me, along with two pretty young girls said, “where are you heading?” (Okay, okay, Markin, young women, alright.) West, just west. And then the beatified words, “Hop in.”

Most of the road until the Midwest, Iowa is the Midwest, right, was filled with short little adventures like that. A mini-bus frolic for a few hours, or a few days. Maybe a few short twenty miles non-descript square Chevy rides in between but heading west by hook or by crook. Did I like it? Sure I did although I was pretty much an up-tight working class guy (that was what one of those pretty girls I just mentioned called me when I “passed” on smoking a joint and, hell, she was from next door Clintondale for chrissakes) who liked his booze, a little sex [Markin: Phil, come on now, a little?], and just hanging around the old town waiting for the other shoe to drop. But I could see, after a few drug experiences, no, not LSD, that I was starting to dig the scene. And I felt every day that I was out of North Adamsville that I was finally shaking off the layers of dust that I had acquired from that place.

Then one night, sitting in the front seat of a big old Pontiac (not everybody, not every “hip” everybody had the mini-bus, van, or school bus handy for their “search” for the great American night), Big Bang Jane between us, the Flip-Flop Kid driving like god’s own mad driver, smoking a joint, laughing with the couple in back, Bopper Billy and Sweet Pea, we headed into a pay-as-you go roadside camp near Ames out in Iowa. And at that campsite parked maybe five or six places over from where we planted ourselves was god’s own copy of that day-glo merry prankster bus I mentioned before. I flipped out because while I had hear about, and seen from a distance, such contraptions I hadn’t been up close to one before. Wow!

Markin had it just about right when he described that old bus after I told him about it so let me crib what he said:

“A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally good for you locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-swept picnic areas for some fool weenie roast, two yawns there too, when you were a school kid. And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s, come flame or flash-out. Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma”-ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent blogger on the subject has described as the search for the great blue-pink American Western night.”

“Naturally to keep its first purpose intact this heaven-bound vehicle is left with its mustard yellow body surface underneath but over that primer the surface has been transformed by generations (generations here signifying not twenty-year cycles but trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward psychedelic day-glo splashes and zodiacally meaningful symbols. And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey” effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware and nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffle bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean. Let’s put it this way, if someone wants to make a family hell-broth stew or a made-up bed there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food was what you desired in the foreboding 1960s be-bop traveling night you took a cruise ship to nowhere or a train (if you could find one), some southern pacific, great northern, union pacific, and worked out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high- grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically.”

After we settled in at our campsite, the Flip-Flop Kid (and the guy really could never make up his mind about anything, anything except don’t go too close to Big Bang Jane, no kidding around on that), Bopper Billy (who really thought he was king of the be-bop night, but, hell in the North Adamsville corner boy night Frankie Riley, hell, maybe even Markin, would have out be-bopped him for lunch and had time for a nap), Big Bang Jane (guess what that referred to, and she gave herself that nickname, but I never tried to make a move on her because she was just a little too wild, a little too I would have to keeping looking over my shoulder for me then, probably later too when things got even looser. And then there was the Flip-Flop Kid’s warning ), and Sweet Pea (and she was a sweet pea, if Bopper Billy, wasn’t around, well we both agreed there was something there but in those 1966 days we were still half tied up with the old conventions of not breaking in between a guy and his girl, well that was the convention anyway and whether it was generally honored or not, I did honor it) we headed over once we heard the vibes from the sound system churning out some weird sounds, something like we had never heard before. (Weird then, little did we know that this was the wave of the future, for a few years anyway).

Naturally, well naturally after the fact, once we learned what the inhabitants of the bus were about, they invited us for supper, or really to have some stew from a big old pot cooking on a fireplace that came with the place. And if you didn’t want the hell-broth stew then you could partake of some rarefied dope. No, again, no on the LSD thing. It was around, it was around on the bus too, among its various denizens, but mainly it was a rumor, and more of a West Coast thing. In the self-proclaimed, tribal self-proclaimed Summer of Love and after that is when the acid hit, and when I tried it, but not on this trip. This trip was strictly weed, hemp, joint, mary jane, marijuana, herb, whatever you wanted to called that stuff that got you high, got you out of yourself, and got you away from what you were in North Adamsville, Mechanicsville or whatever ville you were from, for a while.

So that night was the introduction to the large economy size search for the freedom we all, as it turned out, were looking for. I remember saying to Sweet Pea as we went back to our campsite (and wishing I wasn’t so square about messing with another guy’s girl, and maybe she was too, maybe wishing I wasn’t so square about it) that we had turned a corner that night and that we had best play it out right then for the chance might not come again.

The next day, no, the next night because I had spent the day working up to it, I became “Far-Out” Phil, or the start of that Phil. Frankly, to not bore you with a pipe by pipe description of the quantity of dope that I smoked (herb, hashish, a little cocaine, more exotic and hard to get then than it became later) or ingested (a tab of mescaline) that day, I was “wasted.” Hell I am getting “high” now just thinking about how high I was that day. By nightfall I was ready for almost anything as that weird music that crept up your spine got hold of me. I just, as somebody put a match to the wood to start the cooking of a tonight pot of stew to keep us from malnutrition, started dancing by myself. Phil Larkin, formerly foul-mouthed Phil, a cagey, edgy guy from deep in corner boy, wise guy, hang-out guy, never ask a girl to dance but just kind of mosey up world started dancing by myself. But not for long because then he, me, took that dance to some other level, some level that I can only explain by example. Have you ever seen Oliver Stone’s film, The Doors, the one that traces the max-daddy rocker of the late 1960s night, Jim Morrison’s career from garage band leader to guru? One of the scenes at one of the outdoor concerts, in a canyon somewhere I think, had him, head full of dope, practically transformed into a shaman. Ya, one of those Indian (Markin: Native American, Phil] religious leaders who did a trance-dance. That was me in late May of 1966, if you can believe that.

And see, although I wasn’t conscious of it first I was being joined by one of the women on the bus, Luscious Lois, whom I had met, in passing, the night before. This Lois, not her real name, as you can tell not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. [Markin: Nice point, Phil, although I already ‘stole’ that point from you before.] Her real name was Sandra Sharp, a college girl from Vassar who, taking some time off from school, was “on the bus” trying to find herself. She was like some delicate flower, a dahlia maybe, like I had never encountered before. I won’t bore you with the forever have to tell what she looked like thing because that is not what made her, well, intriguing, maddeningly intriguing, like some femme fatale in a crime noir film that Markin, from what I can gather, is always running on about. She was pretty, no question, maybe even a dark-haired, dark-eyed beauty if it came to a fair description in the light of day but what made her fetching, enchanting, if that is a different way to say it, was the changes in her facial expressions as she danced, and danced provocatively, dance half-nakedly, around my desire. And I danced, shedding my shirt although I do not remember doing so, and danced half-naked around her desire. Then, faintly like a buzz from some hovering insects, maybe bees, and then more loudly I kept hearing the on-lookers, half-mad with dope and with desire themselves, yelling far out, far out. And Far-Out Phil was born.

Oh, as for Luscious Lois and her desire, well, you figure it out. I might not have been wise to the ways of the Vassar world in those days when such places were bastions to place the young women of the elite and keep them away from clawing upstarts from the corner boy night as I should have been but the rest of my time on the bus was spend hovering around Lois, and keeping other guys away. I even worked some plebeian “magic” on her one night when I started using certain swear words in her ear that worked for me with every Sunday after Mass at Sacred Heart Catholic Church, Millie Callahan, back in the day. Far-Out Phil got a little something extra that night, proper Vassar girl or not.

No offense against Iowa, well only a little offense for not being near an ocean, I think. No offense against the university there, well only a little offense for not being Berkeley, but after about a week of that campsite and its environs I was ready to move on and it did not matter if it was with Flip-Flop and his crowd or with Captain Crunch (the guy who “led” his merry pranksters, real name, Samuel Jackman, Columbia, Class of 1958 who long ago gave up searching, searching for anything, and just hooked into the idea of taking the ride). Captain Crunch, as befitted his dignity (and since it was “his” bus paid for out of some murky deal, probably a youthful drug deal, from what I heard), was merely the “leader” here.

The driving was left to another guy. This driver was not your mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keep in your seats and be quiet while she was driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west) but a very, very close imitation of the god-like prince-driver of the road, the "on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly so no one noticed those bumps (or else was so stoned, drug or music-stoned, that those things passed like so much wind). His name: Cruising Casey (real name, Charles Kendall, Haverford College Class of ’64, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And Cruising was, being just a little older, and about one hundred years more experienced, was also weary, very weary of co-eds, copping dope and, frankly, staying in one place for so long. He also wanted to see his girlfriend or his wife, I am not sure which, in Denver so I knew that was where we were heading. So off we go, let’s get going.

And the passengers. Nobody from the Flip-Flop Express (although Flip-Flop, as usual lived up to his name and hemmed and hawed about it), they were heading back east, back into the dark Mechanicsville night. I tried, tried like hell, to get Sweet Pea to come along just in case the thing with Lois fell apart or she took some other whim into her head. See, re-invented or not, I still had some all-the-angles boyhood rust hanging on me. We knew for sure that Casey was driving, and was still driving effortlessly so the harsh realities of his massive drug intake had not hit yet, or maybe he really was superman. Others whose names I remember: Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), Captain Crunch’s girl friend, (although not exclusively, not exclusively by her choice, not his, and he was not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” had monikers like Silver City Slim, Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he told it), Denver Dennis (from New York City, go figure), and the like. They also had real names that indicated that they were from somewhere that had nothing to do with public housing projects, ghettos or barrios. They were also, or almost all were, twenty-somethings that had some highly-rated college years after their names, graduated or not. And they were all either searching or, like the Captain, were at a stage where they were just hooked into taking the ride.

As for the rest. Well, no one could be exactly sure, by the time the bus approached the outskirts of Denver, as this was strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Wyoming, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town pokey. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music is not for everyone. And while we had plenty of adventures on those strange day roads winding up the crest of the rockies to Denver, thinking back on it now, they all came down to drugs, sex, and rock and roll, with a little food on the side.

Well, except that one time, camping on a primitive clearing, not really a campsite, not a commercial site, no way, near ranch land in some Wyoming Podunk we got the hell scared out of us by some ranchers, some nasty-looking cowboys. Three or four but that was all it took, if you to want to know the truth, who moseyed (and that is exactly the right word because this was THEIR god’s country and moseying was just exactly the way you moved when that hard fact was involved. No city scratching and scrambling to claim your little corner, not for these boys). We could see they were armed, armed to the teeth, not on the off-hand chance they would run into some merry prankster dangers, but carrying that full array of armament was just their normal work conditions, god’s country or not.

This is one time that Captain Crunch really showed his mettle, and acted as an upfront leader. Most of the time he was in a running battle with Mustang Sally over who she was, or was not, sleeping with or he was just controlling the action of the bus indirectly. One maneuver was to always, always, slip off to Cruising any questions about where we were headed or could we stop here or there to see some long lost friend, some scenic view, or any one of a thousand things that come up on a prankster trip, or as I found out later even a square’s kiddies–laden family trip. Straight up Captain, who was not skinny guy and was probably pretty well built before he started his prankster gig although there was some sag now, yelled at the top of his lungs, “You, boys hungry?, We’ve got plenty of stew if you are.” Well, for always lean times, eating from the hip cowboys the idea of having plenty to eat right there in front of you must have been appealing. But the lead cowboy, Joe Bob Buck, was his name, I swear, said in that slow drawl Sam Shepard way, “Nope, but we heard that you guys had some decent dope. Is that straight?” Well, of course that was straight. And in a flash a big pipe of the Captain’s finest was heading Joe Bob’s way. Hey, I guess this was a dope story after all so, ya, I guess it did all come down to just drugs, sex, and rock and roll. But if you want to know what the sixties were about a little if you just think about a clan of hippies sharing a pipe of high-grade Panama with some lonesome cowboys out in Podunk Wyoming and thought nothing of it then you have got the idea.

Oh, sure, we also had our share of “casualties” of war and basket-cases on that trip. It wasn’t all cowboy peace and rockies vistas. I remember, more than once, we had to leave people behind in various emergency rooms suffering from anything from a “bad trip” to normal medical problems or make that call home that spelled the end of the road for some half-dazed kid. Come pick up the wreckage, mom and dad. The worst was some poor bedraggled girl, who probably should not have been allowed to stay because she was a little wacky coming in, who we picked up near some rural bus stop. Captain had a big heart on this “on the bus” question, and unless you proved to be some kind of thief, or something like that you stayed if you wanted to. Anyway this young woman, hardly more than a girl, just started screaming one day, no drugs involved that we knew of , just started creaming and even Captain and Sally couldn’t stop her. We left her in Cheyenne but like a lot of things from that transient time I never did find out what happened to her. Just like some people can’t live in the high altitudes not everybody could survive on the bus. Living out on edge city, and no question we all were, maybe not 24/7 but enough to know that city was our home, is a high wire act and not for the faint of heart.

We, the core of Captain Crunch’s crew anyway, stayed in Denver for a while, for as long as it took Cruising to have his "fill" (his word) of his wife, or girlfriend, or maybe both and was ready to hit the road again. As fall approached the time was the time and we started heading west again, well southwest because Cruising did not want to get catch up in some rockies October whiteout and the rest of us wanted to get the warmth of some desert sun under our skins. Most of us, including me who had never been west of New York City and then just for a moment, had never seen the desert although we all, children of the television 1950s, had ‘seen’ it on the screen in the Westerns. So we were all pumped for desert stones, desert “stones,” and seeking the ghost of the lost tribes, the lost tribes whose shamanic powers has us in thrall. I, personally, was looking forward to investigating some ghost-dancing that I had heard about in Denver and which, as I became more drug-steady, I was dying to “see” a vision of off some wayward canyon wall before some blazing fire evoking dream-trance images.

And so Cruising did his merry prankster bus magic (he really was some zen master with that damn bus, especially for a college guy, and especially when we hit some tough spots where the damn thing would give out and he would “breathe” live back into the thing, like, well, like some zen master). A one time example will suffice. We were heading to Gallup, New Mexico in the heart of Indian country [Markin; Native American, Phil], maybe fifty miles away and not really close to anything like a full-service gas station, when the clutch seized, just seized. Nada, nunca, nada, nothing as we used to say in our corner boy days. Cruising gets out, opens the hood, fools around with this and that and maybe forty-five minutes later we are on the road again. And whatever he did, whatever zen thing he had with that fickle bus, lasted all the way until we hit La Jolla and he had the whole thing worked on. Magic. Captain Crunch mapped out our itinerary and the rest of us got the bus travel-ready, travel-ready being a good cleaning, a re-ordering of the mattresses, and a checking out (and chucking off) of what was necessary and what was not for the trip westward, westward down to New Mexico first.

The desert was all that it was cracked up to be except, being the fall it wasn’t as hot as Cruising said it was when he went through various times in the early or late summer (mid-summer, as I later found out, forget about even in the cooler high desert, low desert, Death Valley desert, forget about you, abandon all ye who enter), the Grand Canyon magnificent, if overused even then, and after that the high desert in California. By then I was getting homesick, no, not homesick for North Adamsville (that would not come until many, many years later), but for my homeland, the sea. I hadn’t been away from an ocean breeze for that long ever and so I missed it. And out in that high desert, high Joshua Tree, Twenty-Nine Palms desert I started to “smell” the ocean. I now had some “rank” on the bus, some say in what we did, or didn’t do, and the Captain liked me, or liked the idea that a working-class kid with some brains and some thoughts (mostly stuff “cribbed” from what Markin use to talk about in those sometimes long, seemingly boring Salducci’s Pizza parlor corner boy nights but it went over, if you can believe that) was traveling along side him. So when I started my “campaign” to head to the ocean, and gained some allies, especially Lois, just then, going under the name Lupe Matin, I think, and Mustang Sally and, most importantly, Cruising didn’t raise an objection I was home free. Come on, let’s get moving.

We wound up in La Jolla, after a few weeks of stopping here and there to see people the Captain (or Sally) wanted to see in Los Angeles ( I never called it LA or La-La Land then just Los Angeles, city of angels) and down in Laguna. Needless to say the Pacific Ocean around La Jolla, and places like that, made our East Coast puddles look sick. La Jolla- English translation, surfers’ paradise, says it all. But the two most important things about La Jolla were that, after months of bus life, we finally were settled in a “pad.” [Markin: house, in this case, or rather something like an ocean view semi-estate owned by some wealthy drug lord known to the Captain, according to the way Phil told it.] Real toilets, real showers, real fireplaces, real everything. Nice, very nice for a poor old working- class boy who a few months earlier was scratching for change to give dear mother some rent for his two by four room. This was to be our winter quarters (and as it turned out spring one as well) and all we had to do was act as caretakers, not real caretakers, like servants, but just make sure nobody stole the family silverware, stole the place, or decided to “squat” there.

This was also where important thing number two came in. Walking along the rock-strewn cove in front of downtown La Jolla, is where I met Butterfly Swirl, my blonde-haired, blue-eyed angel who was just sixteen at the time, a high school student from up in Carlsbad. She was down in La Jolla trying to “find” herself while tagging along with her boyfriend, some eternally blonde, blue-eyed surfer guy from Del Mar, christ. Just then said surfer boy was out looking for the perfect wave, or something, and so I invited Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School Class of 1968) over to La Grande (the name of the estate, hell, they all had names like that) to smoke a little dope. She brightened at that.

Well, of course, I could see where this was heading, if it was heading anywhere what with my one girl-one guy rule (although I admit, admit now not then, now that I think the statute of limitations is probably over on lying to 1967 girlfriends, I went astray a couple of times in Denver and Joshua Tree but those weren’t really girlfriend-worthy trysts). I brought her home, anyway. We had some dope, and had some sex. Simple. And just when I thought I had her safely out the door (literally and figuratively) Lupe stepped into the room. Instead of exploding though, after checking out Butterfly with a bemused look, she said, “Is she staying?” And before I could get word one out Butterfly chirped out, “Yes.” And Lupe said, “Good” in a kind of distracted way. The new age had dawned, praise be. But that was later. Then I just said out loud to no one in particular, “Damn women, I will never figure them out.” And I never have. [Markin: Brother Phil you are preaching to the choir on that one.] That is why, when we headed north for the rumored summer of love in San Francisco a month or so later, I had my angel-devil girlfriends, my “family” as Captain Crunch called them, with me."

Now you are filled in on the what and the why of Phil’s being on that nameless San Francisco hill mentioned a while back. A nameless hill, nameless to first time ‘Frisco Phil, although maybe not to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working it way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away. Right then though a tall young man, well taller than Phil, lanky, maybe not as lanky as Phil with his drug stews diet having taken some pounds off, and some desire for pounds as well, dressed in full “hippie” regalia (army jacket, blue jeans, bandanna headband to keep his head from exploding, striped flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, roman sandals) walked up the street that paralleled the hill the entourage was then planted on, cast a glance as that company, nodded slightly, and then turned around and asked to no one in particular but kind of zeroing in on Butterfly, “Got some dope, for a hungry brother?” Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have been Phil’s brother, biological brother.

That line, that single line, could have been echoed a thousand times, maybe ten thousand times, that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Red for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Joshua Breslin (a.k.a. Prince Love, although don’t hold it against him now if you know, or have seen, Josh lately). And the women, of course.

And, of course, as well was that sense that Far Out had that he and Prince Love were kindred was based on the way that the prince posed that first question. His accent spoke, spoke hard of New England, not Boston but farther north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Josh spilled out his story. Yes, he was from Olde Saco, Maine, born and bred, a working class kid whose family had worked the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Joshua, after he graduated from high school a few weeks before decided, on a whim (not really a whim though), to head west and check out prospects here on the coast. Josh finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies. (Markin: Phil never said what his reaction to that last part was which seemed, the way it was spoken, spoken by Phil in the re-telling, filled with menace. Girl-taking menace. Well, old corner boy Phil menace, hell Markin menace too, would have felt that way but maybe in that hazed-out summer it just passed by like so much air) Everybody else giggled now that they knew the name of this hill that they had been trying to guess the name of for the last half hour when he blurted that out. Naturally Phil, a kingly road warrior now, whatever his possible misgivings, invited Josh to stay with them, seeing as they were practically neighbors back home. Josh was “family” now, and Butterfly seemed gladder than the others of that fact.

But enough of old-time visions, of old time rites of passage, and of foundling dreams. Phil, and his entourage (nice word, huh, no more girlfriend solo, or as here paired, lovingly paired, to be hung up about, just go with the flow). Phil, Butterfly, hell, even jaded Lilly Rose (formerly known as Luscious Lois in case you forgot, or we not paying attention), and now Prince Love, are a “family,” or rather part of the Captain Crunch extended intentional family of merry pranksters. [Markin: Small case, so as not to be confused with their namesakes and models legendary mad man writer Ken Kesey and his La Honda Merry Pranksters, okay] Just yesterday they hit ‘Frisco and had planted their de rigueur day-glo bus in the environs of Golden Gate Park after many months on the road west, and some sitting down time down south in La Jolla. Hearing the siren call buzzing all spring they have now advanced north to feast on the self-declared Summer of Love that is guaranteed to mend broken hearts, broken spirits, broken rainbows, broken china, and broken, well broken everything. The glue: drug, sex, and rock ‘n’ roll, although not just any old-timey be-bop fifties rock and roll but what everybody now calls “acid” rock. And acid, for the squares out there, is nothing but the tribal name for LSD that has every parent from the New York island to the Redwood forests, every public official from ‘Frisco to France, and every police officer (I am being nice here and will not use the oink word) from the Boston to Bombay and back, well, “freaked out” (and clueless). Yes, our Phil has come a long way from that snarly wise guy corner boy night of that old town he lammed out from (according to his told story) just about a year ago.

Or had he? Well, sure Phil’s hair was quite a bit longer, his beard less wispy and more manly, his tattered work boots and later Chuck Taylor sneakers transformed into sensible (West Coast ocean sensible) roman sandals and his weight, well, his weight was way down from those weekly bouts with three-day drug escape, and fearful barely eaten four-in-the-morning open hearth stews, and not much else. And as he sat on that Russian Hill looking out into that bay with his brood he could not even look forward, as he originally planned, to the expectation of just trying LSD for the hell of it in ‘Frisco, having licked it (off a blotter), or drank it (the famous, or infamous, kool-aid fix), several times down in La Jolla. In those lazy hazy days watching the surf (and surfers) splashing against the Pacific world with blond-haired, blue-eyed, bouncy Butterfly, and the raven-haired, dark as night-eyed Lilly Rose, or both listening to the music fill the night air. Not square music either (anything pre-1964 except maybe some be-bop wild piano man Jerry Lee Lewis, or some Chicago blues guitar fired by Muddy Waters or microphone-eating Howlin’ Wolf), but moog, boog, foog-filled music.

Just that Russian Hill minute though, and to be honest, while in the midst of another acid trip (LSD, for the squares just in case you forgot), Phil sensed that something had crested in the approaching blue-pink Pacific night and that just maybe this scene would not evolve into the “newer world” that everybody, especially Captain Crunch, kept expecting any day. Worst, now that he knew that he couldn’t, no way, go back to some department store clerk’s job, some picket-fenced white house with dog, two point three children, and a wife what was to happen to him when Butterfly, Lilly Rose, Joshua, and even Captain Crunch “find” themselves and go back to school, home, academic careers, or whatever. For now though he will just take it all.
***********
The End Lyrics
The Doors
This is the end
Beautiful friend
This is the end
My only friend, the end

Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I'll never look into your eyes...again

Can you picture what will be
So limitless and free
Desperately in need...of some...stranger's hand
In a...desperate land

Lost in a Roman...wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain, yeah

There's danger on the edge of town
Ride the King's highway, baby
Weird scenes inside the gold mine
Ride the highway west, baby

Ride the snake, ride the snake
To the lake, the ancient lake, baby
The snake is long, seven miles
Ride the snake...he's old, and his skin is cold

The west is the best
The west is the best
Get here, and we'll do the rest

The blue bus is callin' us
The blue bus is callin' us
Driver, where you taken' us

The killer awoke before dawn, he put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived, and...then he
Paid a visit to his brother, and then he
He walked on down the hall, and
And he came to a door...and he looked inside
Father, yes son, I want to kill you
Mother...I want to...fuck you

C'mon baby, take a chance with us
C'mon baby, take a chance with us
C'mon baby, take a chance with us
And meet me at the back of the blue bus
Doin' a blue rock
On a blue bus
Doin' a blue rock
C'mon, yeah

Kill, kill, kill, kill, kill, kill

This is the end
Beautiful friend
This is the end
My only friend, the end

It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die

This is the end

Out In The Be-Bop, Be-Bop 1960s Night- The Great San Francisco Summer Of Love Explosion-Or When Owsley Turned The World Upside Down.

Click on the headline to link to a YouTube film clip of The Byrds performing their classic wa-wa songSo You Want To Be A Rock ‘n’ Roll Star to give a flavor of the times to this piece

CD Review

1967: Blowin’ Your Mind, various artists, Time-Life Music, 1990

Scene: Brought to mind by one of the songs in this compilation, The Byrds Filimore West-driven classic wa-wa song, So You Want To Be A Rock ‘n’ Roll Star .

Phil Larkin, now road-weary “Far-Out” Phil Larkin, for those who want to trace his evolution from North Adamsville early 1960s be-bop night “Foul-Mouth” Phil, the vocal terror of every mother’s daughter from six to sixty (and, occasionally, secret delight, secret delight of one Minnie Callahan, damn him, for one of some girl classmates), to full-fledged merry prankster now sits on a 1967 be-bop night San Francisco hill with his new flame Butterfly Swirl, and his old flame, Luscious Lois, now transformed into Lilly Rose, transformed at the flip of a switch, as was her way when some whim, or some word in the air, hit her dead center. (Sometime, but not now, remind me to give you my take on this name-changing epidemic as not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. Yes, remind me.) A nameless hill, nameless to first time ‘Frisco Phil, although maybe not to some ancient Native American shaman delighted to see our homeland the sea out in the bay working it way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away.

But enough of old-time visions, of old time rites of passage, and of foundling dreams. Phil, and his entourage (nice word, huh, no more girlfriend solo, or as here paired, lovingly paired, to be hung up about, just go with the flow). Phil, Butterfly, hell, even jaded Lilly Rose (formerly known as Luscious Lois in case you forgot, or we not paying attention) are a “family,” or rather part of the Captain Crunch extended intentional family of merry pranksters (small case, so as not to be confused with their namesakes and models legendary mad man writer Ken Kesey and his La Honda Merry Pranksters, okay) who just yesterday hit ‘Frisco and have planted their de rigueur day-glo bus in the environs of Golden Gate Park after many months on the road west, and some time down south in La Jolla. After hearing the siren call they have now advanced north to feast on the self-declared Summer of Love that is guaranteed to mend broken hearts, broken spirits, broken rainbows, broken china, and broken, well broken everything. The glue: drug, sex, and rock ‘n’ roll, although not just any old-timey be-bop fifties rock and roll but what everybody now calls “acid” rock. And acid, for the squares out there, is nothing but the tribal name for LSD that has every parent from the New York island to the Redwood forests, every public official from ‘Frisco to France, and every police officer (I am being nice here and will not use the oink word) from the Boston to Bombay and back, well, “freaked out” (and clueless). Yes, our Phil has come a long way from that snarly wise guy corner boy night of that old town he lammed out from (according to his told story) just about a year ago.

Or has he? Well, sure Phil’s hair is quite a bit longer, his beard less wispy and more manly, his tattered Chuck Taylor sneakers transformed into sensible (West Coast ocean sensible) roman sandals and his weight, well, his weight is way down from those weekly bouts with three-day drug escape, and fearful barely eaten four in the morning open hearth stews, and not much else. And as he sits on that nameless hill with his “ladies” he no longer has the expectation of just trying LSD for the hell of it, having licked it (off a blotter), or drank it (the famous, or infamous, kool-aid fix), several times down in La Jolla, watching the surf (and surfers) splashing against the Pacific world with blond-haired, blue-eyed, bouncy Butterfly, and the raven-haired, dark as night-eyed Lilly Rose, or both listening to the music fill the night air. Not square music either (anything pre-1964 except maybe some be-bop wild piano man Jerry Lee Lewis, or some Chicago blues guitar fired by Muddy Waters or microphone-eating Howlin’ Wolf), but moog, boog, foog-filled music.

Just that nameless hill minute though, and to be honest, while in the midst of another acid trip (LSD, for the squares just in case you forgot), Phil sensed that something had crested in the Pacific night and that just maybe this scene will not evolve into the “newer world” that everybody, especially Captain Crunch, keeps expecting any day now. Worst, now that he knows he can’t, no way, go back to some department clerk’s job, some picket-fenced white house with dog, two point three children, and a wife what is to happen to him when Butterfly, Lilly Rose, and even Captain Crunch “find” themselves and go back to school, home, academic careers, or whatever. Heavy, man, heavy.

Those Oldies But Goodies-Folk Branch-Bob Dylan’s “Desolation Row”-In The Summer of Love

Click on the headline to link to a YouTube film clip of Bob Dylan performing Desolation Row.Desolation Row Lyrics

Bob Dylan

They're selling postcards of the hanging
They're painting the passports brown
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They've got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they're restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row.

Cinderella, she seems so easy
"It takes one to know one," she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he's moaning
"You belong to Me I Believe"
And someone says, "You're in the wrong place, my friend
You better leave"
And the only sound that's left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row.

Now the moon is almost hidden
The stars are beginning to hide
The fortunetelling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he's dressing
He's getting ready for the show
He's going to the carnival tonight
On Desolation Row.
Now Ophelia, she's 'neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession's her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah's great rainbow
She spends her time peeking
Into Desolation Row.

Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
You would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row.

Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They're trying to blow it up
Now his nurse, some local loser
She's in charge of the cyanide hole
And she also keeps the cards that read
"Have Mercy on His Soul"
They all play on penny whistles
You can hear them blow
If you lean your head out far enough
From Desolation Row.
Across the street they've nailed the curtains
They're getting ready for the feast
The Phantom of the Opera
In a perfect image of a priest
They're spoonfeeding Casanova
To get him to feel more assured
Then they'll kill him with self-confidence
After poisoning him with words
And the Phantom's shouting to skinny girls
"Get outa here if you don't know"
Casanova is just being punished for going
To Desolation Row.

At midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row.

Praise be to Nero's Neptune
The Titanic sails at dawn
Everybody's shouting
"Which side are you on ?"
And Ezra Pound and T. S. Eliot
Fighting in the captain's tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row.
Yes, I received your letter yesterday
About the time the door knob broke
When you asked me how I was doing
Was that some kind of joke ?
All these people that you mention
Yes, I know them, they're quite lame
I had to rearrange their faces
And give them all another name
Right now I can't read too good
Dont send me no more letters no
Not unless you mail them
From Desolation Row.
********

This is the way it started with Gypsy Love and me. “Hey Mister, do you want to buy some flowers for your girlfriend?” And just then, girlfriend-less, I started to say no but something, something from deep inside me, or maybe her, made me said this, “Sure, but since I don’t have a girlfriend why don’t you just keep them and wear them in your hair.” Something about that sentiment struck a cord in her so we continued to talk, talk a lot for the next several minutes even though many people, many customer people were walking by this moonless night, this moonless Boylston Street 1966 Friday summer night. And that is the way it started, I swear.

Of course Gypsy Love was just the pet name that I gave her a little later, and it is better for all concerned that we just leave it like that, although not for any particular privacy, things better left unsaid, or let sleeping dogs lie reason, it wasn’t like that with us in our time, the time of our time, other than Gypsy Love says more about her, about me, and about what happened to us in those last year days that I want to tell you about than her real name. Naturally, naturally unless you might want to think otherwise, she was no more of a gypsy than I am. Long, flowing blonde hair, fair almost alabaster white skin, flashing blue eyes, bedroom eyes we called them around my old neighborhood, in my old high school days corner boy-sizing up the girls days a few years back, kind of thin, kind of hadn’t had a good meal in a while thin, and wearing no make-up, as is the fashion these days is not my picture, and I am sure not yours either, of a dark-skinned, dark-haired, dancing-eyed gypsy girl with a rose in her teeth doing the tarantella, or something like that.

No, the gypsy part came in because of the flowers. Now, right this 1967 minute, you cannot go down any city street, any decent-sized city street on a Friday night, a boy and girl-filled Friday night, and not have some enterprising real-live gypsy girl, maybe twelve or twenty who knows, trying to sell you some woe-begotten, faded, wilted, or worst, plastic, christ, plastic rose, singular rose, by the way, for your girlfriend. All the while cheapskate embarrassing you when you sheepishly bluster out "no thanks." Or directing you, no steering you, to some Madame LaRue ancient gypsy-mother in the window fortune-telling lady. An ancient gypsy mother woman who will, for small, very small, change, and knowing whom to pitch her spiel to, start running life’s wheel of fortune. But wouldn’t the lady also like to know love’s fortune for an extra thin coin at you. And then, always, always looking into her crystal ball, or the cards, T.S. Eliot’s dread tarot cards, and, whee, thankfully predict love’s delights. And that is the long and short of it for the gypsy part. The love part is self-explanatory or should be, and if it is not you will catch the drift as I go along.

And, let’s say in 1962 or 1963, on some other moonless Boylston Street night, some high school moonless night looking for one of the latest, cheap date, coffeehouses that dotted the street and were the rage those few years back that real gypsy girl would have been left to ply her trade, her rose-pedaling trade (maybe an older sister might have been working some other, more adult, scheme, but in that boy and girl-filled night I was not noticing that scene since I was girl-ed up and working my charm on said girl) with no fair-haired gypsy love girl competition. But see in 1966 (or 1967 as I am writing this) all hell has broken loose in the land. There has been a jail-break among the young, among some of the more adventurous or alienated young, who have decided, and rightly so, that suburban, white picket-fence, college, then graduate school, then a respectable profession, and then, yes, then, then, then a straight line replication of dear mother and father is not in the cards. And one does not need a fortune-telling lady, ancient gypsy-mother or not, tarot cards read or not, to know that death street. So some, and Gypsy Love included herself among the some, decided that the jail-break was worth the risk, worth the risk for a little while anyway. And then see what happens.

But jail-break or not, picket-fence security or not, squaresville or edge city, you still need dough, dough to keep off the hairy, not woman friendly streets, dough to keep body and soul together, hell, dough for the yarn to start up that shawl-making business that was the direct reason that Gypsy Love was selling flowers (not suburban boy and girl in town for a weekend look at the hippies night roses, and certainly no plastic throw-aways, just cut flowers suitable for hair, and medieval garlands to prance around the Boston Common). And, like I said, obviously not getting enough business to keep her from being not enough to eat thin. Because, after all that was a summer of love, not this year’s “officially” proclaimed one, proclaimed from this shore to San Francisco and every unattached (and maybe some attached, who knows), fair-haired former alabaster white-skinned fairy princess is also selling flowers, or something, to keep the wolves from the door.

So, naturally, once I knew the score, that talking several minutes that I held Gypsy Love up (although, as it turned out, she was more than happy to be talking rather than selling flowers) made me feel guilty and I offered to spring for a little dinner for her. Either out of hunger, or some spark between us that she also felt, she said yes, an empathic yes, or at least that is how I am going to tell it. So, "old pro" Boylston Street denizen that I had become we went into the Olive, a cheap coffeehouse that also served light meals, light meals in the dark so I hoped. So we ate some supper, not too badly served that night, a not drunk chef must have been on duty, and then left satisfied. And headed for her garret over on Commonwealth Avenue.

Yes, it was certainly a garret no question. And I have been in such places before that, no problem, I am, if anything, no snob when it comes to living quarters . What I didn’t expect, didn’t expect when she invited me over was that she shared the place with about six others, boys and girls alike, some paired, some not. And that was also okay, or rather it turned out okay, because among the denizens of that place was a guy, no, a gallant, who knowing that he could not compete with the Gypsy Love flower-sellers of the Boston night sold dope instead. And good stuff too, primo Acapulco Gold and Columbia Red that he got from some Spanish girl, no that is not right, some Mexican girl, some sunflower sunshine Juanita girl connection that he had made over in Cambridge Common where he hung out during the day.

So that night, that moonless Commonwealth Avenue garret summer night, Gypsy Love and I got “high,” 1966 (or 1967) high, not old-time alcohol-induced twenty college generations before Saturday night fraternity row beer-kegged, not old-time alcohol-induced whiskey, whiskey with a beer chaser like my father and his working class cronies over at some local Dublin Pub, not rye whiskey with a water chaser like I used to like to drink and still do when there is no sweet weed, sweet tea as I like to nickname call it, not scotch neat, martini dry, manhattan on the rocks Mayfair swells high like the squares out there with the picket fences not oblivion, forget, remember to forget, raging against the day, against the night high, but mellow, insightful high. And this stuff was so strong, so laced with whatever chemist’s knowledge-laced, and with whatever nutrient rich volcanic ash grown side of some desolate latin mountain that we really couldn’t sleep. Maybe Gypsy Love couldn’t sleep because, like I noticed when I first started talking to her, she was so thin and the good non-drunken chef food earlier and then this laced-primo dope kept her up, and I because she was Gypsy Love and I was too busy drinking her in for the first time to waste time on sleep.

So we “split” (left the premises, or went out, for the squares, okay) the scene at the walk-up garret with it menagerie of humanity, also all laced- high as far as I could tell as we closed the door behind us, around two o’clock in the morning to “goof” on (not make fun of, not serious, hurtful make fun of anyway, but more like let’s let the dope take its course, observe the late hour night life, again for the squares, and again okay, okay) the Boylston Street scene. Strangely, most of my late, late night, improper Boston late night scene, really wasn’t spent in Boston, but rather in Cambridge, in Harvard Square, specifically since about 1962 at the all-night Hayes –Bickford right up from the subway station, kind of a budding literary hang-out place but in any case a long way refuge from bad high school home scenes, and later to soak in the night life, and catch a few ideas, if only by osmosis. All for the price of a refillable watery dregs cup of coffee and maybe a soggy Danish or stale three o’clock in the morning yesterday muffin.

But this Boylston Street scene was something else, 1966 something else. Something at once more alive, more viscerally alive than the, when you really thought about it, staid and now well-worn late night Bickford literary scene with its ritual low important conversation hum, its frantic writerliness, and its slow drum tattoo beat to define “cool.” And, at the same time more destructive, not Vietnam War nightly television waste destructive that the mad daddies in D.C. had already cornered the market on, and were not letting go of despite many anguished cries, but more the sense that this was the last chance for happiness, or sanity, or some such thing and we had better grab it now before it blows away with the winds, or we get tired of riding it and go back to the cocoons. A madness scene, and let’s leave it at that, leave it at that until the dope wears off.

Sure, the jugglers, juggling all improbable combinations of materials from bowling pins to ninja sticks, and clowns, Charley Chaplin tramp clowns, claribel clowns, Disneyland clowns, squirting, spraying, belching, bellowing, bestriding bicycles, bouncing balls and baby cars, and whatever seven other things clowns do, were out in force. No hip town, no college night town from east to west, from Cambridge to Berkeley, Ann Arbor in between, no cultural oasis town from the Village to Venice Beach, Austin in between, America or Europe, continental Europe Paris the hub, London in between was “hip,” (not squares for the squares, got it) without a plethora of those brethren.

Or the one-trick pony Monte guys sitting at little tables or on benches “organizing” a game, cards, walnut shells, peas-in-a pod a specialty, acrobats, maybe some circus castoffs or Olympic failure cases, bouncing off each other, sparkling uniforms making an arc to off-set the trickiness of the action, and maybe in a couple of years Vegas in the big tent, into the dead air night. And anyone else with any talent, any mimic money, spare-change, put the dough in the hat right in front of you, please, talent to keep the wolves away from the door.

And sure a zillion guitar players, and some nights in Harvard Square a few years back that might have been a low-ball estimate, now electric, electrified in the post-Dylan night, and diehard acoustics, trads, trying to maintain but losing the battle in the sound night and have the empty hats to prove it. Plugged in or on the edge though, singing, crooning, bleeping, basheeing, bahai-ing, rama-ing, hari-ing, and just plain old-fashioned vanilla screaming, along with tambourines, kazoos, wash tubs, triangles, oboes, hautboy, water glasses of various sizes, anything that could, or would, or should, make music, enough music to keep those ravenous wolves away from that damn door.

And guys and gals, angel love guys and gals, hop-headed or harmless, bejeweled or buckskinned, selling every kind of dope from every arm, reaching into every pocket for a pill here, some tea leaves there, more rare, an eight ball of this, and rarer still then although now I hear about it more, maybe a girl-boy combination for a permanent float. And every kind of kid (mainly), some college preppie out on the Boylston Street night, maybe tired, too tired from that fraternity beer-keg and some lame three hundred freshman in a telephone booth, or a Volkswagen joke, some suburban high school break-out kid looking to forget the corner boy action, or the last dance, last high school dance failure, and didn’t want to go home, some car-full of girls (always a car-full, never less) from a different suburb, looking, well, looking for those “hippie” guys that look kind of cute now, now that mother and father don’t approve of hippie guys, and streams of boys and girls in all colors and shades and all uniforms just getting in from the long bus ride from Bangor, or Montpelier and intent, serious intent , on breaking out of that hayseed world, buying those fifty-seven flavors and smoking, dropping, or swallowing it right here on the premises, the street premises and wilding out (going crazy with joy, ecstasy, fear, freak-out) before hard dawn hits the streets

But also every hipster, dipster, grifter, drifter and midnight sifter who had enough sense to catch sleep during the day and come out at night and do his or her rube-taking madness. Some badass madness, some not from the suburbs, not now anyway, madness, police-worthy madness. The clash between the dope-infested madness and the lumpen-greed head madness, the known world’s madness in new form, would define that last summer, for good or evil. But right then for good, for the good Mexican night dope that was just beginning to wear off and let sleep take its course. And then dawn came, or just that few minutes before dawn, when heavy, lumpish human outline figures start to take distinctive shape, Gypsy Love and I could look over on Boston Common hill and see the outline forms of hundreds of sleeping bags, tent city resident pup-tent, oddly Army surplus, homemade lean-too dwellers, park bench newspaper-pillowed sleepers, whatever, sheltering the summer of love refugees against that moonless night. And just at that pre-dawn moment I knew that Gypsy Love and I were solid for that moment, and for some other moments, and for a while too but that when the colds came, when the skies turned granite grey in revenge, when the yellowish, brownish, orange-ish leaves started falling we would have had our moment.