Markin comment:
In a recent series of entries that I did in the form of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, a time later than the time of Frankie’s early 1960s old working class neighborhood kingly time, I noted that I had about a thousand truck stop diner stories left over from those hitchhike road days. On reflection though, I realized that I really had about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to stop, using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear jerk heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at copping his “style” like many things associated with one-of-a-kind Frankie proved unsuccessful as it turned out.
But as this story will demonstrate old Frankie, Frankie from (oops, I forgot I ‘m not doing that anymore) was not only the king of the old neighborhood but roamed, or tried to roam far afield, especially if the word "girls" was involved. So this will be another Frankie and the girls story, at least part way. The milieu though will be somewhat different for those who only know Frankie in his usual haunts; the pizza parlor, the drugstore, or hanging around the corner of one of several mom and pop variety stores. This time, in a way, Frankie goes “uptown.”
One of the other places where Frankie tried to extend his kingdom was the local teen night club (although we did not call it that then but that was the idea). You know a place where kids, late teenage kids, could dance to live music from some cover band and drink…sodas. Ya, the idea was to keep kids off the streets, out of the cars, and under a watchful eye on Friday and Saturday night so they didn’t drink booze and get all crazy and messed up. Of course, anyone with half a wit, if they wanted to get booze, had no real problem as long as there was some desperate wino to make your purchase for you. But, at least, the idea was no booze on the premises and that was pretty much the case.
Now this club, this teen dance club, that Frankie has his eye on, was the primo such place around. Sure, there were other smaller venues, but that was kids stuff, young teen stuff, no account, no matter stuff. If you had dreams of kingship then the Sea ‘n’ Surf Club was the place to place your throne. But, see, this club was several miles away from the old neighborhood, and that meant several miles of other guys who were kings of their neighborhoods, but also several miles of all kinds of different girls that Frankie (and I, as well) had no clue about. And the beauty of this, the real beauty for Frankie was that it was doable. Why? Old ball and chain girlfriend forever, girlfriend, main squeeze, Joanne was not allowed by her parents to go to teen dance clubs, period. And period meant period, to old Frankie’s smiles.
This club had the added advantage, as its name gives away, of being by the sea, by the ocean so that if the dancing got too hot, or it was too crowded, or if you got lucky then there you were handy to a ready-made romantic venue. Now American Great Plains prairie guys and dolls may not appreciate this convenience (although I am sure you had your own local lovers’ lane "hot spots") but to have the sea as a companion in the great boy meets girl struggle was pure magic. See, and everybody knew this or found out about it fast enough, if a girl wanted to catch some "fresh air" and agreed to go with you then you were “in like flint” for the night. That also meant though that, when intermission ended, or when the steamed-up couple came up for air that nobody else was suppose to cut in on their scene. This may all sound complicated but, come on now, you were all teens once, and you figured it out easily enough, right? This in any case is what Frankie wanted to be king of. The scene that is.
This club, by the way, this hallowed memory club, could not stand the light of day, although at night it was like the enchanted castle. By day it looked just like another faux Coney Island low-rent carnival, bad trip place ready for the demolition ball ballroom. But the night, oh, the night was all we cared about. And for weeks before Frankie was ready to make his big move the conquest of this place thing, the imagining of it, took on something like the quest for a holy grail.
Finally, Friday finally, summertime Friday night finally, came (he had a date with his ever lovin’ big flame Joanne for Saturday that week) and he was ready to make his move. Let me outline the plan as he told it to me. The idea, if Tommy 40 Winks (I did not make that name up; I don’t have that kind of imagination. That was his nickname, hell, mine, was, for a while, Boyo, go figure), showed up was to make the scene with whatever girl he was dancing with, at least that was the idea. 40 Winks, for lack of a better term was the “king” of the club, although by default because no one had messed with him, or his crowd before. And also he was the “boss” dancer of the universe and the girls were all kind of swoony, or at least, semi-swoony over his moves, especially when he got his Elvis thing going. Ya, now that I think about it he did seem to make the girls sweat. Sure, 40 Winks was going to be there. See Frankie was going to upset that fresh air “rule” and since nobody, not even me, ever accused Frankie of not being in love with himself, his “projects”, or his “style” he figured it was a cinch. Now, forty or fifty years later I can see where there was a certain flaw in the plan.
Why? Well, let me cut to the chase here, a little anyway. When we showed up at the club everything was fine. Everybody kind of conceded that this was “neutral” ground, at least inside, and the management of the place had employed more college football player-types than one could shake a stick at to enforce the peace. So any “turf” wars will have to be fought out on the dance floor, or elsewhere. Tonight the music, live music from a local cover band that is trying to move up in the pecking order is “hot”. They get the joint, 40 Winks, and old Frankie fired up right away with a big sound version of Good Rockin’ Tonight. Now 40 Winks eyes this one sneeze (girl, blame Frankie) from our school, although none of us, including Frankie, had even come with fifty paces of her, here or in school. Her name was Anna, but let’s just call her a Grace Kelley-wannabe, or could-be or something, and be done with it. In any case when she had finished dancing that Good Rockin’ Tonight with some goof (meaning non-Frankie friend or associate) the temperature in the place went up a collective bunch of degrees. Even I was thinking of getting closer than 50 paces from her. Okay this is going to be the prize, boys
40 Winks and Frankie both approach Ms. Wonderful for the next dance (and, hopefully, for the full dance card), a slow one it seems from the way the band is tuning up. Ya, it is, The Platters, Stand By Me. 40 Winks gets the nod. Oh, boy. First round 40 Winks. They start dancing and other couples are giving them some room because they are putting on something of a show now. I don’t tell Frankie this but he, his plans, and his crown are doomed. His look kind of says the same thing. But here is where you can never tell about Frankie. After that dance he goes back for another ask. Again, no go. And no go all the way to intermission.
Christ, Francis Xavier Riley, purebred Irish man is red, red as a Dublin rose. He is done for, especially as this national treasure of a girl takes the air, the fresh air with 40 Winks. And makes a big deal out of it in front of half the couples attending, and more importantly, in front of Frankie. Frankie, Frankie from the old neighborhood but not of the wide teen kingdom. For one of the few times in our middle school and high school careers together I saw Frankie throw in the towel. It wasn’t pretty. He didn’t show up at that club for a long time afterward, and I don’t blame him.
But here is where life, teenage life is funny sometimes. My brother, my home’s, my be-bop buddy Frankie was set up, and set up bad. How? Well, Anna, old sweet Grace Kelley wannabe Anna (and now that I think about could be), actually was smitten, or whatever you want to call it, by Frankie from seeing him around school. Yes, Frankie. But, and this is the way Frankie told me the story some time later after the event, Anna and firebrand Joanne, sweet Frankie girlfriend Joanne, had classes together and, moreover, were related to each other distantly like a lot of kids were related to each other in the old neighborhood. Anna knew that Frankie was Joanne’s honey so they talked it out and Anna passed on old Frankie. But, see, Joanne got wind of Frankie’s no Joanne teen dance club scheme and she and Anna patched this deal up to keep Frankie out of harm’s way. Women!
Saturday, February 5, 2011
Wednesday, February 2, 2011
Out In The Be-Bop 1950s Cold War Night- Mickey Spillane’s Mike Hammer Is On The Case- “Kiss Me Deadly”- A Film Review
Click on the headline to link to a Wikipedia entry for Kiss Me Deadly.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
Monday, January 31, 2011
Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night-Jody Reynolds' “Endless Sleep”
Click on the headline to link to a YouTube film clip of Jody Reynolds performing the classic Endless Sleep.
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hard working, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.
*********
JODY REYNOLDS
"Endless Sleep"
(Jody Reynolds and Dolores Nance)
The night was black, rain fallin' down
Looked for my baby, she's nowhere around
Traced her footsteps down to the shore
‘fraid she's gone forever more
I looked at the sea and it seemed to say
“I took your baby from you away.
I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Why did we quarrel, why did we fight?
Why did I leave her alone tonight?
That's why her footsteps ran into the sea
That's why my baby has gone from me.
I looked at the sea and it seemed to say
“I took your baby from you away.
I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Ran in the water, heart full of fear
There in the breakers I saw her near
Reached for my darlin', held her to me
Stole her away from the angry sea
I looked at the sea and it seemed to say
“You took your baby from me away.
My heart cried out “she's mine to keep
I saved my baby from an endless sleep.
[Fade]
Endless sleep, endless sleep
**********
I want the iPhone number and e-mail address of the person who wrote this one. Whoever that person is (or they are, as the case may be) should be made to run the gauntlet, or put on a lonely desert isle, or, and this would be real justice in this case made to follow Socrates, who also corrupted the morals of the youth of his time. Why all the hubbub? Well, read the heart-breaking teen angst lyrics here on Endless Sleep. Old Lee (let’s call him that, although as in most cases with these 1950s teen lyrics, frustratingly, the parties are not named except things like teen angel, earth angel, etc.) and his honey, Laura (again name made up to give some personality to this sketch) had a spat, a big one from Laura’s reaction, and now she has flipped out and, as teenagers often will in a moment of overreaction to some slight, gone down to the seaside to end it all. Lee in desperation, once he hears from some unnamed third party apparently what she has done, frantically tries to find her out in the deep, dark, wave-splashed night. All the while the “sea” is calling out for him to join her.
And that last part, the part that practically begs for a joint teen suicide pact is where every right thinking person, and not just enraged parents either, should, or should have put his or her foot down and gone after the lyricist’s scalp, to speak nothing of the singer of such woe begotten lines. Ya, I know old Lee saved his honey from the endless sleep but still we cannot have this stuff filling the ears of impressionable teen-agers. Right?
Of course, from what I heard third-hand, this quarrel that old Lee speaks of , and that Laura went ballistic over, was about whether they were going to go bowling with Lee’s guy friends and their girls down the old Bowl-a-drome on Saturday or to the drive-in theater for the latest Elvis movie. Lee, usually a mild-mannered kid, reared up at that thought of going to another bogus Elvis film featuring him, the king, riding around in a big old car, having plenty of dough in his pocket and plenty of luscious young girls ready and waiting to help him spent that dough. Of such disputes the battle of the sexes abound, and occasionally other battles, war battles as well. However, after hearing that take on the dispute I think old Lee had much the best of it. And, also off of that same take I am not altogether sure I would have been all that frantic to go down to the seaside looking for dear, sweet Laura. Just kidding.
But that brings something up, something that I am not kidding about. Now I love the sea more than a little. But I also know about the power of the sea, about old Uncle Neptune’s capacity to do some very bad things to anything that gets in his way. From old double-high storm-tossed seawalls that crumble at the charging sea’s touch to rain-soaked, mast-toppled boats lost down under in the briny deep whose only sin was to stir up the waves. And Laura should have too. So I am really ticked off, yes, ticked off, that Laura should tempt the fates, and Lee’s fate, by pulling a bone-head water's edge stunt like that.
It reminds me , although in contrast, of the time that old flame, old hitchhike road searching for the blue-pink great American West night flame Angelica, old Indiana-bred, Mid-American naïve Angelica, who got so excited the first time she saw the Pacific Ocean, never having seen the ocean before, leaped right in and was almost carried away by a sudden riptide. It took all I had to pull her out. And that Angelica error was out of sheer ignorance. Laura had no excuse. When you look at it that way, and as much as I personally do no care a fig about bowling, would it really have been that bad to go bowl a couple of strings. Such are the ways of teen angst.
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hard working, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.
*********
JODY REYNOLDS
"Endless Sleep"
(Jody Reynolds and Dolores Nance)
The night was black, rain fallin' down
Looked for my baby, she's nowhere around
Traced her footsteps down to the shore
‘fraid she's gone forever more
I looked at the sea and it seemed to say
“I took your baby from you away.
I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Why did we quarrel, why did we fight?
Why did I leave her alone tonight?
That's why her footsteps ran into the sea
That's why my baby has gone from me.
I looked at the sea and it seemed to say
“I took your baby from you away.
I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Ran in the water, heart full of fear
There in the breakers I saw her near
Reached for my darlin', held her to me
Stole her away from the angry sea
I looked at the sea and it seemed to say
“You took your baby from me away.
My heart cried out “she's mine to keep
I saved my baby from an endless sleep.
[Fade]
Endless sleep, endless sleep
**********
I want the iPhone number and e-mail address of the person who wrote this one. Whoever that person is (or they are, as the case may be) should be made to run the gauntlet, or put on a lonely desert isle, or, and this would be real justice in this case made to follow Socrates, who also corrupted the morals of the youth of his time. Why all the hubbub? Well, read the heart-breaking teen angst lyrics here on Endless Sleep. Old Lee (let’s call him that, although as in most cases with these 1950s teen lyrics, frustratingly, the parties are not named except things like teen angel, earth angel, etc.) and his honey, Laura (again name made up to give some personality to this sketch) had a spat, a big one from Laura’s reaction, and now she has flipped out and, as teenagers often will in a moment of overreaction to some slight, gone down to the seaside to end it all. Lee in desperation, once he hears from some unnamed third party apparently what she has done, frantically tries to find her out in the deep, dark, wave-splashed night. All the while the “sea” is calling out for him to join her.
And that last part, the part that practically begs for a joint teen suicide pact is where every right thinking person, and not just enraged parents either, should, or should have put his or her foot down and gone after the lyricist’s scalp, to speak nothing of the singer of such woe begotten lines. Ya, I know old Lee saved his honey from the endless sleep but still we cannot have this stuff filling the ears of impressionable teen-agers. Right?
Of course, from what I heard third-hand, this quarrel that old Lee speaks of , and that Laura went ballistic over, was about whether they were going to go bowling with Lee’s guy friends and their girls down the old Bowl-a-drome on Saturday or to the drive-in theater for the latest Elvis movie. Lee, usually a mild-mannered kid, reared up at that thought of going to another bogus Elvis film featuring him, the king, riding around in a big old car, having plenty of dough in his pocket and plenty of luscious young girls ready and waiting to help him spent that dough. Of such disputes the battle of the sexes abound, and occasionally other battles, war battles as well. However, after hearing that take on the dispute I think old Lee had much the best of it. And, also off of that same take I am not altogether sure I would have been all that frantic to go down to the seaside looking for dear, sweet Laura. Just kidding.
But that brings something up, something that I am not kidding about. Now I love the sea more than a little. But I also know about the power of the sea, about old Uncle Neptune’s capacity to do some very bad things to anything that gets in his way. From old double-high storm-tossed seawalls that crumble at the charging sea’s touch to rain-soaked, mast-toppled boats lost down under in the briny deep whose only sin was to stir up the waves. And Laura should have too. So I am really ticked off, yes, ticked off, that Laura should tempt the fates, and Lee’s fate, by pulling a bone-head water's edge stunt like that.
It reminds me , although in contrast, of the time that old flame, old hitchhike road searching for the blue-pink great American West night flame Angelica, old Indiana-bred, Mid-American naïve Angelica, who got so excited the first time she saw the Pacific Ocean, never having seen the ocean before, leaped right in and was almost carried away by a sudden riptide. It took all I had to pull her out. And that Angelica error was out of sheer ignorance. Laura had no excuse. When you look at it that way, and as much as I personally do no care a fig about bowling, would it really have been that bad to go bowl a couple of strings. Such are the ways of teen angst.
Sunday, January 30, 2011
Out In The Be-Bop 1950s Night- A Breathe Of Fresh Air Hits The Radio Airwaves – When Elvis Was Young And Hungry And Billie Was A Madman
CD Review
Sunrise: Elvis Presley, Elvis Presley, 2 CD set, BMG Records. 1989
“I hate Elvis, I love Elvis,” I can still hear the echo of my old “the projects” boy, William James Bradley, also known as Billie, Billie from the hills, a mad demon of a kid and my best friend down in the elementary school. We grew apart after a while, and I will tell you why in a minute, but for a long time, a long kid time long, Billie, Billie of a hundred dreams, Billie of fifty (at least) screw-ups made me laugh and made my day when things were tough, like they almost always were, at my beat down broke down family house.
You know fifty some years later Billie was right. We hated Elvis, especially at that time when all the girls, the young girls got weak-kneed over him and he made the older girls (and women, some mothers even) sweat and left no room for ordinary mortal boys, “the projects boys” most of all, on their “dream” card. And most especially, hard as we tried, for brown-haired, tow-headed, blue-eyed ten, eleven and twelve year old boys who didn’t know how to dance, or sneer. We both got pissed off at my brother because, he looked very much like Elvis and although he had no manners, and no time for girls, they were all following him. Christ there really is no justice in this wicked old world.
And we loved Elvis for giving us, at least as far as we knew then, our own music, our own "jump' and our own jail-break from the tired old stuff we heard on the radio and television but did not ‘”speak” to us. And for the songs that he left behind. Not the goofy, Tin Pan Alley or somewhere like that, inspired “happy” music that went along with his mostly maligned, and rightly so, films but the stuff from the Sun Records days, the stuff from when he was from hunger. That, as we also from hunger, was like a siren call to break-out and then we caught his act on television and that was that. I probably walk “funny”, knees and hips out of whack, today from trying way back then to pour a third-rate imitation of his moves into my body to impress the girls.
But enough of Elvis’ place in the pre-teen and teen rock pantheon this is after all about Billie, and Elvis’ twisted spell on the poor boy. Now you know Billie, or you should, from another story, a story about Bo Diddley and how Billie wanted to, as a change of pace break from the Elvis rut create his own “style.” Well, in hard, hard post-World War II Northern white "the projects" racial animosity poor unknowing Billie got blasted away by one of the older, more knowing boys about wanted to emulate a n----r for his troubles.
That sent Billie, Billie from the hills, back to Elvis pronto. See, Billie was desperate to impress the girls way before I was aware of them, or their charms. Half, on some days, three-quarters of our conversations (I won’t say monologues because I did get a word in edgewise every once in a while when Billie got on one of his rants) revolved around doing this or that, something legal something not, to impress the girls. And that is where the “hate” part mentioned above comes in. Billie believed, and he may still believe it today, that if only he could approximate Elvis’s looks, look, stance, and substance that all the girls would be flocking to him.
Needless to say, such an endeavor required, requires money, dough, kale, cash, moola whatever you want to call it. And what twelve year old project boys (that’s the age time of this story, about late 1957, early 1958) didn’t have, and didn’t have in abundance was any of that do-re-mi. And no way to get it from missing parents, messed up parents, or just flat out poor parents. Billie’s and mine were the later, poor as church mice. No that‘s not right because church mice (in the way that I am using it, and as we used it back then to signify the respectable poor who “touted” their Catholic pious poorness as a badge of honor in this weaselly old world) would not do, would not think about, would not even breathe the same air of what we were about to embark on. A life of crime, kid stuff crime but I'll leave that to the readers judgment.
See, on one of Billie’s rants he got the idea in his head, and, maybe, it got planted there by something that he read about Elvis (Christ, he read more about that guy that he did about anybody else once he became an acolyte), that if he had a bunch of rings on all his fingers the girls would give him a tumble (a tumble in those days being a hard kiss on the lips for about twelve seconds or “copping” a little feel, and if I have to explain that last in more detail you had better just move on). But see, also Billie’s idea is that if he has all those rings, especially for a projects boy then it will make his story that has set to tell easier. And that story is none other than he wrote to Elvis (possible) and spoke man to man about his situation (improbable) and Elvis, Elvis the king, Elvis from nowhere Mississippi like we were from the nowhere projects, Elvis bleeding heart, had sent him these rings to give him a start in life (outrageously impossible.) Christ, I don’t believe old Billie came up with that story even now when I am a million years world-weary.
But first you need the rings and as the late honorable bank robber, Willie Sutton, said about robbing banks-that’s where the money is-old Billie, blessed, beatified Billie, figured out, and figured out all by himself, that if you want to be a ring stealer that you better go to the jewelry store because that is where the rings are. Now the reader, and rightly so, now, might ask where was his best buddy during this time and why was he not offering wise counsel about the pitfalls of crime and the virtues of honesty and incorruptibility. Well, when Billie got off on his rant you just waited to see what played out but the real reason was, hell, maybe I could get a ring for my ring-less fingers and be on my way to impress the girls too. I think they call it, or could call it, aiding and abetting.
But enough of that superficial moralizing. Let’s get to the jewelry store, the best one in the downtown of the working class town we were appendaged to (literally so because it was located on a one road in and out peninsula). We walked a couple of miles to get there, plotting all the way. Bingo the Acme Jewelry Store(or some name like that) jumped up at us. Billie’s was as nervous as a colt and I was not far behind, although on this caper I am just the “stooge”, if that. I’m to wait outside to see if John Law comes by. Okay, Billie, good luck. And strangely enough his luck is good that day, and many days after, although those days after were not ring days. That day though his haul was five rings. Five shaky rings, shaky hands Billie, as we walked, then started running, away from the down town area. When we got close to home we stopped near the beach where we lived to see up close what the rings looked like. Billie yelled, “Damn.” And why did he yell that word. Well, apparently in his terror (his word to me) at getting caught he just grabbed what was at hand. And what was at hand were five women’s rings. Now, how are you going to impress girls, ten, eleven or twelve year old girls, even if as naïve as us, and maybe more so, that Elvis is you bosom buddy and you are practically his only life-line adviser with five women’s rings? Damn, damn is right.
Sunrise: Elvis Presley, Elvis Presley, 2 CD set, BMG Records. 1989
“I hate Elvis, I love Elvis,” I can still hear the echo of my old “the projects” boy, William James Bradley, also known as Billie, Billie from the hills, a mad demon of a kid and my best friend down in the elementary school. We grew apart after a while, and I will tell you why in a minute, but for a long time, a long kid time long, Billie, Billie of a hundred dreams, Billie of fifty (at least) screw-ups made me laugh and made my day when things were tough, like they almost always were, at my beat down broke down family house.
You know fifty some years later Billie was right. We hated Elvis, especially at that time when all the girls, the young girls got weak-kneed over him and he made the older girls (and women, some mothers even) sweat and left no room for ordinary mortal boys, “the projects boys” most of all, on their “dream” card. And most especially, hard as we tried, for brown-haired, tow-headed, blue-eyed ten, eleven and twelve year old boys who didn’t know how to dance, or sneer. We both got pissed off at my brother because, he looked very much like Elvis and although he had no manners, and no time for girls, they were all following him. Christ there really is no justice in this wicked old world.
And we loved Elvis for giving us, at least as far as we knew then, our own music, our own "jump' and our own jail-break from the tired old stuff we heard on the radio and television but did not ‘”speak” to us. And for the songs that he left behind. Not the goofy, Tin Pan Alley or somewhere like that, inspired “happy” music that went along with his mostly maligned, and rightly so, films but the stuff from the Sun Records days, the stuff from when he was from hunger. That, as we also from hunger, was like a siren call to break-out and then we caught his act on television and that was that. I probably walk “funny”, knees and hips out of whack, today from trying way back then to pour a third-rate imitation of his moves into my body to impress the girls.
But enough of Elvis’ place in the pre-teen and teen rock pantheon this is after all about Billie, and Elvis’ twisted spell on the poor boy. Now you know Billie, or you should, from another story, a story about Bo Diddley and how Billie wanted to, as a change of pace break from the Elvis rut create his own “style.” Well, in hard, hard post-World War II Northern white "the projects" racial animosity poor unknowing Billie got blasted away by one of the older, more knowing boys about wanted to emulate a n----r for his troubles.
That sent Billie, Billie from the hills, back to Elvis pronto. See, Billie was desperate to impress the girls way before I was aware of them, or their charms. Half, on some days, three-quarters of our conversations (I won’t say monologues because I did get a word in edgewise every once in a while when Billie got on one of his rants) revolved around doing this or that, something legal something not, to impress the girls. And that is where the “hate” part mentioned above comes in. Billie believed, and he may still believe it today, that if only he could approximate Elvis’s looks, look, stance, and substance that all the girls would be flocking to him.
Needless to say, such an endeavor required, requires money, dough, kale, cash, moola whatever you want to call it. And what twelve year old project boys (that’s the age time of this story, about late 1957, early 1958) didn’t have, and didn’t have in abundance was any of that do-re-mi. And no way to get it from missing parents, messed up parents, or just flat out poor parents. Billie’s and mine were the later, poor as church mice. No that‘s not right because church mice (in the way that I am using it, and as we used it back then to signify the respectable poor who “touted” their Catholic pious poorness as a badge of honor in this weaselly old world) would not do, would not think about, would not even breathe the same air of what we were about to embark on. A life of crime, kid stuff crime but I'll leave that to the readers judgment.
See, on one of Billie’s rants he got the idea in his head, and, maybe, it got planted there by something that he read about Elvis (Christ, he read more about that guy that he did about anybody else once he became an acolyte), that if he had a bunch of rings on all his fingers the girls would give him a tumble (a tumble in those days being a hard kiss on the lips for about twelve seconds or “copping” a little feel, and if I have to explain that last in more detail you had better just move on). But see, also Billie’s idea is that if he has all those rings, especially for a projects boy then it will make his story that has set to tell easier. And that story is none other than he wrote to Elvis (possible) and spoke man to man about his situation (improbable) and Elvis, Elvis the king, Elvis from nowhere Mississippi like we were from the nowhere projects, Elvis bleeding heart, had sent him these rings to give him a start in life (outrageously impossible.) Christ, I don’t believe old Billie came up with that story even now when I am a million years world-weary.
But first you need the rings and as the late honorable bank robber, Willie Sutton, said about robbing banks-that’s where the money is-old Billie, blessed, beatified Billie, figured out, and figured out all by himself, that if you want to be a ring stealer that you better go to the jewelry store because that is where the rings are. Now the reader, and rightly so, now, might ask where was his best buddy during this time and why was he not offering wise counsel about the pitfalls of crime and the virtues of honesty and incorruptibility. Well, when Billie got off on his rant you just waited to see what played out but the real reason was, hell, maybe I could get a ring for my ring-less fingers and be on my way to impress the girls too. I think they call it, or could call it, aiding and abetting.
But enough of that superficial moralizing. Let’s get to the jewelry store, the best one in the downtown of the working class town we were appendaged to (literally so because it was located on a one road in and out peninsula). We walked a couple of miles to get there, plotting all the way. Bingo the Acme Jewelry Store(or some name like that) jumped up at us. Billie’s was as nervous as a colt and I was not far behind, although on this caper I am just the “stooge”, if that. I’m to wait outside to see if John Law comes by. Okay, Billie, good luck. And strangely enough his luck is good that day, and many days after, although those days after were not ring days. That day though his haul was five rings. Five shaky rings, shaky hands Billie, as we walked, then started running, away from the down town area. When we got close to home we stopped near the beach where we lived to see up close what the rings looked like. Billie yelled, “Damn.” And why did he yell that word. Well, apparently in his terror (his word to me) at getting caught he just grabbed what was at hand. And what was at hand were five women’s rings. Now, how are you going to impress girls, ten, eleven or twelve year old girls, even if as naïve as us, and maybe more so, that Elvis is you bosom buddy and you are practically his only life-line adviser with five women’s rings? Damn, damn is right.
Friday, January 28, 2011
* Out In The Be-Bop Night-Scenes From Search For The Blue-Pink Great American West Night-Neola Blues
Markin comment:
The scene below stands (or falls) as a moment in support of that eternal search mentioned in the headline.
Scene Eight: Scenes From Search For The Blue-Pink Great American West Night-Neola Blues
Christ, this is something out of a Woody Guthrie ballad, maybe Pastures Of Plenty where he talks about all the crops that migrant farm laborers pull out of the earth’s soil as they proceed through the harvest season cycle, I thought to myself as I helped Angelica bring her things down from the farm-fresh cab of that farm-fresh truck that I just jumped down from, as we started heading to our new "home." In this case a small, simple, solidly built and well-maintained white-painted cabin on a huge corn stalk-waved, yellow-sunned Neola, Iowa farm where I was to sweat it out for a few days (and maybe more) doing farm labor until I could get enough money for us to move on. Hell, we were down to our last pennies, pennies that we thought would last us until Denver where I had some friends who we could stay with and who had jobs for us but that dream petered away well before Neola, Iowa.
Now we are at the mercy of Farmer Brown. I swear that was his name and that was how he wanted to be addressed by me out in the fields, probably some old Protestant remnant Mennonite, Hutterite heretic custom that got carried along because nobody thought to change it with the change of centuries. When he picked us up many miles back he must have had some ESP sense that we needed dough, and that he had some "wetback", Okie-Arkie-like-we-were-back-in-the-Great-Depression-1930s help at hand if he played his cards right.
On top of that to say things were strained, strained in comparison to idyllic Steubenville cottage nights, Prestonsburg mad mountain hi-jinks and Lexington great American night thrills, between Angelica and I since we had our Moline meltdown would be an understatement. If you don’t know that story, that Moline story, you had really better go back and read that one, if you want to understand how the road, even the voluntarily taken good night hitchhike road can twist things around. This strain between us was not, as you might think, the way that I have presented things, mainly because I had not been a good "hubby" provider. Rather because now that we were hard into September, had been on the road a couple of months, and all around us school and life were starting back up in their usual annual build-up season Angelica, I believe, sensed that the road, the real road, was not for her, at least not until she had gotten a better grasp of what her dreams were all about. Frankly, most of this had been unspoken on both our parts, more glances and sighs as things got tougher, but I couldn’t help but think that I had spooked her a little bit with that Captain Cob story in Moline, the so-called "real" story of the quest for the blue-pink great American West night. That’s another good reason to read that scene.
Let's get it straight though. Straight as the Iowa corn rows which are now stretched out to infinity before me as I look over at the fields directly across from our new cabin home. As I have told this tale you could see the build-up of some tension between Angelica and me as we drove on, especially since we left Lexington, Kentucky. And that seemed the right way to tell you about it. I haven't spent much time filling you in until now about the things that round out the story and bring us to the current seeming impasse. Or about things that were going on in Big Earth time, like the Woodstock breakout gathering of youth nation back East, guys, guys from NASA nation, walking on the moon in the great Earth breakout, guys and gals in the great Stonewall gay breakout in New York City or the Days of Rage white lumpen breakout in Chicago while we were hell bend west and earth-bound. That Big Earth stuff you know, or can look up. Let me tell about the personal stuff though and then you can see why I used that word impasse.
Let me tell you, for example, about the tearful telephone calls home (collect calls, okay) that Angelica had periodically made back to Muncie and her parents. Tearful not because she was on the road against her will but tearful because her parents were raising holy hell that she was out on the road; that she was out of the road with no car; that she was out on the road with a "hippie", Bolshevik, dragon, beast, you can fill in the rest; and, that she was out on the road with a guy who, unquestionably, was up to some kind of nefarious scheme to corrupt their daughter's virtue. Angelica was good though, she defended her "gentleman hippie." But, of late, I have noticed that when she finished on the phone (usually a pay phone out on some desolation highway or in some noisy Main Street store) when she gave me an instant replay on the conversation she seemed to defense her "old man" of the road less and less fervently as she has gotten more road-weary.
Of course I had been running my own "battles" with the phone as I had, occasionally, been calling back to Boston to check in with my friends, and once or twice with the, in my new mind's eye view of things increasingly delightful, Joyel. Hey, I'd told Angelica about Joyel in the beginning (what hadn't we talked about, at least superficially, since we had spent so many hours on the road) and about my runaways so she knew the score (as I did on a special guy that she mentioned from back in Muncie). See, like I said before when I didn't tell Angelica about the blue-pink great American West quest until my back was to the wall in Moline, it was never clear where we were heading except we liked each other, liked each other’s company and wanted to be together for a time. The problem right this minute was I wanted to be on the road and I had this sneaking feeling that Angelica had some little white house and picket fence ideas, or what passed for those ideas out of 1960s Muncie.
And, of course, I haven't told you about the various running battles we had over this and that on the road because frankly this is a story about a quest and not about the kind of stuff that happens in every day life to everybody and their brother (or sister). Not sexy enough, okay? You know what I mean though little stuff like having her thumb to get quick rides when she was feeling blue, or stopping or not stopping soon enough so she didn’t get too tired. Or real life stuff like having to get to a motel, cheapjack motel or not, so she could wash her hair the right way, etc. and feel human for a few minutes. Sound familiar, sure it does. But the big thing was that the road was a lot harder than she expected, a lot harder than she wanted, and a lot harder than she was willing to put up with. Especially when, like just before dear old Neola, we had no dough, and no prospects. Still Angelica was an old pioneer trouper when the deal went down, a Midwest pioneer trouper and that ain’t no lie. I had no better road companion before or since. She just didn’t want to do it endlessly. But never forget, because I surely don’t, that it was only those times, those mad breakout times, that allowed us to even hook up at all.
I guess I should tell you about the money deal now because that tells a lot about why we were at odds with each other, although like I said before it was more a feeling than anything she had said, at least said since the Moline meltdown. After Moline our luck went from bad to worst as the weather just plain got balky after a few days of clear skies. That meant more cheapjack motels, and more unexpected cash outlay to take us off course, and then our rides started to dry up. About half way through Iowa we were hitching on this state Route 44 that takes you across to Route 191 and then to Neola (and Omaha, Nebraska further on). This farm-fresh guy (Farmer Brown) offered us a ride in his big old hay truck (okay I won't use farm-fresh anymore you get the drift but I swear I had never seen so much flat, cultivated, green and yellow scenery before. I thought I died and went to Grant Wood heaven). Right away, like I said, he sized us up as from hunger and offered us jobs (or at least me) working to bring in the now ready crop. A ride west, a job of sorts, a place to stay, and a place to rest up and sort things out just hit both of us at the same time as right. We said sure thing. And that is why we are now unloading Angelica's backpack on the ground in front of this tiny lean-to of a cabin on old Farmer Brown's farm.
But here is the kicker, for now. No sooner had we got settled into our new "home" (which actually turned out to be cozy in a primitive way) old Farmer Brown called us out and asked Angelica whether she wanted to work at Aunt Betty's diner in town. Be still my heart. Of course, old hand at serving them off the arm Angelica (about six weeks worth) to do her part in jump-starting our future said sure. So off we went in Farmer Brown's Cadillac (that should tell you something) to downtown Neola. In those days (and maybe now too for all I know) this Neola was nothing but a huge grain storage place for all the wheat and corn farmers in western Iowa, a couple of stores and, of course, Aunt Betty's, which seemed to be the hub of the universe here, at least until they rolled up the streets at dusk.
Aunt Betty's, and Aunt Betty herself, however, were something else again.
Think about your grandmother, think about your grandmother's cooking, think about your grandmother's wisdom, think about your grandmother not being your hardball mother, that was Aunt Betty, and Aunt Betty's. See that was why these old time farmers hung around there. Hell that was why I hung around there for the time we were there. This was no highway truck stop feed the buggers whatever calories you want because they are moving on anyway and they are so benny-high that they will not notice but some kind of slice of Norman Rockwell America. This was a place of stews, of chicken pot pies, of pot roasts, of Indian puddings, a place to get corn-fed mid-American-sized not emaciated Eastern-dieted. You could practically smell the old-fashioned values in the place, you could feel as you sat in the hand-woven cushioned chairs and tucked in your monogrammed linen, yes, your monogrammed linen napkin that you were in some other time, a place worthy of the blue-pink night if only it was further west, like California west, but if it was there then it would not be a real Aunt Betty's.
But enough of nostalgia. The main thing is that Aunt Betty immediately took to Angelica, a fellow Midwestern pioneer woman, even if from different generations. I think, or I like to think, that what Aunt Betty kind of instinctively saw in Angelica was what I saw that first night in Steubenville -what you see is what you get. And what you saw and got was just fine. Toward me she granted a certain scornful tolerance because of Angelica, and her "silly" whim for an eastern hippie boy. Ya, Aunt Betty was, maybe, the last of that breed of Iowa women that filled a man’s stomach but also took no guff from friend or foe, alike. At least the last time I spent any time in Iowa a few years ago I didn’t see any Aunt Bettys, all huge corporate farms and peon stoop labor now and no time for slow simmering stews and homemade pot pies.
So Angelica, who was the talk of the diner for days as the old geezers finally had something nice to look at while they were downing their pot roast and, despite all high Protestant caution, lazily lingering over that refilled cup of coffee (coffee pot brewed, naturally). And the nice tips to accompany those looks didn’t hurt either. What I didn’t know though, is that through all of this time Aunt Betty was killing my time (meaning putting the bug in Angelica’s ear about getting off the road). Then I was kind of mad about it, especially when as we overstayed the time when we thought we would have to leave (to avoid the October Denver-bound squalls) old Aunt Betty mentioned it in my presence. Now I can see that it was nothing against me but just an old grandma watching out for her granddaughter. Fair enough, wise Aunt Betty wherever you are.
And how was my work going back on Maggie’s, I mean, Farmer Brown’s farm. Well, I have done all kinds of odd jobs, and worked a fair number of excessive hours but life on a farm, a big prosperous farm, come harvest time was really beyond me, although old Brown never complained about my work and getting to know him a little better he surely would have if he had cause for complain. But after about ten days I was ready to move on, and get the cow shavings and corn shucks out of my system.
Needless to say, at night, each night it seemed the longer we stayed, Angelica and me, tried to put the best face on it but I have not built up this story in just this way to now avoid a parting of the ways. Between road-weariness, Aunt Betty urgings, parental moanings, a few road bumps and bruises, her own highly developed Midwestern practical sense, and her own worthy dreams Angelica put it straight one night when I was getting antsy about making tracks before bad weather set in the rockymountainwest. She was going home, going back to school to see how that worked out and she would meet me out in Los Angeles in January during school break to see where we stood. Fair enough, although that is just a little too easy way to put it. I saw the sense of it though, and was thrilled that she would come west later. That night we started to pack up after I told Farmer Brown we were moving on.
Next day old Aunt Betty showed up at the cabin in her vintage 1930s pickup truck, something out of The Grapes of Wrath except this beauty was well-kept up. She already knew about Angelica’s decision and came to offer us a ride to Omaha where Angelica could catch a bus back to Muncie and I could pick up Interstate 80 West. We drove to the bus station in Omaha in some silence, only speaking about various addresses where we could be reached at in Denver, Los Angeles and Muncie and other trivia. Finally we got to the Greyhound station; Aunt Betty let us off, and went off to wait to give me a ride to Interstate 80. With mixed emotions Angelica and I made our farewells. I felt strange, and maybe Angelica did too, to part in a bus station. Bus stations to me always meant paper-strewn bench sleeps, tepid coffees and starched foods, noisy, smelly, sweat-filled men’s rooms that spoke to infrequent cleanings and paper bag luggage poverties. But there we were. I put her on the bus, waited for it to pull out, and then headed to Aunt Betty’s pickup truck. As she drove the short distance to the entrance to Interstate 80 Aunt Betty said in her Aunt Betty way that she thought I was probably the best thing that ever happened to Angelica, and Angelica thought so too. We came to the highway entrance too soon for me to pick up on that idea. All I had was the blue-pink west road and that thought to keep me warm as I got out of the truck.
The scene below stands (or falls) as a moment in support of that eternal search mentioned in the headline.
Scene Eight: Scenes From Search For The Blue-Pink Great American West Night-Neola Blues
Christ, this is something out of a Woody Guthrie ballad, maybe Pastures Of Plenty where he talks about all the crops that migrant farm laborers pull out of the earth’s soil as they proceed through the harvest season cycle, I thought to myself as I helped Angelica bring her things down from the farm-fresh cab of that farm-fresh truck that I just jumped down from, as we started heading to our new "home." In this case a small, simple, solidly built and well-maintained white-painted cabin on a huge corn stalk-waved, yellow-sunned Neola, Iowa farm where I was to sweat it out for a few days (and maybe more) doing farm labor until I could get enough money for us to move on. Hell, we were down to our last pennies, pennies that we thought would last us until Denver where I had some friends who we could stay with and who had jobs for us but that dream petered away well before Neola, Iowa.
Now we are at the mercy of Farmer Brown. I swear that was his name and that was how he wanted to be addressed by me out in the fields, probably some old Protestant remnant Mennonite, Hutterite heretic custom that got carried along because nobody thought to change it with the change of centuries. When he picked us up many miles back he must have had some ESP sense that we needed dough, and that he had some "wetback", Okie-Arkie-like-we-were-back-in-the-Great-Depression-1930s help at hand if he played his cards right.
On top of that to say things were strained, strained in comparison to idyllic Steubenville cottage nights, Prestonsburg mad mountain hi-jinks and Lexington great American night thrills, between Angelica and I since we had our Moline meltdown would be an understatement. If you don’t know that story, that Moline story, you had really better go back and read that one, if you want to understand how the road, even the voluntarily taken good night hitchhike road can twist things around. This strain between us was not, as you might think, the way that I have presented things, mainly because I had not been a good "hubby" provider. Rather because now that we were hard into September, had been on the road a couple of months, and all around us school and life were starting back up in their usual annual build-up season Angelica, I believe, sensed that the road, the real road, was not for her, at least not until she had gotten a better grasp of what her dreams were all about. Frankly, most of this had been unspoken on both our parts, more glances and sighs as things got tougher, but I couldn’t help but think that I had spooked her a little bit with that Captain Cob story in Moline, the so-called "real" story of the quest for the blue-pink great American West night. That’s another good reason to read that scene.
Let's get it straight though. Straight as the Iowa corn rows which are now stretched out to infinity before me as I look over at the fields directly across from our new cabin home. As I have told this tale you could see the build-up of some tension between Angelica and me as we drove on, especially since we left Lexington, Kentucky. And that seemed the right way to tell you about it. I haven't spent much time filling you in until now about the things that round out the story and bring us to the current seeming impasse. Or about things that were going on in Big Earth time, like the Woodstock breakout gathering of youth nation back East, guys, guys from NASA nation, walking on the moon in the great Earth breakout, guys and gals in the great Stonewall gay breakout in New York City or the Days of Rage white lumpen breakout in Chicago while we were hell bend west and earth-bound. That Big Earth stuff you know, or can look up. Let me tell about the personal stuff though and then you can see why I used that word impasse.
Let me tell you, for example, about the tearful telephone calls home (collect calls, okay) that Angelica had periodically made back to Muncie and her parents. Tearful not because she was on the road against her will but tearful because her parents were raising holy hell that she was out on the road; that she was out of the road with no car; that she was out on the road with a "hippie", Bolshevik, dragon, beast, you can fill in the rest; and, that she was out on the road with a guy who, unquestionably, was up to some kind of nefarious scheme to corrupt their daughter's virtue. Angelica was good though, she defended her "gentleman hippie." But, of late, I have noticed that when she finished on the phone (usually a pay phone out on some desolation highway or in some noisy Main Street store) when she gave me an instant replay on the conversation she seemed to defense her "old man" of the road less and less fervently as she has gotten more road-weary.
Of course I had been running my own "battles" with the phone as I had, occasionally, been calling back to Boston to check in with my friends, and once or twice with the, in my new mind's eye view of things increasingly delightful, Joyel. Hey, I'd told Angelica about Joyel in the beginning (what hadn't we talked about, at least superficially, since we had spent so many hours on the road) and about my runaways so she knew the score (as I did on a special guy that she mentioned from back in Muncie). See, like I said before when I didn't tell Angelica about the blue-pink great American West quest until my back was to the wall in Moline, it was never clear where we were heading except we liked each other, liked each other’s company and wanted to be together for a time. The problem right this minute was I wanted to be on the road and I had this sneaking feeling that Angelica had some little white house and picket fence ideas, or what passed for those ideas out of 1960s Muncie.
And, of course, I haven't told you about the various running battles we had over this and that on the road because frankly this is a story about a quest and not about the kind of stuff that happens in every day life to everybody and their brother (or sister). Not sexy enough, okay? You know what I mean though little stuff like having her thumb to get quick rides when she was feeling blue, or stopping or not stopping soon enough so she didn’t get too tired. Or real life stuff like having to get to a motel, cheapjack motel or not, so she could wash her hair the right way, etc. and feel human for a few minutes. Sound familiar, sure it does. But the big thing was that the road was a lot harder than she expected, a lot harder than she wanted, and a lot harder than she was willing to put up with. Especially when, like just before dear old Neola, we had no dough, and no prospects. Still Angelica was an old pioneer trouper when the deal went down, a Midwest pioneer trouper and that ain’t no lie. I had no better road companion before or since. She just didn’t want to do it endlessly. But never forget, because I surely don’t, that it was only those times, those mad breakout times, that allowed us to even hook up at all.
I guess I should tell you about the money deal now because that tells a lot about why we were at odds with each other, although like I said before it was more a feeling than anything she had said, at least said since the Moline meltdown. After Moline our luck went from bad to worst as the weather just plain got balky after a few days of clear skies. That meant more cheapjack motels, and more unexpected cash outlay to take us off course, and then our rides started to dry up. About half way through Iowa we were hitching on this state Route 44 that takes you across to Route 191 and then to Neola (and Omaha, Nebraska further on). This farm-fresh guy (Farmer Brown) offered us a ride in his big old hay truck (okay I won't use farm-fresh anymore you get the drift but I swear I had never seen so much flat, cultivated, green and yellow scenery before. I thought I died and went to Grant Wood heaven). Right away, like I said, he sized us up as from hunger and offered us jobs (or at least me) working to bring in the now ready crop. A ride west, a job of sorts, a place to stay, and a place to rest up and sort things out just hit both of us at the same time as right. We said sure thing. And that is why we are now unloading Angelica's backpack on the ground in front of this tiny lean-to of a cabin on old Farmer Brown's farm.
But here is the kicker, for now. No sooner had we got settled into our new "home" (which actually turned out to be cozy in a primitive way) old Farmer Brown called us out and asked Angelica whether she wanted to work at Aunt Betty's diner in town. Be still my heart. Of course, old hand at serving them off the arm Angelica (about six weeks worth) to do her part in jump-starting our future said sure. So off we went in Farmer Brown's Cadillac (that should tell you something) to downtown Neola. In those days (and maybe now too for all I know) this Neola was nothing but a huge grain storage place for all the wheat and corn farmers in western Iowa, a couple of stores and, of course, Aunt Betty's, which seemed to be the hub of the universe here, at least until they rolled up the streets at dusk.
Aunt Betty's, and Aunt Betty herself, however, were something else again.
Think about your grandmother, think about your grandmother's cooking, think about your grandmother's wisdom, think about your grandmother not being your hardball mother, that was Aunt Betty, and Aunt Betty's. See that was why these old time farmers hung around there. Hell that was why I hung around there for the time we were there. This was no highway truck stop feed the buggers whatever calories you want because they are moving on anyway and they are so benny-high that they will not notice but some kind of slice of Norman Rockwell America. This was a place of stews, of chicken pot pies, of pot roasts, of Indian puddings, a place to get corn-fed mid-American-sized not emaciated Eastern-dieted. You could practically smell the old-fashioned values in the place, you could feel as you sat in the hand-woven cushioned chairs and tucked in your monogrammed linen, yes, your monogrammed linen napkin that you were in some other time, a place worthy of the blue-pink night if only it was further west, like California west, but if it was there then it would not be a real Aunt Betty's.
But enough of nostalgia. The main thing is that Aunt Betty immediately took to Angelica, a fellow Midwestern pioneer woman, even if from different generations. I think, or I like to think, that what Aunt Betty kind of instinctively saw in Angelica was what I saw that first night in Steubenville -what you see is what you get. And what you saw and got was just fine. Toward me she granted a certain scornful tolerance because of Angelica, and her "silly" whim for an eastern hippie boy. Ya, Aunt Betty was, maybe, the last of that breed of Iowa women that filled a man’s stomach but also took no guff from friend or foe, alike. At least the last time I spent any time in Iowa a few years ago I didn’t see any Aunt Bettys, all huge corporate farms and peon stoop labor now and no time for slow simmering stews and homemade pot pies.
So Angelica, who was the talk of the diner for days as the old geezers finally had something nice to look at while they were downing their pot roast and, despite all high Protestant caution, lazily lingering over that refilled cup of coffee (coffee pot brewed, naturally). And the nice tips to accompany those looks didn’t hurt either. What I didn’t know though, is that through all of this time Aunt Betty was killing my time (meaning putting the bug in Angelica’s ear about getting off the road). Then I was kind of mad about it, especially when as we overstayed the time when we thought we would have to leave (to avoid the October Denver-bound squalls) old Aunt Betty mentioned it in my presence. Now I can see that it was nothing against me but just an old grandma watching out for her granddaughter. Fair enough, wise Aunt Betty wherever you are.
And how was my work going back on Maggie’s, I mean, Farmer Brown’s farm. Well, I have done all kinds of odd jobs, and worked a fair number of excessive hours but life on a farm, a big prosperous farm, come harvest time was really beyond me, although old Brown never complained about my work and getting to know him a little better he surely would have if he had cause for complain. But after about ten days I was ready to move on, and get the cow shavings and corn shucks out of my system.
Needless to say, at night, each night it seemed the longer we stayed, Angelica and me, tried to put the best face on it but I have not built up this story in just this way to now avoid a parting of the ways. Between road-weariness, Aunt Betty urgings, parental moanings, a few road bumps and bruises, her own highly developed Midwestern practical sense, and her own worthy dreams Angelica put it straight one night when I was getting antsy about making tracks before bad weather set in the rockymountainwest. She was going home, going back to school to see how that worked out and she would meet me out in Los Angeles in January during school break to see where we stood. Fair enough, although that is just a little too easy way to put it. I saw the sense of it though, and was thrilled that she would come west later. That night we started to pack up after I told Farmer Brown we were moving on.
Next day old Aunt Betty showed up at the cabin in her vintage 1930s pickup truck, something out of The Grapes of Wrath except this beauty was well-kept up. She already knew about Angelica’s decision and came to offer us a ride to Omaha where Angelica could catch a bus back to Muncie and I could pick up Interstate 80 West. We drove to the bus station in Omaha in some silence, only speaking about various addresses where we could be reached at in Denver, Los Angeles and Muncie and other trivia. Finally we got to the Greyhound station; Aunt Betty let us off, and went off to wait to give me a ride to Interstate 80. With mixed emotions Angelica and I made our farewells. I felt strange, and maybe Angelica did too, to part in a bus station. Bus stations to me always meant paper-strewn bench sleeps, tepid coffees and starched foods, noisy, smelly, sweat-filled men’s rooms that spoke to infrequent cleanings and paper bag luggage poverties. But there we were. I put her on the bus, waited for it to pull out, and then headed to Aunt Betty’s pickup truck. As she drove the short distance to the entrance to Interstate 80 Aunt Betty said in her Aunt Betty way that she thought I was probably the best thing that ever happened to Angelica, and Angelica thought so too. We came to the highway entrance too soon for me to pick up on that idea. All I had was the blue-pink west road and that thought to keep me warm as I got out of the truck.
Tuesday, January 25, 2011
*Out In The Be-Bop 1950s Night- Out In The Adventure Car Hop Night - A CD Review
Click on the headline to link to a YouTube film clip of the Dubs performing the classic Could This Be Magic? to set the mood for this piece.
CD Review
The Rock ‘N’ Roll Era: 1957: Still Rockin’, various artists, Time-Life Music, 1988
Now 1957 was a good year for rock, for "boss" cars, and for car hops if you could keep them, at least that was what some of the older guys told me later. In 1957 my drive-in restaurant experiences were limited to, when we had a car, a working car in our family which was an iffy proposition at best, sitting in the back seat of some beat up sedan waiting during the daytime (the night belonged to the teens and no self-respecting or smart parent would bring tender children to such a place at night) for some cold plastic hamburger with fries. Jesus.
But the music was on fire as the breakout of the previous couple of years hit the pre-teen audience that was just as starved for its own not parent-seal-of-approval music as the older kids. Elvis, Chuck Berry, Little Richard, and a ton of other talent was hitting the airwaves so that if you tired of hearing one song after the one thousandth consecutive playing you could move right on.
In this The Rock ‘n’ Roll Era series some years, I believe reflecting banner years, have two CDs dedicated to the greatest hits for that year. For 1957, which has the magic two, I think that the other 1957 CD is a bit better but this one covers the rest of what should have been preserved. Stick outs here include Chuck Berry’s Rock & Roll Music (Christ, he had about ten hits in those years and most of them still crank up the teen-memory dark night air with their electricity); The Platters’ classic last dance, school dance I’m Sorry (oh, please, please save that last dance for me certain she that I have eyed until my eyes got sore all night, and she, certain she, peeked at me too); Little Richard’s Jenny, Jenny (another guy who had a ton of hit in a short period, although they haven't worn as well as Chuck's); and Fats Domino’s Blue Monday (ya, back to school days Monday blahs, except for Monday morning boys' "lav" bragging rights if that certain she I just mentioned really did mean to look my way for that last dance, otherwise why have a Monday anyway).
CD Review
The Rock ‘N’ Roll Era: 1957: Still Rockin’, various artists, Time-Life Music, 1988
Now 1957 was a good year for rock, for "boss" cars, and for car hops if you could keep them, at least that was what some of the older guys told me later. In 1957 my drive-in restaurant experiences were limited to, when we had a car, a working car in our family which was an iffy proposition at best, sitting in the back seat of some beat up sedan waiting during the daytime (the night belonged to the teens and no self-respecting or smart parent would bring tender children to such a place at night) for some cold plastic hamburger with fries. Jesus.
But the music was on fire as the breakout of the previous couple of years hit the pre-teen audience that was just as starved for its own not parent-seal-of-approval music as the older kids. Elvis, Chuck Berry, Little Richard, and a ton of other talent was hitting the airwaves so that if you tired of hearing one song after the one thousandth consecutive playing you could move right on.
In this The Rock ‘n’ Roll Era series some years, I believe reflecting banner years, have two CDs dedicated to the greatest hits for that year. For 1957, which has the magic two, I think that the other 1957 CD is a bit better but this one covers the rest of what should have been preserved. Stick outs here include Chuck Berry’s Rock & Roll Music (Christ, he had about ten hits in those years and most of them still crank up the teen-memory dark night air with their electricity); The Platters’ classic last dance, school dance I’m Sorry (oh, please, please save that last dance for me certain she that I have eyed until my eyes got sore all night, and she, certain she, peeked at me too); Little Richard’s Jenny, Jenny (another guy who had a ton of hit in a short period, although they haven't worn as well as Chuck's); and Fats Domino’s Blue Monday (ya, back to school days Monday blahs, except for Monday morning boys' "lav" bragging rights if that certain she I just mentioned really did mean to look my way for that last dance, otherwise why have a Monday anyway).
Sunday, January 23, 2011
Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night-Mark Dinning's "Teen Angel"
Click on the headline to link to a YouTube film clip of Mark Dinning performing Teen Angel.
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hard working, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.
************
First off, get used to hearing ad finitum about angels, earth-bound, heaven-sent, hell-sent, angelic, yes, angelic, heart-broken, heart-breaking angels, and how many angels can fit on the head of a pin, Enough angels to make old revolutionary Puritan poet John Milton's angel fights in Paradise Lost seem, well, punk by comparison. That is if you really want to know about 1950s rock subject matter, all of the above, naturally being teen angels (as if there were any other kind), maybe even Milton's, and that brings us to the heart of this Mark Dinning teen angst classic, Teen Angel.
Frankly, I am bewildered by the bizarre lyrics and story line here, although it rates high, very high on my newly constructed teen song angst-o-meter. Peggy and Billy, okay I know they are not named, or maybe nameable, in the universal teen night but let’s call them that to give name to the kinds of fools we are dealing with, were stranded out on railroad tracks in old Billy’s apparently dead-ender car, probably his father’s hand-me-down. That should have been the first tip-off to Peggy. There were a million guys in town with “boss” cars, including Linc with his ’57 cherry red Chevy by the look on his face every time you passed by, who would have been more than happy to give you a tumble.
Or maybe Billy just didn’t have gas dough and the clunker ran out, unfortunately, ran out on that old dreaded isolated track with all those signs saying don’t stop, please don’t stop, on the tracks because even if trains were going out of style in the big 1950s freeway car exodus they still ran every now and again. No dough Billy, christ I knew seven guys (although not Linc) who had plenty of dough , or could get it, to show you a good time, including Frankie (and Frankie, supposedly only had eyes for his ever lovin’ sweetie, Joanne).
Okay, the ways of love are strange, no question, so Billy it was. But, jesus, he pulled you out, you were safe and then you went ballistic over some f-----g, cheapjack ring, some cheapjack fake gold (like about four carat gold filigree, maybe) with fako diamond and barely legible stuff written on it class ring. And you knew, since you had been out with Billy for a while by then that it was cheapo. Come on you couldn’t have been that naïve. Now you have left Billy all choked up over his teen angel lost, and I know for a fact that he stayed that way, for a while. But just recently he seems to be on the mend because didn’t Tommy T. see him and Linda Lou, ya, sweet “hot stuff’ Linda Lou, walking hand and hand into Kay’s jewelry store, the upscale jewelry store. I wonder what they were looking for?
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hard working, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.
************
MARK DINNING
"Teen Angel"
"Teen Angel"
Teen angel, teen angel, teen angel, ooh, ooh
That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Just sweet sixteen, and now you're gone
They've taken you away.
I'll never kiss your lips again
They buried you today
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please
************That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Just sweet sixteen, and now you're gone
They've taken you away.
I'll never kiss your lips again
They buried you today
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please
First off, get used to hearing ad finitum about angels, earth-bound, heaven-sent, hell-sent, angelic, yes, angelic, heart-broken, heart-breaking angels, and how many angels can fit on the head of a pin, Enough angels to make old revolutionary Puritan poet John Milton's angel fights in Paradise Lost seem, well, punk by comparison. That is if you really want to know about 1950s rock subject matter, all of the above, naturally being teen angels (as if there were any other kind), maybe even Milton's, and that brings us to the heart of this Mark Dinning teen angst classic, Teen Angel.
Frankly, I am bewildered by the bizarre lyrics and story line here, although it rates high, very high on my newly constructed teen song angst-o-meter. Peggy and Billy, okay I know they are not named, or maybe nameable, in the universal teen night but let’s call them that to give name to the kinds of fools we are dealing with, were stranded out on railroad tracks in old Billy’s apparently dead-ender car, probably his father’s hand-me-down. That should have been the first tip-off to Peggy. There were a million guys in town with “boss” cars, including Linc with his ’57 cherry red Chevy by the look on his face every time you passed by, who would have been more than happy to give you a tumble.
Or maybe Billy just didn’t have gas dough and the clunker ran out, unfortunately, ran out on that old dreaded isolated track with all those signs saying don’t stop, please don’t stop, on the tracks because even if trains were going out of style in the big 1950s freeway car exodus they still ran every now and again. No dough Billy, christ I knew seven guys (although not Linc) who had plenty of dough , or could get it, to show you a good time, including Frankie (and Frankie, supposedly only had eyes for his ever lovin’ sweetie, Joanne).
Okay, the ways of love are strange, no question, so Billy it was. But, jesus, he pulled you out, you were safe and then you went ballistic over some f-----g, cheapjack ring, some cheapjack fake gold (like about four carat gold filigree, maybe) with fako diamond and barely legible stuff written on it class ring. And you knew, since you had been out with Billy for a while by then that it was cheapo. Come on you couldn’t have been that naïve. Now you have left Billy all choked up over his teen angel lost, and I know for a fact that he stayed that way, for a while. But just recently he seems to be on the mend because didn’t Tommy T. see him and Linda Lou, ya, sweet “hot stuff’ Linda Lou, walking hand and hand into Kay’s jewelry store, the upscale jewelry store. I wonder what they were looking for?
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