Click on the headline to link to a Wikipedia entry for the crime noir , Pick Up On South Street
DVD Review
Pick Up South Street, starring Richard Widmark, Jean Peters, Richard Kiley, 20th Century-Fox, 1953
I have previously in this space seemingly beaten to death the idea that not all crime noirs are created equal. Here I am again giving a thumbs down to this one based on that elusive standard. And here‘s why. While most of crime noirs , those that have good or bad femme fatales to muddy up the waters or not, have crime, the solving of crime, and the message that crime does not pay built into their plot lines. The film under review here, Pick Up On South Street, however tries to combine crime with a political message, a 1950s Cold War “red scare” political message-don’t mess with the reds or you’ll be dead. Courtesy of one J. Edgar Hoover, and about a million other unnamed, unmourned anti-communists. Moreover, given the year of the film, 1953, it seems to have been specially created to kick dirt on the names of Julius and Ethel Rosenberg who were being executed for their efforts on behalf of the Soviet Union. But argument over that possible link is for another time.
Here’s the plot line to give you an idea of how the two themes mesh (or don’t mesh) in this film. A woman, Candy (played by Jean Peters), while riding a New York subway has her wallet pick-pocketed by one low-life grafter, Skip (played by Richard Widmark). Not big deal in New York City, except that the wallet contained, unknown to Ms. Candy, secret microfilmed documents headed overseas (to Uncle Joe, okay) through (nefarious, of course) agents working here. Skip is not privy to what he has unleashed until Candy is ordered by one of the agents, someone who has “befriended” her, Joey (played by Richard Kiley), to get the damn thing back. Hence she finally winds up on South Street where in a run-down fishing shack Widmark hangs his hat. Through guile, sexual advance, and anything else she can think of she tries to get the microfilm taking more than her fair share of beatings in the process. No dice, for a while. Of course to tie the red scare theme together agents, and you know what agents, are on the case looking out for the national interest. So the "win" is in the bag. Overall pretty thin gruel, right?
Right, except for Richard Widmark’s self-dramatizing flare as Skip, and his duplicity. See once Skip does become privy to what he has he is ready to sell to the highest bidder, and it takes hell and high water, including some cooing by Ms. Peters to get him on the right side of the angels. And this is where the whole thing falls down a little. No self-respecting criminal (or certified lumpenproletarian to use Marx’s term) is really going to go through hoops out of some patriotic fervor when he has gold right in front of him. Widmark and the cooing been-around-the-block Ms. Peters going off the deep-end for some patriotic reasons just stretches the imagination a little too far. But then you have to reach back to the old stand-by rationale of crime noir-crime, crime crime, or political crime, doesn’t pay to learn the lesson put forth here. Got it.
Showing posts with label red scare. Show all posts
Showing posts with label red scare. Show all posts
Tuesday, November 29, 2011
Thursday, September 22, 2011
Labor’s Untold Story- A Personal View Of The Class Wars In The Kentucky Hills And Hollows-"Once Again, Hard Times In Babylon- Growing-Up Working Poor"
Click on title to link to my blog entry of September 27, 2007 reposted here in honor of the struggle in Kentucky coal country entitled Once Again, Hard Times In Babylon for a link to information from that period.
Once Again, Hard Times in Babylon-revised
Markin comment:
I had, several years ago, received a recent comment (not on this site) concerning my take on the labor movement these days. (See my entry at the American Left History blog, The AFL-CIO bureaucracy and the 2008 elections, dated September 25, 2007). The gist of the comment concerned my argument on the necessity of organizing (or rather, in effect, re-organizing) the coal miners, in the eastern and western sections of America (and elsewhere as well). As part of that comment I noted that one of the problems in such organization is the geographical and physical isolation of the mines. I also noted that the miners tend to be a parochial lot and mistrustful of outsiders, as a result. That seemed to have set the reader off. In short, that person questioned my ‘credentials’ to speak on the question. He or she, apparently, missed the sentences about my father’s experiences as a young coal-miner in Eastern Kentucky. That does not qualify me to be president of the United Mineworkers Union (which, I believe, at last look required five years in the mines before one could run for that office) but I know the ‘coal’ in an indirect way. Here’s a little bio sketch on that point.
GROWING UP DIRT POOR IN THE 1950’S
Several years ago I wrote a personal commentary about a childhood friend from back in the old neighborhood in North Adamsville where I grew up in the 1950’s who had passed away.(see An Uncounted Casualty of War,, May 8, 2007 archives). I had also at that time been re-reading the then recently deceased investigative journalist David Halberstam’s book, The Fifties, that covers that same basic period. Halberstam’s take on the trends of the period, in contrast to the reality of my own childhood experiences as a child of the working poor that missed most of the benefits of that ‘golden age,’ rekindled some memories, a few painful. It is no exaggeration to say that those were hard times in Babylon. Not so much for individual lacks like a steady (and reliable) family car to break out of the cramped quarters, house on house, where we lived once in a while. Or the inevitable hand-me-down clothes (all the way through high school, almost), or worst the Bargain Center bargains that were no bargains (the local “Wal-Mart” of the day to give you an idea of what I mean). Or even the always house coldness in winter (to save on precious fuel even in those cheap-priced heating oil times) and hotness in summer (ditto, save on electricity so no A/C, or fans).
They, and other such lacks, all had their place in the poor man’s pantheon, no question. No, what, in the end, turned things out badly was the sense of defeat that hung, hung heavily and almost daily over the household, the street, the neighborhood at a time when others, visibly and not so far away, were getting ahead. Some sociologist, some academic sociologist, for, sure, would call it the death of “rising expectations.” And for once they would be right, or at least on the right track. Thinking back on those times has also made me reflect on how the hard anti-communist politics of the period, the “red scare” left people like my parents high and dry, although they were as prone to support it as any American Legionaire. The defeat and destruction of the left-wing movement, principally pro-communist organizations, of that period has continued to leave a mark, and a gaping vacuum on today’s political landscape, and on this writer.
There are many myths about the 1950’s to be sure. However, one cannot deny that the key public myth was that those who had fought World War II and were afterwards enlisted in the anti-Soviet Cold War fight against communism were entitled to some breaks. The overwhelming desire for personal security and comfort on the part of those who had survived the Great Depression and fought the war (World War II just so there is no question about which in the long line of wars we are talking about) was not therefore totally irrational. That it came at the expense of other things like a more just and equitable society is a separate matter. Moreover, despite the public myth not everyone benefited from the ‘rising tide.' The experience of my parents is proof of that. Thus this commentary is really about what happened to those, like my parents, who did not make it and were left to their personal fates without a rudder to get them through the rough spots. Yes, my parents were of the now much ballyhooed and misnamed ‘greatest generation’ but they were not in it.
I will not go through all the details of my parents’ childhoods, courtship and marriage for such biographic details of the Depression and World War II are plentiful and theirs fits the pattern. One detail is, however, important and that is that my father grew up in the hills of eastern Kentucky, Hazard, near Harlan County to be exact, coal mining country made famous in song and story and by Michael Harrington in his 1960s book The Other America. This was, and is, hardscrabble country by any definition. Among whites these “hillbillies” were the poorest of the poor. There can be little wonder that when World War II began my father left the mines to join the Marines, did his fair share of fighting in the Pacific, settled in the Boston area and never looked back.
By all rights my father should have been able to take advantage of the G.I. Bill and enjoyed home and hearth like the denizens of Levittown (New York and elsewhere) described in Halberstam’s book and shown on such classic 1950s television shows as Ozzie and Harriet and Leave It To Beaver. But life did not go that way. Why? He had virtually no formal education. And moreover had three young sons born close together in the immediate post-war period. Furthermore he had no marketable skills usable in the Boston labor market. There was (and is) no call for coal-miners here. My father was a good man. He was a hard-working man; when he was able find work. He was an upright man. But he never drew a break. Unskilled labor, to which he was reduced, is notoriously unstable, and so his work life was one of barely making ends meet. Thus, well before the age when the two-parent working family became the necessary standard to get ahead, my mother went to work to supplement the family income. She too was an unskilled laborer. Thus, even with two people working we were always “dirt poor.” I have already run through enough of the litany of lacks to give an idea of what dirt poor meant in those hard times so we need not retrace those steps.
Our little family started life in the Adamsville housing projects, at that time not the notorious hell-holes of crime and deprivation that they later became but still a mark of being low, very low, on the social ladder at a time when others were heading to the Valhalla of the newly emerging suburbs. By clawing and scratching my parents saved enough money to buy an extremely modest single-family house. Hell, why pussyfoot about it, a shack. The house, moreover, was in a neighborhood that was, and is, one of those old working class neighborhoods where the houses are small, cramped, and seedy, the leavings of those who have moved on to bigger and better things. The neighborhood nevertheless reflected the desire of the working poor in the 1950’s, my parents and others, to own their own homes and not be shunted off into decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. This is social progress?
But enough of all that. Where in this story though is there a place for militant left-wing political class-consciousness to break the trap? Not the sense of social inferiority of the poor before the rich (or the merely middle class). Damn, there was plenty of that kind of consciousness in our house. A phrase from the time, and maybe today although I don’t hear it much, said it all “keeping up with the Jones.’” Or else. But where was there an avenue in the 1950’s, when it could have made a difference, for a man like my father to have his hurts explained and have something done about them? No where. So instead it went internally into the life of the family and it never got resolved. One of his sons, this writer, has had luxury of being able to fight essentially exemplary propaganda battles in small left-wing socialist circles and felt he has done good work in his life. My father’s hurts needed much more. The "red scare" aimed mainly against the American Communist Party but affecting wider layers of society decimated any possibility that he could get the kind of redress he needed. That dear reader, in a nutshell, is why I proudly bear the name communist today. And the task for me today? To insure that future young workers, unlike my parents in the 1950’s, will have their day of justice.
Once Again, Hard Times in Babylon-revised
Markin comment:
I had, several years ago, received a recent comment (not on this site) concerning my take on the labor movement these days. (See my entry at the American Left History blog, The AFL-CIO bureaucracy and the 2008 elections, dated September 25, 2007). The gist of the comment concerned my argument on the necessity of organizing (or rather, in effect, re-organizing) the coal miners, in the eastern and western sections of America (and elsewhere as well). As part of that comment I noted that one of the problems in such organization is the geographical and physical isolation of the mines. I also noted that the miners tend to be a parochial lot and mistrustful of outsiders, as a result. That seemed to have set the reader off. In short, that person questioned my ‘credentials’ to speak on the question. He or she, apparently, missed the sentences about my father’s experiences as a young coal-miner in Eastern Kentucky. That does not qualify me to be president of the United Mineworkers Union (which, I believe, at last look required five years in the mines before one could run for that office) but I know the ‘coal’ in an indirect way. Here’s a little bio sketch on that point.
GROWING UP DIRT POOR IN THE 1950’S
Several years ago I wrote a personal commentary about a childhood friend from back in the old neighborhood in North Adamsville where I grew up in the 1950’s who had passed away.(see An Uncounted Casualty of War,, May 8, 2007 archives). I had also at that time been re-reading the then recently deceased investigative journalist David Halberstam’s book, The Fifties, that covers that same basic period. Halberstam’s take on the trends of the period, in contrast to the reality of my own childhood experiences as a child of the working poor that missed most of the benefits of that ‘golden age,’ rekindled some memories, a few painful. It is no exaggeration to say that those were hard times in Babylon. Not so much for individual lacks like a steady (and reliable) family car to break out of the cramped quarters, house on house, where we lived once in a while. Or the inevitable hand-me-down clothes (all the way through high school, almost), or worst the Bargain Center bargains that were no bargains (the local “Wal-Mart” of the day to give you an idea of what I mean). Or even the always house coldness in winter (to save on precious fuel even in those cheap-priced heating oil times) and hotness in summer (ditto, save on electricity so no A/C, or fans).
They, and other such lacks, all had their place in the poor man’s pantheon, no question. No, what, in the end, turned things out badly was the sense of defeat that hung, hung heavily and almost daily over the household, the street, the neighborhood at a time when others, visibly and not so far away, were getting ahead. Some sociologist, some academic sociologist, for, sure, would call it the death of “rising expectations.” And for once they would be right, or at least on the right track. Thinking back on those times has also made me reflect on how the hard anti-communist politics of the period, the “red scare” left people like my parents high and dry, although they were as prone to support it as any American Legionaire. The defeat and destruction of the left-wing movement, principally pro-communist organizations, of that period has continued to leave a mark, and a gaping vacuum on today’s political landscape, and on this writer.
There are many myths about the 1950’s to be sure. However, one cannot deny that the key public myth was that those who had fought World War II and were afterwards enlisted in the anti-Soviet Cold War fight against communism were entitled to some breaks. The overwhelming desire for personal security and comfort on the part of those who had survived the Great Depression and fought the war (World War II just so there is no question about which in the long line of wars we are talking about) was not therefore totally irrational. That it came at the expense of other things like a more just and equitable society is a separate matter. Moreover, despite the public myth not everyone benefited from the ‘rising tide.' The experience of my parents is proof of that. Thus this commentary is really about what happened to those, like my parents, who did not make it and were left to their personal fates without a rudder to get them through the rough spots. Yes, my parents were of the now much ballyhooed and misnamed ‘greatest generation’ but they were not in it.
I will not go through all the details of my parents’ childhoods, courtship and marriage for such biographic details of the Depression and World War II are plentiful and theirs fits the pattern. One detail is, however, important and that is that my father grew up in the hills of eastern Kentucky, Hazard, near Harlan County to be exact, coal mining country made famous in song and story and by Michael Harrington in his 1960s book The Other America. This was, and is, hardscrabble country by any definition. Among whites these “hillbillies” were the poorest of the poor. There can be little wonder that when World War II began my father left the mines to join the Marines, did his fair share of fighting in the Pacific, settled in the Boston area and never looked back.
By all rights my father should have been able to take advantage of the G.I. Bill and enjoyed home and hearth like the denizens of Levittown (New York and elsewhere) described in Halberstam’s book and shown on such classic 1950s television shows as Ozzie and Harriet and Leave It To Beaver. But life did not go that way. Why? He had virtually no formal education. And moreover had three young sons born close together in the immediate post-war period. Furthermore he had no marketable skills usable in the Boston labor market. There was (and is) no call for coal-miners here. My father was a good man. He was a hard-working man; when he was able find work. He was an upright man. But he never drew a break. Unskilled labor, to which he was reduced, is notoriously unstable, and so his work life was one of barely making ends meet. Thus, well before the age when the two-parent working family became the necessary standard to get ahead, my mother went to work to supplement the family income. She too was an unskilled laborer. Thus, even with two people working we were always “dirt poor.” I have already run through enough of the litany of lacks to give an idea of what dirt poor meant in those hard times so we need not retrace those steps.
Our little family started life in the Adamsville housing projects, at that time not the notorious hell-holes of crime and deprivation that they later became but still a mark of being low, very low, on the social ladder at a time when others were heading to the Valhalla of the newly emerging suburbs. By clawing and scratching my parents saved enough money to buy an extremely modest single-family house. Hell, why pussyfoot about it, a shack. The house, moreover, was in a neighborhood that was, and is, one of those old working class neighborhoods where the houses are small, cramped, and seedy, the leavings of those who have moved on to bigger and better things. The neighborhood nevertheless reflected the desire of the working poor in the 1950’s, my parents and others, to own their own homes and not be shunted off into decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. This is social progress?
But enough of all that. Where in this story though is there a place for militant left-wing political class-consciousness to break the trap? Not the sense of social inferiority of the poor before the rich (or the merely middle class). Damn, there was plenty of that kind of consciousness in our house. A phrase from the time, and maybe today although I don’t hear it much, said it all “keeping up with the Jones.’” Or else. But where was there an avenue in the 1950’s, when it could have made a difference, for a man like my father to have his hurts explained and have something done about them? No where. So instead it went internally into the life of the family and it never got resolved. One of his sons, this writer, has had luxury of being able to fight essentially exemplary propaganda battles in small left-wing socialist circles and felt he has done good work in his life. My father’s hurts needed much more. The "red scare" aimed mainly against the American Communist Party but affecting wider layers of society decimated any possibility that he could get the kind of redress he needed. That dear reader, in a nutshell, is why I proudly bear the name communist today. And the task for me today? To insure that future young workers, unlike my parents in the 1950’s, will have their day of justice.
Saturday, July 30, 2011
Rick’s Flying Saucer Rock Moment- The Rock ‘n’ Rock Era; Weird, Wild & Wacky
Click on the headline to link to a YouTube film clip of the Royal Teens performing their classic, Short, Shorts.
CD Review
The Rock ‘n’Roll Era: Weird, Wild & Wacky, various artists, Time-Life Music, 1991
He was glad, glad as hell that angel thing, that guardian angel thing, was over and done with. You know that Sunday school thing they beat you over head with about how your guardian angel was there to keep you on the straight and narrow, or else. Yes, Rick Roberts certainly was glad that was over although now that he thought about it it just kind of passed out of sight as he got older and other things filled his mind. Things like his June ("June Bug" was his pet name for her but he had better not hear you call her that, especially one Freddie Jackson, or else). Yes, Rick was now large, strong enough, and smart enough strong, not to have to worry about some needlepoint guardian angel looking out for him. Although truth to tell he was worried, a little anyway, about this Cold War Russian bear thing coming over here to take his brain away, or maybe put the big heat on him, the A-bomb heat and creating alien things from outer space to haunt his dreams. But only a little.
What was exercising Rick these days was his June (you know her pet name but don’t say it, please) and causing him no end of sleepless nights was that thing about Freddie Jackson, June’s old flame. At least according to his sister, Celia, a reliable source of North Adamsville High gossip, and not afraid to spread it when it pleased her, was that Freddie was taking his peeks at June, and she was peeking back. So, lately, in order to pass those sleepless nights Rick had begun to sit up in his bedroom at night with his transistor radio on, the one that he had forced his parents to buy him, batteries included, for last Christmas, rather than the practical ties they had intended to foist on him. And what Rick listened as the hour turned to midnight was The Crazy Lazy Midnight Madness Show on WMEX, the local be-bop, no stop, all rock radio station the that got the sleepless, the half-awake, the lame and the lazy through the 1950s Cold War night, and into the dawn.
Now this Crazy Lazy Show fare was strictly for night owls, stuff that would not appeal to daytime rockers, you know, those listening to guys like Elvis, Carl, Bo, Little Richard, and Jerry Lee, or just stuff that appealed to Lazy’s off-center, off-beat funny bone. One night, one really restless night, as Rick was revving up the transistor around midnight
he heard Buchanan and Goodman’s silly The Flying Saucer, parts one and two back to back no less, so you see Crazy was serious about presenting goofy stuff. That was followed by Sheb Wooley’s devouring the Purple People Eater, and then, for a change of pace The Royal Teens be-bop Short, Shorts and that got his to thinking about how good June looked in them, and then back to zaniness when Bobby Picketts flattened Monster Mash and, as he got a little drowsy, The Detergents waved over Leader of the Laundromat.
That last one got to him, got to him good, because, believe it or not the song had sentimental value to him. See he met June at the North Adamsville All-Wash Laundromat one day. His mother’s washing machine had broken down and she needed to bring the Roberts laundry to the All-Wash and Rick drove her over. During that time June had passed by, he had said hi, they had talked and then more seriously talked, and that was that. Freddie Jackson was after that dust, a memory, nothing to June.
All this thinking really got Rick tired this night and as the last chords of Laundromat echoed in his head he fell into a deep sleep. Around four o’clock in the morning though he was awoken with a start, with the high pitched whining sound coming from some where outside his window. Next thing he knew a huge disc-like object was hovering over most of Adamsville, and stayed there for maybe a minute before departing just as quickly as it appeared. Rick took this for a sign, a sign that he and June would hang together. And a sign that Freddie Jackson probably should have taken a trip on that flying saucer while he could, or else.
CD Review
The Rock ‘n’Roll Era: Weird, Wild & Wacky, various artists, Time-Life Music, 1991
He was glad, glad as hell that angel thing, that guardian angel thing, was over and done with. You know that Sunday school thing they beat you over head with about how your guardian angel was there to keep you on the straight and narrow, or else. Yes, Rick Roberts certainly was glad that was over although now that he thought about it it just kind of passed out of sight as he got older and other things filled his mind. Things like his June ("June Bug" was his pet name for her but he had better not hear you call her that, especially one Freddie Jackson, or else). Yes, Rick was now large, strong enough, and smart enough strong, not to have to worry about some needlepoint guardian angel looking out for him. Although truth to tell he was worried, a little anyway, about this Cold War Russian bear thing coming over here to take his brain away, or maybe put the big heat on him, the A-bomb heat and creating alien things from outer space to haunt his dreams. But only a little.
What was exercising Rick these days was his June (you know her pet name but don’t say it, please) and causing him no end of sleepless nights was that thing about Freddie Jackson, June’s old flame. At least according to his sister, Celia, a reliable source of North Adamsville High gossip, and not afraid to spread it when it pleased her, was that Freddie was taking his peeks at June, and she was peeking back. So, lately, in order to pass those sleepless nights Rick had begun to sit up in his bedroom at night with his transistor radio on, the one that he had forced his parents to buy him, batteries included, for last Christmas, rather than the practical ties they had intended to foist on him. And what Rick listened as the hour turned to midnight was The Crazy Lazy Midnight Madness Show on WMEX, the local be-bop, no stop, all rock radio station the that got the sleepless, the half-awake, the lame and the lazy through the 1950s Cold War night, and into the dawn.
Now this Crazy Lazy Show fare was strictly for night owls, stuff that would not appeal to daytime rockers, you know, those listening to guys like Elvis, Carl, Bo, Little Richard, and Jerry Lee, or just stuff that appealed to Lazy’s off-center, off-beat funny bone. One night, one really restless night, as Rick was revving up the transistor around midnight
he heard Buchanan and Goodman’s silly The Flying Saucer, parts one and two back to back no less, so you see Crazy was serious about presenting goofy stuff. That was followed by Sheb Wooley’s devouring the Purple People Eater, and then, for a change of pace The Royal Teens be-bop Short, Shorts and that got his to thinking about how good June looked in them, and then back to zaniness when Bobby Picketts flattened Monster Mash and, as he got a little drowsy, The Detergents waved over Leader of the Laundromat.
That last one got to him, got to him good, because, believe it or not the song had sentimental value to him. See he met June at the North Adamsville All-Wash Laundromat one day. His mother’s washing machine had broken down and she needed to bring the Roberts laundry to the All-Wash and Rick drove her over. During that time June had passed by, he had said hi, they had talked and then more seriously talked, and that was that. Freddie Jackson was after that dust, a memory, nothing to June.
All this thinking really got Rick tired this night and as the last chords of Laundromat echoed in his head he fell into a deep sleep. Around four o’clock in the morning though he was awoken with a start, with the high pitched whining sound coming from some where outside his window. Next thing he knew a huge disc-like object was hovering over most of Adamsville, and stayed there for maybe a minute before departing just as quickly as it appeared. Rick took this for a sign, a sign that he and June would hang together. And a sign that Freddie Jackson probably should have taken a trip on that flying saucer while he could, or else.
Saturday, July 16, 2011
Blowing In The Wind - With Bob Dylan In Mind
Blowing In The Wind - With Bob Dylan In Mind
Scene: Girls’ Lounge, North Clintondale High School, Monday morning before school, late September, 1962. Additional information for those who know not of girls lounges, for whatever reason. The North Clintondale High School girls’ lounge was reserved strictly for junior and senior girls, no sophomore girls and, most decidedly, no freshmen girls need come within twenty feet of the place for any reason, particularly by accident, under penalty of tumult. It was placed there for the “elect” to use before school, during lunch, after school, and during the day if the need arise for bathroom breaks, but that last was well down on the prerogatives list since any girl can use any other “lav” in the school. No queen, no lioness ever guarded her territory as fiercely as the junior and senior girls of any year, not just 1962, guarded the aura of their lounge. Needless to say the place was strictly off-limits to boys, although there had been talk, if talk it was, about some girls thinking, or maybe better, wishing, that boys could enter, after school enter. That possibility was in any case much more likely than entry by those sophomore and freshman girls, lost or not.
Now the reasoning behind this special girls’ lounge, at least according to Clintondale public school authority wisdom established so far back no one remembered who started it, although a good guess was sometime in the Jazz Age, the time of the “lost generation,” was that junior and senior girls needed some space to attend to their toilet and to adjust to the other rigors of the girl school day and, apparently, that fact was not true for the younger girls. So for that “as far back as can be remembered” junior and senior girls have been using the lounge for their physical, spiritual, demonic, and other intrigue needs.
Now the physical set- up of the place, by 1962 anyway, was that of a rather run-down throne-ante room. Remember as well this was situated in a public school so erase any thoughts of some elegant woman’s lounge in some fancy downtown Clintondale hotel, some Ritz-ish place. Within that huge multi-windowed space there were several well-used, sagging, faded couches, a few ratty single chairs, some mirrors in need of some repair and a good cleaning and a few wastepaper baskets of various sizes. Attached to this room was a smaller room, the bathroom itself with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. The “charm” of the place was thus in its exclusivity not its appearance.
Come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every girl with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a elitist democratic lounge there was certain pecking order, or more aptly cliques. The most vocal one, although the smallest, was composed of the “bad” girls, mainly working class, or lower, mostly Irish and Italian, cigarette-smoking, blowing the smoke out the window this September day as the weather was still good enough to have open windows. As if the nervous, quick-puff stale smells of the cigarettes were not permanently etched on the stained walls already, taking no bloodhound to figure out the No Smoking rule was being violated, violated daily. Oh yes, and those “bad” girls just then were chewing gum, chewing Wrigley’s double-mint gum, although that ubiquitous habit was not confined to bad girls, as if that act would take the smell of the cigarette away from their breathes. One girl, Anna, a usually dour pretty girl, was animatedly talking, without a seeming hint of embarrassment or concern that others would hear about how her new boyfriend, a biker from Adamsville who to hear her tell it was an A- Number One stud, and she “did it” on the Adamsville beach (she put it more graphically, much more graphically, but the reader can figure that out). And her listeners, previously somewhat sullen, perked up as she went into the details, and they started, Monday morning or not, to get a certain glean in their eyes thinking about the response when they told their own boyfriends about this one.
Less vocal, but certainly not more careful in their weekend doings talk, were the, for lack of a better term, the pom-pom girls, the school social leaders, the ones who planned the school dances and such, and put the events together in order to, no, not show their superior organizing skills, but to lure boys, the jock and social boys, into their own Adamsville beach traps. And not, like Anna and her biker, on any smelly, sandy, clamshell-filled, stone-wretched beach, blanket-less for christ sakes. Leave that for the “bad” girls. They, to a girl, were comfortably snuggled up, according to their whispered stories, in the back seat of a boss ’57 Chevy or other prestige car, with their honeys and putting it more gingerly than Anna (and less graphically) “doing it.”
And, lastly, was the group around Peggy Kelley, not that she was the leader of this group for it had no leader, or any particular organized form either, but because when we get out of the smoke-filled, sex talk-filled, hot-air Monday morning before school North Clintondale junior and senior girls’ lounge we will be following her around. This group, almost all Irish girls, Irish Catholic girls if that additional description is needed, of varying respectabilities, was actually there to attend to their toilet and prepare for the rigors of the girl school day. Oh yes, after all what is the point of being in this exclusive, if democratic, lounge anyway, they too were talking in very, very, very quiet tones discussing their weekend doings, their mainly sexless weekend doings, although at least one, Dora, was speaking just a bit too cryptically, and with just a little too much of a glean in her eyes to pass churchly muster.
And what of Peggy? Well Peggy had her story to tell, if she decided to tell it which she had no intention of doing that day. She was bothered, with an unfocused bother, but no question a bother about other aspects of her life, about what she was going to, about her place in the world to than to speak of sex. It was not that Peggy didn’t like sex, or rather more truthfully, the idea of sex, or maybe better put on her less confused days, the idea of the idea of sex. Just this past weekend, Saturday night, although it was a book sealed with seven seals that she was determined not to speak of, girls’ lounge or not, she had let Pete Rizzo “feel her up,” put his hands on her breast. No, not skin on skin, jesus no, but through her buttoned-up blouse. And she liked it. And moreover, she thought that night, that tossing and turning night, “when she was ready” she was would be no prude about it. When she was ready, and that is why she insisted that the idea of the idea of sex was something that would fall into place. When she was ready.
But as she listened to the other Irish girls and their half-lies about their weekends, or drifted off into her own thoughts sex, good idea or not, was not high on her list of activities just now. Certainly not with Pete. Pete was a boy that she had met when she was walking at “the meadows,” For those not familiar with the Clintondale meadows this was a well-manicured and preserved former pasture area that the town fathers had designated as park, replete with picnic tables, outdoor barbecue pits, a small playground area and a small restroom. The idea was to preserve a little of old-time farm country Clintondale in the face of all the building going on in town. But for Peggy the best part was that on any given day no one was using the space, preferring the more gaudy, raucous and, well, fun-filled Gloversville Amusement Park, a couple of towns over. And
so she could roam there freely, and that seemed be Pete’s idea, as well one day. And that meeting really set up what was bothering Peggy these days.
Pete was a freshman at the small local Gloversville College. Although it was small and had been, according to Pete, one of those colleges founded by religious dissidents, Protestant religious dissidents from the mainstream Protestantism of their day, it was well-regarded academically (also courtesy of Pete). And that was Pete’s attraction, his ideas and how he expressed them. They fit right in with what Peggy had been bothered by for a while. Things that could not be spoken of in girls’ lounge, or maybe even thought of there. Things like what to do about the black civil rights struggle that was burning up the television every night. (Pete was “heading south” next summer he said.) Things like were we going to last until next week if the Russians came at us, or we went after the Russians.
Also things like why was she worried every day about her appearance and why she, like an addiction, always, always, made her way to the girls’ lounge to “make her face” as part of the rigors of the girl school day. And that whole sex thing that was coming, and she was glad of it, just not with Pete, Pete who after all was just too serious, too much like those commissars over in Russia, although she liked the way he placed his hands on her. And she was still thinking hard on these subjects as she excused herself from the group as she put the final touches of lipstick on. Just then the bell rang for first period, and she was off into the girl day.
Scene: Boys’ “Lav,” Second Floor, Clintondale High School, Monday morning before school, September, 1962. (Not necessarily the same Monday morning as the scene above but some Monday after the first Monday, Labor Day, in September. In any case even if it was the same Monday as the one above that coincidence does not drive this story, other more ethereal factors do.) Additional information for those who know not of boys’ lavs, for whatever reason. The Clintondale High School boys’ rest rooms, unlike the girls’ lounge mentioned above at North, or where a similar rule applied to the girls’ lounge at Clintondale, was open to any boy in need of its facilities, even lowly, pimply freshmen as long as they could take the gaffe. Apparently Clintondale high school boys, unlike the upperclassmen girls needed no special consideration for their grooming needs in order to face the schoolboy day.
Well, strictly speaking that statement about a truly democratic boys’ lav universe was not true. The first floor boys’ lav down by the woodworking shop was most strictly off limits, and had been as far back as anyone could remember, maybe Neanderthal times, to any but biker boys, badass corner boys, guys with big chips on their shoulders and the wherewithal to keep them there , and assorted other toughs. No geeks, dweebs, nerds, guys in plaid shirts and loafers with or without pennies inserted in them, or wannabe toughs, wannabe toughs who did not have that wherewithal to maintain that chip status need apply. And none did, none at least since legendary corner boy king (Benny’s Variety version), “Slash” Larkin, threw some misdirected freshman through a work-working shop window for his mistake. Ever since every boy in the school, every non-biker, non-corner boy, or non-tough had not gone within fifty yards of that lav, even if they took shop classes in the area. And a “comic” aspect of every year’s freshman orientation was a guided finger to point out which lav not to use, and that window where that freshman learned the error of his ways. No king, no lion ever guarded his territory as fiercely as the “bad” boys did. Except, maybe, those junior and senior Clintondale girls of any year, and not just 1962, as they guarded their lounge lair.
That left the boys’ rooms on the second floor, the third floor, the one as you entered the gymnasium, and the one outside of the cafeteria for every other boy’s use. A description, a short description, of these lavs is in order. One description fits all will suffice; a small room, with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. Additionally, naturally, several somewhat grimy, stained (from the “misses”) urinals. What draws our attention to the second floor boys’ room this day are two facts. First, this rest room is in the back of the floor away from snooping teachers’ eyes, ears and noses and has been known, again for an indeterminate time, as the place where guys could cadge a smoke, a few quick puffs anyway, on a cigarette and blow the smoke out the back window, rain or shine, cold or hot weather. So any guy of any class who needed his fix found his way there. And secondly, today, as he had done almost every Monday before school since freshman year John Prescott and friends have held forth there to speak solemnly of the weekend’s doing, or not doings. To speak of sex, non-sex, and more often than seemed possible, of the girl who got away, damn it.
Of course, egalitarian democratic or not, even such drab places as schoolboy rest rooms have their pecking orders, and the second floor back tended to eliminate non-smoking underclassmen, non-smokers in general, serious intellectual types, non-jocks, non-social butterflies, and non-plaid shirt and loafer boys. And Johnny Prescott, if nothing else was the epitome of the plaid shirt and loafer crowd. And just like at that up-scale North Clintondale girls’ lounge come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every plaid-shirted, penny-loafered boy with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a smoky democratic setting there was a certain standardized routine-ness to these Monday mornings. And that routine-ness, the very fact of it, is why on John Prescott draws our attention this day.
And if Johnny was the king of his clique for no other reason than he was smart, but not too smart, not intellectual smart, or showing it any way, that he was first to wear plaid and loafers and not be laughed at, and he had no trouble dating girls, many notched girls, which was the real sign of distinction in second floor lav, he was a troubled plaid-ist.
No, not big troubled, but, no question, troubled. Troubled about this sex thing, and about having to have the notches to prove it, whether, to keep up appearances, you had to lie about it or not when you struck out as happened to Johnny more times than he let on (and as he found out later happened to more guys more often than not). Troubled about political stuff like what was going on down in the South with those black kids taking an awful beating every day as he saw on television every freaking night. And right next store in Adamsville where some kids, admittedly some intellectual goof kids, were picketing Woolworth’s every Saturday to let black people, not in Adamsville because there were no blacks in Adamsville, or Clintondale for that matter, but down in Georgia, eat a cheese sandwich in peace at a lunch counter and he thought he should do something about that too, except those intellectual goofs might goof on him.
And big, big issues like whether we were going to live out our lives as anything but mutants on this planet what with the Russian threatening us everywhere with big bombs, and big communist one-size-fits- all ideas. Worst, though were the dizzying thoughts of his place in the sun and how big it would be. Worst, right now worst though was to finish this third morning cigarette and tell his girl, his third new girl in two months, Julie James, that he needed some time this weekend to just go off by himself, “the meadows” maybe, and think about the stuff he had on his mind.
*******
Scene: Clintondale Meadows, late September 1962. The features of the place already described above, including its underutilization. Enter Johnny Prescott from the north, plaid shirt, brow loafers, no pennies on this pair, black un-cuffed chinos, and against the winds of late September this year his Clintondale High white and blue sports jacket won for his athletic prowess in sophomore year. Theodore White’s The Making Of A President-1960 in hand. Enter from the south Peggy Kelly radiant in her cashmere sweater, her just so full skirt, and her black patent leather shoes with her additional against the chill winds red and black North Clintondale varsity club supporter sweater. James Baldwin’s Go Tell It On The Mountain in hand. Johnny spied Peggy first, makes an initial approach as he did to most every girl every chance he got, but notices, notices at a time when such things were important in Clintondale teen high school live the telltale red and black sweater, and immediately backs off. Peggy noticing Johnny’s reaction puts her head down. A chance encounter goes for not.
****
That is not the end of the story though. Johnny and Peggy will “meet” again, by chance, in the Port Authority Bus Station in New York City in 1964 as they, along with other recent high school graduates, “head south.”
Scene: Girls’ Lounge, North Clintondale High School, Monday morning before school, late September, 1962. Additional information for those who know not of girls lounges, for whatever reason. The North Clintondale High School girls’ lounge was reserved strictly for junior and senior girls, no sophomore girls and, most decidedly, no freshmen girls need come within twenty feet of the place for any reason, particularly by accident, under penalty of tumult. It was placed there for the “elect” to use before school, during lunch, after school, and during the day if the need arise for bathroom breaks, but that last was well down on the prerogatives list since any girl can use any other “lav” in the school. No queen, no lioness ever guarded her territory as fiercely as the junior and senior girls of any year, not just 1962, guarded the aura of their lounge. Needless to say the place was strictly off-limits to boys, although there had been talk, if talk it was, about some girls thinking, or maybe better, wishing, that boys could enter, after school enter. That possibility was in any case much more likely than entry by those sophomore and freshman girls, lost or not.
Now the reasoning behind this special girls’ lounge, at least according to Clintondale public school authority wisdom established so far back no one remembered who started it, although a good guess was sometime in the Jazz Age, the time of the “lost generation,” was that junior and senior girls needed some space to attend to their toilet and to adjust to the other rigors of the girl school day and, apparently, that fact was not true for the younger girls. So for that “as far back as can be remembered” junior and senior girls have been using the lounge for their physical, spiritual, demonic, and other intrigue needs.
Now the physical set- up of the place, by 1962 anyway, was that of a rather run-down throne-ante room. Remember as well this was situated in a public school so erase any thoughts of some elegant woman’s lounge in some fancy downtown Clintondale hotel, some Ritz-ish place. Within that huge multi-windowed space there were several well-used, sagging, faded couches, a few ratty single chairs, some mirrors in need of some repair and a good cleaning and a few wastepaper baskets of various sizes. Attached to this room was a smaller room, the bathroom itself with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. The “charm” of the place was thus in its exclusivity not its appearance.
Come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every girl with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a elitist democratic lounge there was certain pecking order, or more aptly cliques. The most vocal one, although the smallest, was composed of the “bad” girls, mainly working class, or lower, mostly Irish and Italian, cigarette-smoking, blowing the smoke out the window this September day as the weather was still good enough to have open windows. As if the nervous, quick-puff stale smells of the cigarettes were not permanently etched on the stained walls already, taking no bloodhound to figure out the No Smoking rule was being violated, violated daily. Oh yes, and those “bad” girls just then were chewing gum, chewing Wrigley’s double-mint gum, although that ubiquitous habit was not confined to bad girls, as if that act would take the smell of the cigarette away from their breathes. One girl, Anna, a usually dour pretty girl, was animatedly talking, without a seeming hint of embarrassment or concern that others would hear about how her new boyfriend, a biker from Adamsville who to hear her tell it was an A- Number One stud, and she “did it” on the Adamsville beach (she put it more graphically, much more graphically, but the reader can figure that out). And her listeners, previously somewhat sullen, perked up as she went into the details, and they started, Monday morning or not, to get a certain glean in their eyes thinking about the response when they told their own boyfriends about this one.
Less vocal, but certainly not more careful in their weekend doings talk, were the, for lack of a better term, the pom-pom girls, the school social leaders, the ones who planned the school dances and such, and put the events together in order to, no, not show their superior organizing skills, but to lure boys, the jock and social boys, into their own Adamsville beach traps. And not, like Anna and her biker, on any smelly, sandy, clamshell-filled, stone-wretched beach, blanket-less for christ sakes. Leave that for the “bad” girls. They, to a girl, were comfortably snuggled up, according to their whispered stories, in the back seat of a boss ’57 Chevy or other prestige car, with their honeys and putting it more gingerly than Anna (and less graphically) “doing it.”
And, lastly, was the group around Peggy Kelley, not that she was the leader of this group for it had no leader, or any particular organized form either, but because when we get out of the smoke-filled, sex talk-filled, hot-air Monday morning before school North Clintondale junior and senior girls’ lounge we will be following her around. This group, almost all Irish girls, Irish Catholic girls if that additional description is needed, of varying respectabilities, was actually there to attend to their toilet and prepare for the rigors of the girl school day. Oh yes, after all what is the point of being in this exclusive, if democratic, lounge anyway, they too were talking in very, very, very quiet tones discussing their weekend doings, their mainly sexless weekend doings, although at least one, Dora, was speaking just a bit too cryptically, and with just a little too much of a glean in her eyes to pass churchly muster.
And what of Peggy? Well Peggy had her story to tell, if she decided to tell it which she had no intention of doing that day. She was bothered, with an unfocused bother, but no question a bother about other aspects of her life, about what she was going to, about her place in the world to than to speak of sex. It was not that Peggy didn’t like sex, or rather more truthfully, the idea of sex, or maybe better put on her less confused days, the idea of the idea of sex. Just this past weekend, Saturday night, although it was a book sealed with seven seals that she was determined not to speak of, girls’ lounge or not, she had let Pete Rizzo “feel her up,” put his hands on her breast. No, not skin on skin, jesus no, but through her buttoned-up blouse. And she liked it. And moreover, she thought that night, that tossing and turning night, “when she was ready” she was would be no prude about it. When she was ready, and that is why she insisted that the idea of the idea of sex was something that would fall into place. When she was ready.
But as she listened to the other Irish girls and their half-lies about their weekends, or drifted off into her own thoughts sex, good idea or not, was not high on her list of activities just now. Certainly not with Pete. Pete was a boy that she had met when she was walking at “the meadows,” For those not familiar with the Clintondale meadows this was a well-manicured and preserved former pasture area that the town fathers had designated as park, replete with picnic tables, outdoor barbecue pits, a small playground area and a small restroom. The idea was to preserve a little of old-time farm country Clintondale in the face of all the building going on in town. But for Peggy the best part was that on any given day no one was using the space, preferring the more gaudy, raucous and, well, fun-filled Gloversville Amusement Park, a couple of towns over. And
so she could roam there freely, and that seemed be Pete’s idea, as well one day. And that meeting really set up what was bothering Peggy these days.
Pete was a freshman at the small local Gloversville College. Although it was small and had been, according to Pete, one of those colleges founded by religious dissidents, Protestant religious dissidents from the mainstream Protestantism of their day, it was well-regarded academically (also courtesy of Pete). And that was Pete’s attraction, his ideas and how he expressed them. They fit right in with what Peggy had been bothered by for a while. Things that could not be spoken of in girls’ lounge, or maybe even thought of there. Things like what to do about the black civil rights struggle that was burning up the television every night. (Pete was “heading south” next summer he said.) Things like were we going to last until next week if the Russians came at us, or we went after the Russians.
Also things like why was she worried every day about her appearance and why she, like an addiction, always, always, made her way to the girls’ lounge to “make her face” as part of the rigors of the girl school day. And that whole sex thing that was coming, and she was glad of it, just not with Pete, Pete who after all was just too serious, too much like those commissars over in Russia, although she liked the way he placed his hands on her. And she was still thinking hard on these subjects as she excused herself from the group as she put the final touches of lipstick on. Just then the bell rang for first period, and she was off into the girl day.
Scene: Boys’ “Lav,” Second Floor, Clintondale High School, Monday morning before school, September, 1962. (Not necessarily the same Monday morning as the scene above but some Monday after the first Monday, Labor Day, in September. In any case even if it was the same Monday as the one above that coincidence does not drive this story, other more ethereal factors do.) Additional information for those who know not of boys’ lavs, for whatever reason. The Clintondale High School boys’ rest rooms, unlike the girls’ lounge mentioned above at North, or where a similar rule applied to the girls’ lounge at Clintondale, was open to any boy in need of its facilities, even lowly, pimply freshmen as long as they could take the gaffe. Apparently Clintondale high school boys, unlike the upperclassmen girls needed no special consideration for their grooming needs in order to face the schoolboy day.
Well, strictly speaking that statement about a truly democratic boys’ lav universe was not true. The first floor boys’ lav down by the woodworking shop was most strictly off limits, and had been as far back as anyone could remember, maybe Neanderthal times, to any but biker boys, badass corner boys, guys with big chips on their shoulders and the wherewithal to keep them there , and assorted other toughs. No geeks, dweebs, nerds, guys in plaid shirts and loafers with or without pennies inserted in them, or wannabe toughs, wannabe toughs who did not have that wherewithal to maintain that chip status need apply. And none did, none at least since legendary corner boy king (Benny’s Variety version), “Slash” Larkin, threw some misdirected freshman through a work-working shop window for his mistake. Ever since every boy in the school, every non-biker, non-corner boy, or non-tough had not gone within fifty yards of that lav, even if they took shop classes in the area. And a “comic” aspect of every year’s freshman orientation was a guided finger to point out which lav not to use, and that window where that freshman learned the error of his ways. No king, no lion ever guarded his territory as fiercely as the “bad” boys did. Except, maybe, those junior and senior Clintondale girls of any year, and not just 1962, as they guarded their lounge lair.
That left the boys’ rooms on the second floor, the third floor, the one as you entered the gymnasium, and the one outside of the cafeteria for every other boy’s use. A description, a short description, of these lavs is in order. One description fits all will suffice; a small room, with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. Additionally, naturally, several somewhat grimy, stained (from the “misses”) urinals. What draws our attention to the second floor boys’ room this day are two facts. First, this rest room is in the back of the floor away from snooping teachers’ eyes, ears and noses and has been known, again for an indeterminate time, as the place where guys could cadge a smoke, a few quick puffs anyway, on a cigarette and blow the smoke out the back window, rain or shine, cold or hot weather. So any guy of any class who needed his fix found his way there. And secondly, today, as he had done almost every Monday before school since freshman year John Prescott and friends have held forth there to speak solemnly of the weekend’s doing, or not doings. To speak of sex, non-sex, and more often than seemed possible, of the girl who got away, damn it.
Of course, egalitarian democratic or not, even such drab places as schoolboy rest rooms have their pecking orders, and the second floor back tended to eliminate non-smoking underclassmen, non-smokers in general, serious intellectual types, non-jocks, non-social butterflies, and non-plaid shirt and loafer boys. And Johnny Prescott, if nothing else was the epitome of the plaid shirt and loafer crowd. And just like at that up-scale North Clintondale girls’ lounge come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every plaid-shirted, penny-loafered boy with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a smoky democratic setting there was a certain standardized routine-ness to these Monday mornings. And that routine-ness, the very fact of it, is why on John Prescott draws our attention this day.
And if Johnny was the king of his clique for no other reason than he was smart, but not too smart, not intellectual smart, or showing it any way, that he was first to wear plaid and loafers and not be laughed at, and he had no trouble dating girls, many notched girls, which was the real sign of distinction in second floor lav, he was a troubled plaid-ist.
No, not big troubled, but, no question, troubled. Troubled about this sex thing, and about having to have the notches to prove it, whether, to keep up appearances, you had to lie about it or not when you struck out as happened to Johnny more times than he let on (and as he found out later happened to more guys more often than not). Troubled about political stuff like what was going on down in the South with those black kids taking an awful beating every day as he saw on television every freaking night. And right next store in Adamsville where some kids, admittedly some intellectual goof kids, were picketing Woolworth’s every Saturday to let black people, not in Adamsville because there were no blacks in Adamsville, or Clintondale for that matter, but down in Georgia, eat a cheese sandwich in peace at a lunch counter and he thought he should do something about that too, except those intellectual goofs might goof on him.
And big, big issues like whether we were going to live out our lives as anything but mutants on this planet what with the Russian threatening us everywhere with big bombs, and big communist one-size-fits- all ideas. Worst, though were the dizzying thoughts of his place in the sun and how big it would be. Worst, right now worst though was to finish this third morning cigarette and tell his girl, his third new girl in two months, Julie James, that he needed some time this weekend to just go off by himself, “the meadows” maybe, and think about the stuff he had on his mind.
*******
Scene: Clintondale Meadows, late September 1962. The features of the place already described above, including its underutilization. Enter Johnny Prescott from the north, plaid shirt, brow loafers, no pennies on this pair, black un-cuffed chinos, and against the winds of late September this year his Clintondale High white and blue sports jacket won for his athletic prowess in sophomore year. Theodore White’s The Making Of A President-1960 in hand. Enter from the south Peggy Kelly radiant in her cashmere sweater, her just so full skirt, and her black patent leather shoes with her additional against the chill winds red and black North Clintondale varsity club supporter sweater. James Baldwin’s Go Tell It On The Mountain in hand. Johnny spied Peggy first, makes an initial approach as he did to most every girl every chance he got, but notices, notices at a time when such things were important in Clintondale teen high school live the telltale red and black sweater, and immediately backs off. Peggy noticing Johnny’s reaction puts her head down. A chance encounter goes for not.
****
That is not the end of the story though. Johnny and Peggy will “meet” again, by chance, in the Port Authority Bus Station in New York City in 1964 as they, along with other recent high school graduates, “head south.”
Wednesday, February 2, 2011
Out In The Be-Bop 1950s Cold War Night- Mickey Spillane’s Mike Hammer Is On The Case- “Kiss Me Deadly”- A Film Review
Click on the headline to link to a Wikipedia entry for Kiss Me Deadly.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
Monday, December 6, 2010
**Out In The Be-Bop 1950s Night- In The Time Before The Rock ‘n’ Roll Jailbreak –They Shoot CD Players Don’t They-A CD Review
Click on the headline to link to a YouTube film clip of Sammy Kaye and his Orchestra performing Harbor Lights
CD Review
The 1950s: 16 Most Requested Songs, Volume II, various artists, CBS Records, 1986
Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What it owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that is reflected in this CD under review, The 1950s: 16 Most Requested Songs, which is really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.
I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitterbuggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.
No, this is music that reflects, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.
Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
*******
Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)
I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.
I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.
I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.
Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.
CD Review
The 1950s: 16 Most Requested Songs, Volume II, various artists, CBS Records, 1986
Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What it owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that is reflected in this CD under review, The 1950s: 16 Most Requested Songs, which is really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.
I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitterbuggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.
No, this is music that reflects, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.
Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
*******
Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)
I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.
I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.
I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.
Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.
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