To Those Born After
I
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
*******
Markin comment:
To Those Who Come After
History in the conditional is always a funny tricky little thing. You can get wrapped up it in so bad that you begin to deny the hard reality of what really happened, what really bad happened usually. On the other hand you can do as most historians do and just plod along assuming because X, Y, or Z happened that was that. That’s the facts, jack and that’s it. Obviously to resolve this thing, or rather to get a real sense of the possibilities, some combination, some mix and matching needs to be placed in the maelstrom. And it is under that sign that I wish to understand Bertolt Brecht’s great poem, his great big tied-up with ribbons and bows valentine to future generations really, To Those Who Come After, that I have posted above.
Of course it is a matter of generations, no question. And what that generation could have, or could not have, done, and done differently to sway the funny little rhythms of history. For his, Bertolt’s generation, if they only could have held out against the imperialist imperative onslaught of World War I, or at least not gone alone like sheep until almost the very end. More germane, if they could have carried out to completion one of those big-time revolutionary possibilities in Germany that they had in the early 1920s. Or ceased their, Communists and Social-Democrats alike, willfully myopic view that the Weimar regime would hold out against the bootjack of Hitler’s storm streets without having to unite for an all-out fight to the death against the Nazi menace.
Moving forward to my parent’s generation, the generation that scarecrow survived the Great Depression of the 1930s and went on to survive, or wait on the survivors, of the D-Day and Pacific bloodbaths of World War II. If only they could have seen clearly enough that that Roosevelt guise was sheer deception to save his class in power (even if he had to fight them, the economic royalists, the one percent of his time, tooth and nail to do it) and create their own party, a workers party, after the tremendous class battles of the mid to late 1930s when they had the bosses on the run, a little anyway. Or hadn’t bought, bought hard into that white picket fence post-war dream and let the red scare dark night wash away whatever big (or little, but I think big) spark got them through the dustbowl miseries and war shellshock.
Once again moving forward to my generation, my disposable income record store soda fountain be-bop high school confidential night with some undiagnosed teen angst mixed with teen alienation generation, the generation of ’68, who didn’t want, well, didn’t start out wanting to anyway, buy into that red scare night white picket fence dream. If we could have just, a big “could have just” I agree, not thrown everything out with the bathwater and read some history we could have realized that it wasn’t just about us. Well, one way or the other, the Vietnamese taught us that lesson, that lesson about perseverance, about a sense of history and about using every tool around to get free. Or, closer to home, if we could have remembered where we had come from, most of us anyway, and dug our working class heels in sooner we could have left some kind of social movement worthy of the name instead of leaving future generations to start from scratch.
And moving on to our children’s generation. Oh, well, history records many retrogressions in the uphill struggle.
And now on to the generation that I am really directing this little “history” lesson to, the real subject of my “to those who come after,” those who roughly are students today, and are moreover the heart and soul of the Occupy movement that has suddenly jumped up onto the historic stage giving them a chance to change the course of history- on their terms. And, by the way incidentally giving to me (and others) from the generation of ’68 a second chance to make things right. Each generation I am firmly convinced must (and will) find its own ways to fight the monster. But know this, know this from first-hand experience, there is a monster on the loose out there, and that monster has a name, the American imperial state just now being captained by one Barack Obama. Whoever the captain is though the monster remains and that is where the “to the death” fight is.
And this is where Brother Brecht and I can share the same sentiments about being ill-equipped in our times to face those hard realities, to worry over half-measures, to not stay the course we knew we had to stay. So forgive us for not doing better, not doing a lot better. But forgive, or not, go slay that damn dragon.
Showing posts with label communism. Show all posts
Showing posts with label communism. Show all posts
Wednesday, January 11, 2012
Tuesday, November 29, 2011
Out In The 1950s Crime Noir Night- If Your Mommie Is A Commie, Turn Her In- “Pick Up On South Street”- A Film Review
Click on the headline to link to a Wikipedia entry for the crime noir , Pick Up On South Street
DVD Review
Pick Up South Street, starring Richard Widmark, Jean Peters, Richard Kiley, 20th Century-Fox, 1953
I have previously in this space seemingly beaten to death the idea that not all crime noirs are created equal. Here I am again giving a thumbs down to this one based on that elusive standard. And here‘s why. While most of crime noirs , those that have good or bad femme fatales to muddy up the waters or not, have crime, the solving of crime, and the message that crime does not pay built into their plot lines. The film under review here, Pick Up On South Street, however tries to combine crime with a political message, a 1950s Cold War “red scare” political message-don’t mess with the reds or you’ll be dead. Courtesy of one J. Edgar Hoover, and about a million other unnamed, unmourned anti-communists. Moreover, given the year of the film, 1953, it seems to have been specially created to kick dirt on the names of Julius and Ethel Rosenberg who were being executed for their efforts on behalf of the Soviet Union. But argument over that possible link is for another time.
Here’s the plot line to give you an idea of how the two themes mesh (or don’t mesh) in this film. A woman, Candy (played by Jean Peters), while riding a New York subway has her wallet pick-pocketed by one low-life grafter, Skip (played by Richard Widmark). Not big deal in New York City, except that the wallet contained, unknown to Ms. Candy, secret microfilmed documents headed overseas (to Uncle Joe, okay) through (nefarious, of course) agents working here. Skip is not privy to what he has unleashed until Candy is ordered by one of the agents, someone who has “befriended” her, Joey (played by Richard Kiley), to get the damn thing back. Hence she finally winds up on South Street where in a run-down fishing shack Widmark hangs his hat. Through guile, sexual advance, and anything else she can think of she tries to get the microfilm taking more than her fair share of beatings in the process. No dice, for a while. Of course to tie the red scare theme together agents, and you know what agents, are on the case looking out for the national interest. So the "win" is in the bag. Overall pretty thin gruel, right?
Right, except for Richard Widmark’s self-dramatizing flare as Skip, and his duplicity. See once Skip does become privy to what he has he is ready to sell to the highest bidder, and it takes hell and high water, including some cooing by Ms. Peters to get him on the right side of the angels. And this is where the whole thing falls down a little. No self-respecting criminal (or certified lumpenproletarian to use Marx’s term) is really going to go through hoops out of some patriotic fervor when he has gold right in front of him. Widmark and the cooing been-around-the-block Ms. Peters going off the deep-end for some patriotic reasons just stretches the imagination a little too far. But then you have to reach back to the old stand-by rationale of crime noir-crime, crime crime, or political crime, doesn’t pay to learn the lesson put forth here. Got it.
DVD Review
Pick Up South Street, starring Richard Widmark, Jean Peters, Richard Kiley, 20th Century-Fox, 1953
I have previously in this space seemingly beaten to death the idea that not all crime noirs are created equal. Here I am again giving a thumbs down to this one based on that elusive standard. And here‘s why. While most of crime noirs , those that have good or bad femme fatales to muddy up the waters or not, have crime, the solving of crime, and the message that crime does not pay built into their plot lines. The film under review here, Pick Up On South Street, however tries to combine crime with a political message, a 1950s Cold War “red scare” political message-don’t mess with the reds or you’ll be dead. Courtesy of one J. Edgar Hoover, and about a million other unnamed, unmourned anti-communists. Moreover, given the year of the film, 1953, it seems to have been specially created to kick dirt on the names of Julius and Ethel Rosenberg who were being executed for their efforts on behalf of the Soviet Union. But argument over that possible link is for another time.
Here’s the plot line to give you an idea of how the two themes mesh (or don’t mesh) in this film. A woman, Candy (played by Jean Peters), while riding a New York subway has her wallet pick-pocketed by one low-life grafter, Skip (played by Richard Widmark). Not big deal in New York City, except that the wallet contained, unknown to Ms. Candy, secret microfilmed documents headed overseas (to Uncle Joe, okay) through (nefarious, of course) agents working here. Skip is not privy to what he has unleashed until Candy is ordered by one of the agents, someone who has “befriended” her, Joey (played by Richard Kiley), to get the damn thing back. Hence she finally winds up on South Street where in a run-down fishing shack Widmark hangs his hat. Through guile, sexual advance, and anything else she can think of she tries to get the microfilm taking more than her fair share of beatings in the process. No dice, for a while. Of course to tie the red scare theme together agents, and you know what agents, are on the case looking out for the national interest. So the "win" is in the bag. Overall pretty thin gruel, right?
Right, except for Richard Widmark’s self-dramatizing flare as Skip, and his duplicity. See once Skip does become privy to what he has he is ready to sell to the highest bidder, and it takes hell and high water, including some cooing by Ms. Peters to get him on the right side of the angels. And this is where the whole thing falls down a little. No self-respecting criminal (or certified lumpenproletarian to use Marx’s term) is really going to go through hoops out of some patriotic fervor when he has gold right in front of him. Widmark and the cooing been-around-the-block Ms. Peters going off the deep-end for some patriotic reasons just stretches the imagination a little too far. But then you have to reach back to the old stand-by rationale of crime noir-crime, crime crime, or political crime, doesn’t pay to learn the lesson put forth here. Got it.
Monday, October 24, 2011
Poet's Corner- Bertolt Brecht's "To Those Born After"-As The Torch Passes-In Honor Of Those Who Fight To "Seek A Newer World"
Click on the headline to link to updates from the Occupy Boston website. Occupy Boston started at 6:00 PM, September 30, 2011. I will post important updates as they appear on that site.
********
We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
To Those Born After
I
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
*******
Markin comment October 24, 2011:
Recently I have, as an old-time radical, a 1960s radical but don’t hold that against me, been commenting in this space about my favorable reaction to the creation of the Occupy Boston site (and the several hundred others set up here in America and world-wide in the wake of Occupy Wall Street). I have backed that favorable reaction with all kinds of support, including physical defense of the Occupy Boston site in the early hours of Tuesday October 11, 2011 when the Boston police raided and shut down the second site. During the course of various conversations over past couple of weeks, mainly with the young campers and their supporters, I have repeatedly made the statement that “the torch has been passed.” This statement has met with a certain amount of bewilderment and incomprehension on the part of some young listeners. All that the statement means, perhaps reflecting my own political origins as a left-liberal democrat who fiercely supported John F. Kennedy’s presidential victory in 1960 and was enthralled by his use of the term in his inaugural address in 1961, is that we older radicals now had young radicals to pass the lessons of the struggle on to. Unfortunately, until very recently, I and a fair number of other older radicals, were somewhat in despair because with a very un-radical “missing generation” (our sons and daughters, and today’s youth’s parents) the links to the past struggles might not get passed on. I breathe easier now knowing we have reinforcements, and plenty of them.
I breathe easier still knowing that like the narrator in Bertolt Brecht's poem above, To Those Who Come After, by my actions over a long political career, a career filled with its fair share of mistakes and wrong roads taken that I can post this poem in solidarity with the narrator. I have continued the fight for the “newer world” that I started out as a starry-eyed youth to fight for long ago in the early 1960s when I attended my first public demonstration in favor of nuclear disarmament. I, we, did not set the terms that we fought under, mostly the rich and powerful set the agenda and we reacted, fitfully, to their outrages in order to stop their wars, stop their violations of our civil liberties, and stop their hoarding of the common wealth. But mainly, well or poorly, I, we, fought. I, we, got up, stood up, stood up for my (our) rights as Bob Marley’s song of the same name would have it. So remember, as the last lines of the poem plead-“And in the future when no longer, Do human beings still treat themselves as animals, Look back on us with indulgence.”
********
We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
To Those Born After
I
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
*******
Markin comment October 24, 2011:
Recently I have, as an old-time radical, a 1960s radical but don’t hold that against me, been commenting in this space about my favorable reaction to the creation of the Occupy Boston site (and the several hundred others set up here in America and world-wide in the wake of Occupy Wall Street). I have backed that favorable reaction with all kinds of support, including physical defense of the Occupy Boston site in the early hours of Tuesday October 11, 2011 when the Boston police raided and shut down the second site. During the course of various conversations over past couple of weeks, mainly with the young campers and their supporters, I have repeatedly made the statement that “the torch has been passed.” This statement has met with a certain amount of bewilderment and incomprehension on the part of some young listeners. All that the statement means, perhaps reflecting my own political origins as a left-liberal democrat who fiercely supported John F. Kennedy’s presidential victory in 1960 and was enthralled by his use of the term in his inaugural address in 1961, is that we older radicals now had young radicals to pass the lessons of the struggle on to. Unfortunately, until very recently, I and a fair number of other older radicals, were somewhat in despair because with a very un-radical “missing generation” (our sons and daughters, and today’s youth’s parents) the links to the past struggles might not get passed on. I breathe easier now knowing we have reinforcements, and plenty of them.
I breathe easier still knowing that like the narrator in Bertolt Brecht's poem above, To Those Who Come After, by my actions over a long political career, a career filled with its fair share of mistakes and wrong roads taken that I can post this poem in solidarity with the narrator. I have continued the fight for the “newer world” that I started out as a starry-eyed youth to fight for long ago in the early 1960s when I attended my first public demonstration in favor of nuclear disarmament. I, we, did not set the terms that we fought under, mostly the rich and powerful set the agenda and we reacted, fitfully, to their outrages in order to stop their wars, stop their violations of our civil liberties, and stop their hoarding of the common wealth. But mainly, well or poorly, I, we, fought. I, we, got up, stood up, stood up for my (our) rights as Bob Marley’s song of the same name would have it. So remember, as the last lines of the poem plead-“And in the future when no longer, Do human beings still treat themselves as animals, Look back on us with indulgence.”
Monday, July 11, 2011
Where Hip-Hop Nation Corner Boys Meet The Be-Bop Night Corner Boys- A Nod To J. Cole's "Dolla And A Dream"
Click on the headline to link to a YouTube film clip of J. Cole performing Dolla and a Dream.
Dolla and a Dream lyrics- j. cole
For all my ville niggas man,
All my Carolina niggas man, (lights off and shit)
All my real niggas, no matter where you come from
A dolla and a dream, thats all a nigga got
So if its about that c.r.e.a.m., then I'm all up in the spot.
I was raised in the F-A-
Why a nigga never gave me nothing?
Pops left me, I ain't never cry, baby, fuck him, that's life.
And trust me I'm living,
Look what a nigga made out,
The shit that I was given,
Look what a nigga came out
The shit that I was given,
Look what a nigga came out
Momma sewing patches on my holes,
Man, our hoes couldn't put this flame out.
Straight up, I got my back against the brick wall,
I'm from a world where niggas never pop no Cristal, it was pistols.
You pass through, you better pray them bullets missed y'all,
I thank the Lord He let a nigga make it this far,
A lot niggas don't, a lot of moms weep.
I gotta carry on, all the weight is on me.
You never know when a nigga might try to harm me.
Rest In Peace that nigga John Lee,
I pour liquor, homie.
It's foul, but yo the world keeps spinning,
Gotta keep winning, get up off this cheap linen,
Nigga Imma eat, even if it means sinning,
Niggas want beef, Imma sink my teeth in 'em.
Pause, I go harder, I am all about a dollar.
You niggas street smart? I'm a motherfucking scholar.
So trust me, I ain't stopping 'til my money is long,
So much dough, them hoes will think I'm rocking money cologne.
Have a model at the crib waiting, "Honey, I'm home."
Cooking greens for a nigga, give 'em plenty, a dome.
It's funny, we dream about money so much its like we almost got it,
Until we reach up in our pockets, its time to face reality,
The ville is a trap nigga now,
And if you ain't focused you gonna be here for awhile, yeah.
*******
Markin comment:
On the face of the matter it would seem improbable, very improbable, that a leading voice of the hip-hop nation today, j. cole, and an old reprobate communist mired in be-bop 1950s youthful memories would have any points of intersection. And if it hadn’t been for happenstance that I ran into a young woman, Kelly, at a political event and mentioned to her that I was somewhat bewildered by the lack of political focus in today’s music and she mentioned some of j. cole’s stuff that she was crazy about it still would have been so. Naturally, since I am also in the midst of a craze of my own in trying to present archival material from the 1960s and 1970s concerning youth work among the leftist groups of the time, I checked out some of his lyrics.
The distance between a young black man growing up in the ‘hood of Fayetteville, North Carolina in the recent past, post-civil rights marches time, “post-racial” time and a 1950s be-bop rock white kid growing up in “the projects” turns out not to be so far after all. The connection: a simple lyric taken from j. cole’s Dolla and a Dream about how his mother, blessed mother of course, had to sew patches on his pants “to make do” when he was young. No heavy message needed there. I remember, and have written about, my own hand-me-down patched non-fashionista childhood. Now this lyric may no represent the “high” communist theory that we communist propagandists thrive on but if we can’t get to those kids, those ‘hood, barrio, projects kids who are also basically living on hand-me-downs, then we are going to have a very hard time trying to fight for our communist future, and theirs.
Dolla and a Dream lyrics- j. cole
For all my ville niggas man,
All my Carolina niggas man, (lights off and shit)
All my real niggas, no matter where you come from
A dolla and a dream, thats all a nigga got
So if its about that c.r.e.a.m., then I'm all up in the spot.
I was raised in the F-A-
Why a nigga never gave me nothing?
Pops left me, I ain't never cry, baby, fuck him, that's life.
And trust me I'm living,
Look what a nigga made out,
The shit that I was given,
Look what a nigga came out
The shit that I was given,
Look what a nigga came out
Momma sewing patches on my holes,
Man, our hoes couldn't put this flame out.
Straight up, I got my back against the brick wall,
I'm from a world where niggas never pop no Cristal, it was pistols.
You pass through, you better pray them bullets missed y'all,
I thank the Lord He let a nigga make it this far,
A lot niggas don't, a lot of moms weep.
I gotta carry on, all the weight is on me.
You never know when a nigga might try to harm me.
Rest In Peace that nigga John Lee,
I pour liquor, homie.
It's foul, but yo the world keeps spinning,
Gotta keep winning, get up off this cheap linen,
Nigga Imma eat, even if it means sinning,
Niggas want beef, Imma sink my teeth in 'em.
Pause, I go harder, I am all about a dollar.
You niggas street smart? I'm a motherfucking scholar.
So trust me, I ain't stopping 'til my money is long,
So much dough, them hoes will think I'm rocking money cologne.
Have a model at the crib waiting, "Honey, I'm home."
Cooking greens for a nigga, give 'em plenty, a dome.
It's funny, we dream about money so much its like we almost got it,
Until we reach up in our pockets, its time to face reality,
The ville is a trap nigga now,
And if you ain't focused you gonna be here for awhile, yeah.
*******
Markin comment:
On the face of the matter it would seem improbable, very improbable, that a leading voice of the hip-hop nation today, j. cole, and an old reprobate communist mired in be-bop 1950s youthful memories would have any points of intersection. And if it hadn’t been for happenstance that I ran into a young woman, Kelly, at a political event and mentioned to her that I was somewhat bewildered by the lack of political focus in today’s music and she mentioned some of j. cole’s stuff that she was crazy about it still would have been so. Naturally, since I am also in the midst of a craze of my own in trying to present archival material from the 1960s and 1970s concerning youth work among the leftist groups of the time, I checked out some of his lyrics.
The distance between a young black man growing up in the ‘hood of Fayetteville, North Carolina in the recent past, post-civil rights marches time, “post-racial” time and a 1950s be-bop rock white kid growing up in “the projects” turns out not to be so far after all. The connection: a simple lyric taken from j. cole’s Dolla and a Dream about how his mother, blessed mother of course, had to sew patches on his pants “to make do” when he was young. No heavy message needed there. I remember, and have written about, my own hand-me-down patched non-fashionista childhood. Now this lyric may no represent the “high” communist theory that we communist propagandists thrive on but if we can’t get to those kids, those ‘hood, barrio, projects kids who are also basically living on hand-me-downs, then we are going to have a very hard time trying to fight for our communist future, and theirs.
Monday, June 30, 2008
***Space Wars, Circa 1960- For Irving Jack, Class Of 1964
Click on the headline to link to a "Wikipedia" entry for "Sputnik, the first satellite sent into space from Earth.
Al Johnson, Class of 1964, comment:
I did not know Irving Jack in school nor do I know him now but I love the combination of his names and he was, in fact, as far as memory serves the science whiz of our class, the Class of 1964. I am sure that had I known him we could have solved that little technical launch problem that I describe below. Ah, but such is life.
Space Wars, Circa 1960
In high school did you ever get caught up in the euphoria over the space program?
We, all of us, are now old enough and presumably have seen enough of this sorry old world, to have become somewhat inured to the wonders of modern technology. Just witness the miracle of cyberspace that we are communicating through. My question goes back to the mist of time when humankind had just developed the technology to reach for the stars, and we had the capacity to wonder.
For myself, I distinctly remember, as I am sure that you do as well, sitting in some North Quincy High classroom as the Principal came over the P.A. system and hooked us up with the latest exploit in space. John Glenn's trip around the earth comes readily to mind. My friends, I will go back even further, back to elementary school, when we were just becoming conscious of the first explorations of space. The reaction to the news of Sputnik, the artificial satellite that the Russians had put up in 1957, drove many of us to extend our range of scientific knowledge.
I vividly remember trying to make rockets, in the basement of our family apartment, by soldering tin cans together fused with a funnel on top. I also remember taking some balsa wood, fashioning a rocket-type projectile, putting up wiring between two poles, inserting a CO2 cartridge and hammering away. Bang!!!
After that experience my scientific quest diminished. Moreover, I became much more concerned about the fate of my fellow earthlings and trying to correct a few injustices in this world, but that is another story. Now that I think about it the question posed above really is aimed at those, unlike myself, who moved beyond boyish (or girlish)fantasies and used that youthful energy to get serious about science.
Al Johnson, Class of 1964, comment:
I did not know Irving Jack in school nor do I know him now but I love the combination of his names and he was, in fact, as far as memory serves the science whiz of our class, the Class of 1964. I am sure that had I known him we could have solved that little technical launch problem that I describe below. Ah, but such is life.
Space Wars, Circa 1960
In high school did you ever get caught up in the euphoria over the space program?
We, all of us, are now old enough and presumably have seen enough of this sorry old world, to have become somewhat inured to the wonders of modern technology. Just witness the miracle of cyberspace that we are communicating through. My question goes back to the mist of time when humankind had just developed the technology to reach for the stars, and we had the capacity to wonder.
For myself, I distinctly remember, as I am sure that you do as well, sitting in some North Quincy High classroom as the Principal came over the P.A. system and hooked us up with the latest exploit in space. John Glenn's trip around the earth comes readily to mind. My friends, I will go back even further, back to elementary school, when we were just becoming conscious of the first explorations of space. The reaction to the news of Sputnik, the artificial satellite that the Russians had put up in 1957, drove many of us to extend our range of scientific knowledge.
I vividly remember trying to make rockets, in the basement of our family apartment, by soldering tin cans together fused with a funnel on top. I also remember taking some balsa wood, fashioning a rocket-type projectile, putting up wiring between two poles, inserting a CO2 cartridge and hammering away. Bang!!!
After that experience my scientific quest diminished. Moreover, I became much more concerned about the fate of my fellow earthlings and trying to correct a few injustices in this world, but that is another story. Now that I think about it the question posed above really is aimed at those, unlike myself, who moved beyond boyish (or girlish)fantasies and used that youthful energy to get serious about science.
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